AVALIAÇÃO DA IMDb
3,9/10
1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaVampire seeks world domination via experiments. Mistakenly delivered radar-controlled Robot transports him and Mother Riley, leading to confrontation as she tries stopping Vampire's scheme.Vampire seeks world domination via experiments. Mistakenly delivered radar-controlled Robot transports him and Mother Riley, leading to confrontation as she tries stopping Vampire's scheme.Vampire seeks world domination via experiments. Mistakenly delivered radar-controlled Robot transports him and Mother Riley, leading to confrontation as she tries stopping Vampire's scheme.
Graham Moffatt
- The Yokel
- (as Graham Moffat)
María Mercedes
- Julia
- (as Maria Mercedes)
Charles Lloyd Pack
- Sir Joshua Bing
- (as Charles Lloyd-Pack)
Avaliações em destaque
My Son the Vampire AKA Vampire Over London (1952) or "Old Mother Riley Meets the Vampire" (original title).
This is a cute comedy-horror film. We have Bela Lugosi as "the vampire" Von Housen, Arthur Lucan in drag as Mother Mrs. O'Riley and a robot controlled by "the vampire" Von Housen trying to take over the world. Mrs. O'Riley in her comical ways will try to help stop the vampire from world domination. What more do you want from a zany comedy?! Mrs. O'Riley has to give us a song and dance - which is kinda cute but certainly not the highlight of the film - I personally think the highlight is Lugosi and the robot - but that is my taste.
A fun film overall.
6/10
This is a cute comedy-horror film. We have Bela Lugosi as "the vampire" Von Housen, Arthur Lucan in drag as Mother Mrs. O'Riley and a robot controlled by "the vampire" Von Housen trying to take over the world. Mrs. O'Riley in her comical ways will try to help stop the vampire from world domination. What more do you want from a zany comedy?! Mrs. O'Riley has to give us a song and dance - which is kinda cute but certainly not the highlight of the film - I personally think the highlight is Lugosi and the robot - but that is my taste.
A fun film overall.
6/10
Arthur Lucan's drag character of old Mother Riley, whilst being somewhat of a big hit in England, never really made its mark here in America. Why? Well, for starters, the character of Old Mother Riley, a working class Irish woman who gets into all kinds of comedic situations, doesn't have the universal traits necessary to bring success out of England. There are jokes dealing with class and other very traditional English situations. I heard such awful things about this film in particular, being the last film Lucan did playing Mother Riley, and was honestly a bit pleasantly surprised. Sure this is pretty lowbrow stuff. A man in drag mugging for the camera at every opportunity. A series of comedic situations that were almost all slapstick oriented. One scene where Mother Riley breaks into song for no reason at all. And let's not forget the truly inane plot about confusing the names Riley and packages that were mixed up - with Old Mother Riley getting a robot that should have been sent to Bela Lugosi. But Lucan is talented to a degree and made me laugh a time or two. The film was very watchable. As for Bela Lugosi? He did this film as a means to make money so as to get passage back home for himself and his wife while they were in London after failing at a revival of Dracula on stage. This is probably his last good picture in terms of looking robust and relatively healthy prior to committing himself for drug rehabilitation. He looks good and he looks like he is having a lot of fun. There is one story circulating that Lugosi may not have even known Lucan was in drag at their first meeting - Lucan it seems never went out as himself in public but always as Mother Riley so as to preserve his personal life. At any rate, you might give this film a look while keeping a somewhat open mind. It's not Hamlet. It's not Abbott and Costello Meet Frankenstein, but it does have its moments and it has Bela Lugosi. Lugosi is enough for me.
I, too, first saw this film at the Classic Cinema in Hammersmith. And to me, it was hilarious. But for so many of us growing up in England, the Old Mother Riley films were always a definite treat so that it's not surprising that so many of them were made. And at the time, I'd never even heard of Bela Lugosi. There is no question that the humour in this film is understood best by those of us born and raised in England. And having lived in New York for many years, it's only in recent months that I finally saw, once again, the original version of the film. It's also remarkable for its fine cast of British character actors which includes the now legendary Dora Bryan who, after many years, remains unknown to Americans. I just don't think that Americans could ever truly appreciate or understand the full significance of this film and its importance as the final screen appearance of a British cinema legend. And yes, in the scene where a trolley bus is standing at a traffic light, it does, indeed, appear to be a 660 which I would have used to get home from the cinema after the film was over.
