O Convite

I hate this expression, because I dont categorize film by gender, etc. a good movie is a good movie thats it However, it is appropriate to use in this case.... A very good film never heard of/ once again, Thank You TCM.... another sleepless night... I got hooked immediately. Dorothy McGuire was such a special actress, always good !! beautiful and elegant, this film was geared for her special talents..Beautiful MGM production, with excellent cast, Van Johnson as the husband, who must eventually proove his love; Ruth Roman, in a very "bitchy" role,, as the "other woman", with a twist,, she plays this role extremely well also; and Louis Calhern as the very rich aristocratic overloving father. Good cast / good storyline/ started at 2AM in my area, could not get back to sleep, and my VCR was not on.. Glad I watched... Dorothy McGuire was a treasure!!

I'll admit it - it's taken me a long time to write a review for this movie, because Dorothy McGuire was my favorite actress and since she passed away last year I've had trouble watching this, my favorite movie of hers.

"Invitation" is truly a film unlike any other. Dorothy McGuire is so beautiful (although the department did their best to make her look plain for the part), and she captures the passion of this role completely. Dorothy plays Ellen, who discovers something that makes everything she knows seem like a fraud. She realizes she has to question her whole life, her family, and her husband's loyalty. I don't want to give anything away, because it's meant for you to go on the same journey as Ellen. Dorothy is simply heart-breaking, and in my opinion it was the performance of a lifetime.

The supporting cast is superb, most notably Van Johnson and Ruth Roman, but this movie really belongs to Dorothy. She carries the whole film on her shoulders, and never falters once. It's a very emotional film, and I am still saddened when I think of her loss. She was an actress I always had a great respect for, and always hoped to meet. But, as she herself says at the end of the film, "There is something much more important than keeping alive, and that is knowing that you have lived."

The high rating is due to the cast. Van Johnson is really underrated, as is Ruth Roman. Both of them, especially in later roles, displayed a great deal of talent that was underutilized by Hollywood.

However, the true standout here is the radiant Dorothy McGuire--playing a "plain" girl. Plain? Even with a bag over her head, Miss McGuire could never be plain. In addition to her consummate and versatile acting ability, she can be summed up in four words--THAT FACE, THAT VOICE. She is one of the truly greats who can never be replicated.

The lovely score by Bronislau Kaper adds to the enjoyment of the movie; the title song, "Invitation," has become a standard. (Percy Faith recorded it memorably on one of his many albums.)

It is a comment on Hollywood and the current audiences that this film--essentially a woman's picture--is graced with such literate dialog and fine acting that is not often seen today.

The soaper's better than it had any right to be. A plain looking single woman (McGuire) has a heart condition and only a year to live. Her wealthy father (Calhern) wants to inject some happiness into her remaining year, so he bribes handsome Dan (Johnson) to marry her. Trouble is this leaves cold-hearted Maud (Roman) minus her heart's desire, Dan. Thus she plots revenge.

A plain girl with a year to live!—sure it's a tear-jerker but done intelligently without rubbing our nose in it. Ellen's had a difficult time holding onto self- respect after years of romantic rejection. Her sense of dignity has somewhat hardened, making her more sympathetic than likable. It's a difficult role, similar to DeHaviland's in The Heiress (1949). Fortunately, winning actress McGuire rivets interest in the woman's plight despite an unsmiling demeanor. At the same time, Johnson's boyish charm hits the right notes, though the production fudges on showing Dan's grasping side. To me, that's the movie's biggest flaw, though given the script's general direction, probably understandable. On the other hand, credit MGM's production crew with first-rate craftsmanship in putting the elements together in tasteful fashion. Good also to see such supporting players as Ray Collins and Louis Calhern adding their brand of plausibility to the results. And credit someone—writers, producer?—with avoiding a clichéd ending.

No, there's nothing memorable here. But considering the many excesses a movie like this is subject to, the results amount to an affecting exercise in sheer Hollywood professionalism.

I never liked Dorothy McGuire as and actor, but in this film she was spot-on!

Van Johnson never made a bad movie (he's the glue that holds "Battlegound" and "The Caine Mutnity" together). HE never looks like he's acting; has that college boy look (always up to the next girl adventure).

It's a compelling story that is easily plausible and very human. I'm guessing that it was shown back to back with "Til We Meet Again," a similar tragic situation, yet much more intense. So if you liked "Invitation" you had to enjoy this one as well, assuming you liked the actors: George Brent and Merle Oberon.

I do not like spoiling a movie by telling specific about it; reviews should be, in my intractable position, your response to story and actor. Stop telling what happens.

I love these old B/W film. The quality forever surpasses predictable crap made today.