Um funcionário de banco encarregado de supervisionar o transporte de barras de ouro se junta a um excêntrico vizinho com um plano inusitado para roubá-las e contrabandeá-las.Um funcionário de banco encarregado de supervisionar o transporte de barras de ouro se junta a um excêntrico vizinho com um plano inusitado para roubá-las e contrabandeá-las.Um funcionário de banco encarregado de supervisionar o transporte de barras de ouro se junta a um excêntrico vizinho com um plano inusitado para roubá-las e contrabandeá-las.
- Ganhou 1 Oscar
- 5 vitórias e 4 indicações no total
Avaliações em destaque
The film, told in an intelligent flashback, is divided into 3 segments. First is the plotting. A mild mannered bank clerk meets a minor artist. Both want to get out of their seedy Lavender Hill boarding house & nondescript existance. Both look past their glory days. Yet together they have the opportunity to pull off a brilliant crime.
Then comes the heist. A surprisingly simple operation perfectly (almost!) executed. Finally the escape - getting the gold outside the country into the 'continental blackmarket'. Alas, the movie being made in the good old days when crime didn't pay, our heroes must suffer. But by then they have given us enough joy & adventure for us to forgive their one tragic slip.
This is definitely one of the best comedies Ealing studios made in the '50s (my other favourite is the vastly underrated 'Hue & Cry' where Alistair Sim gives a typical quirky performance & the tipsy 'Whiskey Galore'). Holloway & Guinness acted in many of them. They usually played very stiff upper British lip polite, eccentric, but excitable characters. In this movie they decide they are familiar enough to ask each other their first names only after they have robbed a bank together! When Holloway realises they can pull it off, his face is hidden in the shadows as he slowly tells Guinness, 'Thank God Holland, we are both honest men' - a line which I think summarises the entire movie.
The reason this movie is so amusing even today is that it is very tightly scripted (Tibby Clark won an Oscar for his effort) & brilliantly realised by the ensemble cast. As far as caper films go this has half the gadgetry of 'Entrapment' but twice the fun.
This is the 3rd time I am seeing this movie & I enjoyed it as much as I did the first time. Please see this one!
The plot, briefly, involves a clever bank clerk (Guiness) developing a plan with a die caster (Holloway) to steal several million pounds of gold bullion, recast it into tourist knicknacks in the shape of Eiffel Tower paperweights, and ship it to Paris to sell on the black market. They recruit two professional thieves to help them.
It may not be Ealing's best comedy (my vote would be for "The Lady Killers") but it's more than funny enough. I'll just give three scenes as examples.
(1) Holloway and Guiness, two honest men, need to recruit what they call a "mob" but have no idea how to go about it. What I mean is -- how would YOU go about recruiting criminal assistants? What they do is go to crowded places of low repute -- saloons, prize fights, the underground -- and shout at each other through the noise about the safe being broken at such-and-such an address and all that money having to be left in it. Then they hole up at the address and wait for the burglars to arrive.
(2) A scene at the Eiffel Tower in which they discover that half a dozen of the gold paperweights instead of the usual leaden ones have been sold to some English schoolgirls. They watch horrified as the door closes and the elevator carrying the girls begins its descent, and they decide to rush down the tightly spiraling staircase to ground level, trying to beat the elevator. By the time they reach the street they've been spun around so many times that they can't stop laughing and are unable to stop twirling around until they fall down.
(3) After the robbery, in an empty warehouse soon to be searched by the police, Guiness must be tied up, gagged, and blindfolded with tape. Then his clothes must be torn and dirtied so that it appears he put up a fight before the gold was taken. But the police arrive too soon, and the others beat it, leaving Guiness standing alone, tied up, and blindfolded, but not dirty. He stumbles about blindly, trying to blow the tape from his mouth, getting his feet caught in discarded bicycle wheels, until he falls into the Thames.
Probably the weakest part of the movie is near the end, when police cars wind up chasing one another because of confusing messages. The scene could have been lifted from Laurel and Hardy. It's a little silly. (Why didn't Guiness and Holloway park the stolen car, get out, and walk away?) But that's a minor consideration.
What surprises me about some of these comedies is that they're able to make us laugh despite the dreary atmosphere. The streets of London look awfully dismal in this grainy black and white film. Some of them were still charred wrecks left over from the Blitz. But it doesn't dampen the comedy at all. Following the successful robbery a drunken Guiness and Holloway return to their boarding house to be chided by their landlady for being "naughty". One pulls the other aside, chuckling conspiratorially, and the two agree to call each other "Al" and "Dutch" -- two REAL BIG gangsters for you.
If you need to use up some neuropeptides this is your movie.
Directed by Charles Crichton and written by T.E. Clarke, this is a fun movie that in spite of the years since it was filmed, it still charms its audiences, young and old.
The background is a London, right after the war. The film is original in that it takes us all over the city to places that one can identify so clearly, even after more than 50 years! It speaks of how careful are the English not to destroy their monuments.
As the would be robbers, Henry "Dutch" Holland is a man with a plan. He recognizes in his neighbor of the Lavender Hill rooming house, Alfred Pendlebury, a kindred soul that will see his proposal of how to steal the precious gold bullion from the Bank of England. It's a big operation, yet, only four people are needed to carry on the job.
This is a comedy of errors, where the best laid plans go awry in the small details the gang hadn't planned. The sure thing becomes a dead giveaway to the authorities once Holland and Pendlebury decide to go after the souvenir one young student bought in Paris that is part of the loot. Prior to that, the scenes in Paris at the Eiffel Tower was an original sequence for a movie that relies on intelligence rather than in overblown special effects.
Alec Guinness is charming as the master mind behind the heist. Stanley Holloway, a great English actor is magnificent as the man with an artistic eye, who almost derails the operation. Sid James and Alfie Bass contribute to make the film the joy it is with their comic presence. In a small cameo that comes and goes so quickly, we watch a young and elegant Audrey Hepburn makes an graceful appearance.
This is a film for all Ealing fans of all ages.
A classic small British film that punches above it weight. Good cast get their teeth in to an Oscar winning script. The kind of film they should show at films schools to show how good films are constructed and delivered. One of the top 100 comedy films ever made - although delivers small chuckles rather than out-and-out laughs.
Você sabia?
- CuriosidadesAudrey Hepburn (Chiquita) was considered for a larger role in this movie, but stage work made her unavailable. Sir Alec Guinness was impressed with the young actress and arranged for her to appear in a bit part. This is considered to be Hepburn's first appearance in a major movie.
- Erros de gravaçãoDuring the chase, the license plate on the armored truck is LKL238. The police officer correctly reports the license plate as LKL238. However, when the dispatcher repeats the license plate, he says LKL638.
- Citações
Henry Holland: A minute later, the guard will appear around this corner, and you, Pendlebury, will detain him for at least half a minute. Ask him for a light, ask him the way, ask him anything, but keep him there, we must have those thirty seconds.
Pendlebury: Edgar.
Henry Holland: I beg your pardon?
Pendlebury: Isn't one supposed to say that when one's being briefed? On my rare visits to the cinema...
Henry Holland: The word is "roger."
Pendlebury: Oh, roger. How silly of me.
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Lavender Hill Mob
- Locações de filme
- Gunnersbury Park, Londres, Inglaterra, Reino Unido(Police Exhibition)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 16.361
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.524
- 12 de mai. de 2024
- Faturamento bruto mundial
- US$ 32.232
- Tempo de duração1 hora 18 minutos
- Cor
- Proporção
- 1.37 : 1