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Home from the Civil War, young Neal Hammond : Rock Hudson and his older brother : Robert Ryan are glad to return to Austin Texas ranching. However , brother Dan wants more and he takes over properties . As 2 brothers go their separate ways after Civil War , one leads a peaceful life as a rancher , but the other corrupted by the war engages in a violent campaign to build his own empire ,and carrying out terrorisation . His attempt to enter business is thwarted by carpetbagger Cord Hardin : Raymond Burr . But among the growing opposition to his band is the new sheriff , to become his his nemesis , his brother Neal, along with an old friend : James Arness .

It begins as a sluggish , slow-moving Western but follows to surprise us with complex characters , thrills , breathtaking patches and decent plot about two differen brothers ; as both of them end up on opposite sides of the law . The simple tale is almost rudimentary though full of clichés, as the monotonous script lines too often settle for crude routine . Suspense and tension builds over the time in which the outlaws and the starring await to take the farmer's lands . The action is decently made , as when the nasties shoot without remission and rustling cattle . The highlights of the film are the facing off between Robert Ryan and his enemies and the climatic showdown on the ending . Robert Ryan gives a nice performance as the ex-officer who forms a rustling gang and parlays his ill-gotten gains into a land empire . Rock Hudson provides a slighly laborious acting as new Marshal of Austin , but his interpretation is really eclipsed by the great Robert Ryan . His acting as the mobster-tycoon reverberates all the movie in a manner that sometimes anticapates ¨The rise and fall of Leg Diamond¨ considered to be Boetticher's the best . Support cast is pretty good , such as : Burr as as the nasty owner who beats and humiliates Ryan in a poker game , John McIntire as the honest father though he was only 2 years older than Ryan , James Arness , Dennis Weaver , Mae Clarke , Tom Powers , Douglas Fowley , among others.

It displays an atmospheric score by Herman Stein and Henry Mancini , both of whom uncredited . Colorful cinematography in Universal style by Charles Boyle . The motion picture was professionally directed by Budd Boetticher in ordinary and traditional wake.Still apprentice work , so don't expect anything quite so stylishly spare as the Randolph Scott/Boetticher cycle , but Burt Kennedy's intelligent scripting was probably the decisive factor in those later films . Boetticher formed a production company called ¨Ranown¨ along with Harry Joe Brown and Randolph Scott and as usual writer Burt Kennedy. The first Harrry Brown-Boetticher-Scott movie was 1956's " Seven men from now" , following ¨Decision at sundown(57)¨, ¨Buchanan rides alone(58)¨,¨Westbound(59)¨ ,¨Ride lonesome(59) ,in the decades since, they have produced and directed one Western ¨Comanche Station(60)¨ . Boetticher was a great expert on Western genre and also on the bullfighting world as ¨Bullfighter and the lady¨, ¨The magnificent matador¨ and ¨Arruza¨ . Rating : 6/10 . Well worth watching .

"Horizons West" is the kind of unpretentious, fast-paced Technicolor western that Universal-International churned out in the 1950s. The pared-down narrative combined with tight cutting ensures that the movie proceeds briskly even though "Horizons West" was directed without any dramatic intensity. The basic narrative material could have been stretched out to 120 minutes or more, but director Budd Boetticher and editor Ted Kent brought the film in at less than 85 minutes.

Dan Hammond (Robert Ryan), his brother Neil (Rock Hudson) and their ranch colleague Tiny (James Arness) return to Texas from the Civil War. Neil and Tiny are content to return to their previous way of life, but Dan has much bigger ideas. He recruits a gang of army deserters and rustles cattle in a big way. He is very successful and expands into land grabbing and claim jumping. Soon money and success go to his head, and hubris clouds his judgement. Eventually his loyal and loving family turn against him and take it upon themselves to bring him down.

Robert Ryan was always a good, unshowy actor, and he brings out the many sides of Dan Hammond very well. John McIntire, another reliable actor, is also very good as the simple, unambitious father. Julia Adams for once is not given a peaches and cream part, and she too is successful at showing the different aspects of her character. Rock Hudson and Dennis Weaver are still at the beginnings of their careers, and their inexperience and lack of screen presence shows. As was so often the case in those days, Raymond Burr plays an unpleasant character and really makes the audience dislike him.

"Horizons West" is a very minor film and is unlikely to make it onto DVD, but if it appears on television, it is well worth watching.

UPDATE: A Region 2 DVD of this movie will be issued in France in November, 2008. It will have the original English language soundtrack with French subtitles.

As in many westerns, including Richard Thorpe's VENGEANCE VALLEY, or Phil Karlson's GUNMAN'S WALK, it is question of a brothers feud story; here Robert Ryan and Rock Hudson, and in the MGM western, there were Burt Lancaster and Robert Walker. There is always a bad brother and the good brother, as in the Bible you have Cain vs Abel, a recurrent western scheme. And the Civil War element of course enhanced, emphasized, this feud between brothers matters. No surprise in the end. Here, you explore the Universal Studios Budd Boetticher period, before he came to Columbia and the awesome Burt Kennedy's stories, starring Randolph Scott, his best of the best stuff. It is very unusual to see Bob Ryan working for another studio than RKO. The rest of the cast is however typical Universal Studios"home": Rock Hudson, Julia Adams; only Piper Laurie and Tony Curtis or Jeff Chandler missed.... So, this is an efefctive, taut, Boetticher's material. Ray Burr is of course excelent as a genuine villain character.

One of a number of interesting psychological westerns from the fifties though this isn't in the same class as the later Budd Boetticher/Randolph Scott westerns, (it's let down by a poor script and poor acting). Robert Ryan and Rock Hudson play brothers returning from the Civil War to the vanquished Confederate side. Ryan goes to the bad while the mealy-mouthed Hudson stays on the side of law and order and that's basically it. But Boetticher sets up a number of interesting scenarios that make the Ryan character far from a cut-and-dried villain, (late in the film there is even a little speech as to what turned him the way he is), and the familial relationships are nicely drawn.

Horizons West is directed by Budd Boetticher with a story written by Louis Stevens. It stars Robert Ryan, Rock Hudson, Julia Adams, John McIntire, Raymond Burr & Dennis Weaver. It's a Technicolor production with Charles P. Boyle on photography.

It's the end of the Civil War and the Hammond brothers Neal (Hudson) and Dan (Ryan) return to the family ranch in Texas. Neal is happy to graft away on the ranch but Dan wants considerably more. But Dan's plans are altered after an encounter with Cord Hardin (Burr), an encounter that sees Dan switch to the wrong side of the law. A switch that drives a wedge thru the Hammond family, particularly since Neal has decided to don a badge and become a Marshal of Austin.

Interesting and watchable early Western effort from Budd Boetticher. It has some psychological aspects that mark it out as being above average. Themes of greed and family strife are of course nothing new in the grand scheme of the Western movie, but Boetticher and his cast knit them together here with some conviction, notably Ryan who was in the middle of a great run of movies that included On Dangerous Ground, Beware, My Lovely and The Naked Spur. There's no real complexities to the characters, but they are well formed, and the finale has the courage of its convictions. There's also some very neat period costuming from Rosemary Odell, with the quite ravishing Adams benefiting greatly there. The main problematic issues outside of some narrative familiarity come with being asked to believe that Ryan and Hudson (whose limp) are brothers, and that McIntire is Ryan's father (there's only two years between them in reality). Whilst there's sadly a lack of impacting outdoor photography; even if that's off set a touch by the easy on the eye set designs for the town by Russell A. Gausman & Joseph Kish.

A more than adequate time filler for the discerning Western fan. 6/10