Um funcionário de banco encarregado de supervisionar o transporte de barras de ouro se junta a um excêntrico vizinho com um plano inusitado para roubá-las e contrabandeá-las.Um funcionário de banco encarregado de supervisionar o transporte de barras de ouro se junta a um excêntrico vizinho com um plano inusitado para roubá-las e contrabandeá-las.Um funcionário de banco encarregado de supervisionar o transporte de barras de ouro se junta a um excêntrico vizinho com um plano inusitado para roubá-las e contrabandeá-las.
- Ganhou 1 Oscar
- 5 vitórias e 4 indicações no total
Avaliações em destaque
A classic small British film that punches above it weight. Good cast get their teeth in to an Oscar winning script. The kind of film they should show at films schools to show how good films are constructed and delivered. One of the top 100 comedy films ever made - although delivers small chuckles rather than out-and-out laughs.
The film, told in an intelligent flashback, is divided into 3 segments. First is the plotting. A mild mannered bank clerk meets a minor artist. Both want to get out of their seedy Lavender Hill boarding house & nondescript existance. Both look past their glory days. Yet together they have the opportunity to pull off a brilliant crime.
Then comes the heist. A surprisingly simple operation perfectly (almost!) executed. Finally the escape - getting the gold outside the country into the 'continental blackmarket'. Alas, the movie being made in the good old days when crime didn't pay, our heroes must suffer. But by then they have given us enough joy & adventure for us to forgive their one tragic slip.
This is definitely one of the best comedies Ealing studios made in the '50s (my other favourite is the vastly underrated 'Hue & Cry' where Alistair Sim gives a typical quirky performance & the tipsy 'Whiskey Galore'). Holloway & Guinness acted in many of them. They usually played very stiff upper British lip polite, eccentric, but excitable characters. In this movie they decide they are familiar enough to ask each other their first names only after they have robbed a bank together! When Holloway realises they can pull it off, his face is hidden in the shadows as he slowly tells Guinness, 'Thank God Holland, we are both honest men' - a line which I think summarises the entire movie.
The reason this movie is so amusing even today is that it is very tightly scripted (Tibby Clark won an Oscar for his effort) & brilliantly realised by the ensemble cast. As far as caper films go this has half the gadgetry of 'Entrapment' but twice the fun.
This is the 3rd time I am seeing this movie & I enjoyed it as much as I did the first time. Please see this one!
Painting and sculpture were Pendlebury's wings, his escape from his "unspeakably hideous" business occupation. But when Holland delicately introduces him to his own dream of twenty years' to escape - and not just metaphorically - from life as a nonentity, Pendlebury is drawn in. The scenes in the Balmoral Private Hotel in Lavender Hill are outstanding, and the sparse dialogue allows Alec Guinness and Stanley Holloway to shine as Holland suggests to Pendlebury how gold might be smuggled out of the country. "Hohohoho; By Jove, Holland, it is a good job we are both honest men." "It is indeed, Pendlebury."
Later in the film, the plot stands less well up to scrutiny but Guinness and Holloway are easily able to carry the viewers' attention. Chases that turn into farces often don't work in this style of British film, but here again Holland and Pendlebury carry such energy and excitement that they fit in well, and I am sure that even in nineteen fifties Britain, large numbers of the audience will have grasped the ironic humour of the policeman singing "Old MacDonald," in addition to those laughing at the straightforward ludicrousness of the scene.
Aficionados of British postwar comedy will enjoy this film, and because it lacks the dryness of say, "Kind Hearts and Coronets" or "The Ladykillers" it provides a more accessible introduction for those who are new to this most wonderful of genres.
The Lavender Hill Mob is about a bank clerk (Alec Guinness) that, with the aid of his friend Alfred Pendlebury (Stanley Holloway), a man that makes paperweights in the shape of the Eiffel tower, has an ingenious idea of how to rob his own bank. The two realise that the bank cannot be robbed by just them, so they set a trap to catch a couple of criminals, and once they've recruited them; The Lavender Hill Mob is born.
Alec Guinness, a regular of Ealing comedies and a man that I think is worthy of the title "the greatest actor of all time" shines, as usual, in this movie. Alec Guinness manages to hit the tone of his character just right; he is suitably creepy, as he is, a criminal, and yet at the same time he's also eccentric enough to be considered an upstanding citizen and bank clerk. Guinness is, however, not the only actor who's performance in this movie is worthy of acclaim, the entire cast shine in their respective roles; Stanley Holloway is more subdued in his role, but that's also suited to his character. There are also excellent support performances from Sid James, who is mostly remembered for his work on the 'Carry on' films; Alfie Bass, whom fans of British comedy TV will remember from the series "Are You Being Served" and there's also a very small role for Audrey Hepburn, who's movie legacy is legendary.
The Lavender Hill Mob also features many memorable moments that will stick in the viewers' mind long after the film has ended. Parts of the film such as the chase on the Eiffel tower and the way that the two central characters manage to loose the entire police force are legendary. The Lavender Hill Mob is a small movie, but it's a movie that aims big and it works a treat. This movie also features a brilliant twist ending that rivals the one in the superb 'Kind Hearts and Coronets'.
Overall, The Lavender Hill Mob is, despite its low budget and short running time, a spectacular comedy film that should not be missed by anyone.
Você sabia?
- CuriosidadesAudrey Hepburn (Chiquita) was considered for a larger role in this movie, but stage work made her unavailable. Sir Alec Guinness was impressed with the young actress and arranged for her to appear in a bit part. This is considered to be Hepburn's first appearance in a major movie.
- Erros de gravaçãoDuring the chase, the license plate on the armored truck is LKL238. The police officer correctly reports the license plate as LKL238. However, when the dispatcher repeats the license plate, he says LKL638.
- Citações
Henry Holland: A minute later, the guard will appear around this corner, and you, Pendlebury, will detain him for at least half a minute. Ask him for a light, ask him the way, ask him anything, but keep him there, we must have those thirty seconds.
Pendlebury: Edgar.
Henry Holland: I beg your pardon?
Pendlebury: Isn't one supposed to say that when one's being briefed? On my rare visits to the cinema...
Henry Holland: The word is "roger."
Pendlebury: Oh, roger. How silly of me.
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- The Lavender Hill Mob
- Locações de filme
- Gunnersbury Park, Londres, Inglaterra, Reino Unido(Police Exhibition)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 16.361
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.524
- 12 de mai. de 2024
- Faturamento bruto mundial
- US$ 32.232
- Tempo de duração
- 1 h 18 min(78 min)
- Cor
- Proporção
- 1.37 : 1