This obscure British B-pic has to be seen to be believed. Ageing music hall entertainer Arthur Lucan ("Mother Riley") confronts a raddled and ill-looking Bela Lugosi, playing a master criminal who sleeps in his coffin and thinks he's a vampire. Lugosi, spoofing his own horror persona, is assisted by a sinister henchman called Hitchcock (!) and a silly-looking robot.
The film isn't particularly good but you keep on watching out of sheer bemusement, wondering what will crop up next. There's a song-and-dance routine in Old Mother Riley's shop, speeded-up chase sequences, a brief appearance from ex Will Hay "fat boy" Graham Moffat and, showing how social attitudes have changed, a running joke involving a drunk driver!
The film isn't particularly good but you keep on watching out of sheer bemusement, wondering what will crop up next. There's a song-and-dance routine in Old Mother Riley's shop, speeded-up chase sequences, a brief appearance from ex Will Hay "fat boy" Graham Moffat and, showing how social attitudes have changed, a running joke involving a drunk driver!
I've never heard of or seen a "Mother Riley Adventure" and didn't realize it was a whole series of films, but I had Turner Classic Movies on and saw that Bela Lugosi was in this one so I figured I'd give it a shot. I'm glad I did, as this is one of the wackier movies I've seen in a long time. It's a slapstick horror featuring an old lady who gets abducted by a robot (?) sent to her by a vampire (played by Bela, of course, who endearingly and comfortably hams it up in his few scenes.) Oh yeah, did I mention old Mother Riley is played by an old man? What a strange vehicle this is, but I found it impossible to dislike. There's even a completely random goofy song and dance sequence. The slapstick goes over-the-top in some scenes (notably the ones that are sped up), but it's all in good fun. The best thing the movie has going for it is its distinctly British humor. I loved Dora Byran as Tilly the chambermaid, especially when she starts cavorting with Mother Riley. The woman has such fantastic comedic timing! Overall, its an amusing and quick movie. If you catch it on TV give it a go. I don't think it's as rotten as its reputation.
Você sabia?
- CuriosidadesAccording to producer Richard Gordon, Bela Lugosi had been on a tour of England in "Dracula", when the production abruptly ended because the producers declared bankruptcy and absconded without paying anyone. Lugosi found himself stranded in London, with no money and no way to get back to the US. Gordon, a friend of Lugosi's who was based in England, heard about his plight and arranged for him to appear in this, the latest--and, as it turned out, the last--in the "Old Mother Riley" series of comedies, for which he was paid $5,000.
- Erros de gravaçãoHead of film crewman clearly visible at left bottom of screen as robot enters Mother Riley's bedroom.
- Citações
Mrs. Riley: [singing] I lift up my finger and I say tweet tweet, now now, shush shush, come come.
- Cenas durante ou pós-créditosFor the U.S. release in the 1960's through Columbia Pictures, the main title was replaced with a title card giving the new title as "My Son the Vampire." The change also resulted in the top billed stars, Arthur Lucan and Bela Lugosi, not appearing in the credits of this U.S. version.
- Versões alternativasSome time after the film's UK release, American distributor Jack Harris and importer Richard Gordon contemplated a US release with new footage featuring Bela Lugosi; but this could not be accomplished because of Lugosi's deteriorated physical condition. The film did not make it to US screens until 1964, where it was given about 2 minutes of added footage ahead of the main title, featuring comic songster Allan Sherman and an unidentified sexy model. In the credits that followed, the names of Lugosi and Lucan were both omitted, though they were retained in the publicity materials.
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- How long is Vampire Over London?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Carry On Vampire
- Locações de filme
- Southwood Lane, Highgate, Londres, Inglaterra, Reino Unido(Mother Riley chases Von Housen's car.)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 14 min(74 min)
- Cor
- Proporção
- 1.37 : 1
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