Fanfan la Tulipe

This is the last of four swashbucklers from France I've scheduled for viewing during this Christmas season: the others (in order of viewing) were the uninspired THE BLACK TULIP (1964; from the same director as this one but not nearly as good), the surprisingly effective LADY Oscar (1979; which had originated as a Japanese manga!) and the splendid CARTOUCHE (1962). Actually, I had watched this one not too long ago on late-night Italian TV and recall not being especially bowled over by it, so that I was genuinely surprised by how much I enjoyed it this time around (also bearing in mind the baffling lack of enthusiasm shown towards the film here and elsewhere when it was first announced as an upcoming DVD release from Criterion).

Incidentally, FANFAN LA TULIPE has quite a bit in common with the afore-mentioned CARTOUCHE: not just cast and crew members (producers Georges Dancigers and Alexandre Mnouchkine, cinematographer Christian Matras, actor Noel Roquevert) but plot-wise as well – in fact, the hero is a womanizing soldier (Jean-Paul Belmondo's Cartouche had also had a brief military spell) who's loved by a fiery girl (in this case, gypsy Gina Lollobrigida) while he's himself obsessed by an impossible love (here, it's none other than the king's daughter)! As in the later film, too, Fanfan (an ideally cast Gerard Philipe who, ironically, is so full of life here that one finds it hard to believe that he would be stricken down by cancer within 7 years' time) is flanked by two fun-loving yet cowardly men (one of them is actually his superior officer and the heroine's own father) and opposed by an unscrupulous figure within his own ranks (the ageing Roquevert, with whom the hero eventually engages in a rooftop duel since he too has amorous designs on the gypsy girl)!; for the record, Lollobrigida will rejoin Philippe in her next film, Rene Clair's delightful romantic fantasy LES BELLES DE NUIT (1952).

FANFAN proved to be a big box-office hit on its home-ground and even copped a surprising (but well-deserved) Best Direction award at Cannes over more renowned films like AN American IN Paris (1951), DETECTIVE STORY (1951), OTHELLO, UMBERTO D. and VIVA ZAPATA! In fact, its popularity ensured its re-release in a computer-colored version (presumably for the benefit of viewers who wouldn't touch a black-and-white product with a ten-foot pole) and the Criterion DVD itself contains a sample from this variant; being obviously a foreign-language title, there's also the dubious choice of an English-dubbed soundtrack but, even if these proved not especially painful to sit through considering, when all is said and done, there's simply no substitute for the original!

FANFAN LA TULIPE (a nickname given the hero by a young Genevieve Page as the celebrated Madame De Pompadour) contains about as much comedy as (the expected) action and romance; while some may find this overwhelming, I don't agree myself as I enjoyed the sharply satirical narration and, on the whole, this combination is comparable with Jerzy Skolimowski's equally droll THE ADVENTURES OF GERARD (1970). That said, the swordfights here are remarkably forceful for an essentially lighthearted enterprise (particularly a scuffle in the woods and the ambush at a convent) and the film itself rather adult at times (with numerous allusions to sexuality as well as coarse language adopted throughout) when viewed back-to-back with vintage Hollywood fare as I did now; the climax, then is quite ingenious: the enemy forces (who, amusingly, are made to speak in speeded-up gibberish!) are depleted by our heroic trio alone, much to the king's amazement who, as portrayed by Marcel Herrand – best-known for his role of leader of the Parisian underworld in Marcel Carne''s CHILDREN OF PARADISE (1945) – is himself something of a lecher.

P.S. An Italian TV channel has been threatening to screen Christian-Jaque's promising CHAMPAGNE FOR SAVAGES (1964) for months now but, despite programming it three times already (with a tentative fourth one slated for next week), they have yet to show it; even so, I do have three more films of his in my unwatched VHS pile (equally culled from late-night Italian TV screenings): the three-hour epic LA CHARTREUSE DE PARME (1948; also starring Gerard Philippe), THE SECOND TWIN (1967) and THE LEGEND OF FRENCHIE KING (1971; with Brigitte Bardot and Claudia Cardinale).

It was released in France on dvd several years ago--I wish it would be re-released with English subtitles. Do not confuse this with a remake with Penelope Cruz which gets poor reviews. Gerard Phillippe is a peasant who is told by a fortune teller that he will marry the daughter of the king. He sets off to join the army and goes to war. His love, however, is Gina Lollabrigida in an early movie for her. I won't spoil the end. Gerard Phillippe died a few years later at a young age, a great loss to moviedom.

"Fanfan la tulipe" is still Gerard Philippe's most popular part and it began the swashbuckler craze which throve in the French cinema in the 1955-1965 years.It made Gina Lollobrigida a star (Lollobrigida and Philippe would team up again in René Clair"s "Belles de nuit" the same year.

"Fanfan la tulipe" is completely mad,sometimes verging on absurd .Henri Jeanson's witty lines -full of dark irony- were probably influenced by Voltaire and "Candide" .Antimilitarism often comes to the fore:"these draftees radiate joie de vivre -and joie de mourir when necessary (joy of life and joy of death)""It becomes necessary to recruit men when the casualties outnumber the survivors" "You won the battle without the thousands of deaths you had promised me, king Louis XV complains,but no matter ,let's wait for the next time."

A voice over comments the story at the beginning and at the end and history is given a rough ride:height of irony,it's a genuine historian who speaks!

Christian-Jaque directs the movie with gusto and he knows only one tempo :accelerated.

Remake in 2003 with Vincent Perez and Penelope Cruz.I have not seen it but I do not think it had to be made in the first place.

one of films who remains the perfect vehicle to the golden age of every viewer. because the innocence, the humor, the good intentions and the nice fight scenes are crumbs from a period when the dream, the adventure and the comedy are more than pieces of commercial system. because the portrait of Louis XV is irresistible and Gerard Philippe does a more than good job. so, a film for remind. old fashion recipes of romanticism. history in amusing manner. desire inspired by a fortune teller in its childish side. the good friend with a lot of children and good wife . the way to impose an easy military victory. a young woman in search of her true love.all - presented in lovely manner. a film for each member of family. and, of course, evergreen.

The superb star quality of Gerard Philipe, who died way too young, leaps from the screen in this witty, funny, sly swashbuckling comedy with plenty of sword fencing and knockabout antics. Charmingly loopy in its' storytelling, impossible to resist. A sweet romantic comedy with a very young Gina Lollobrigida as the love interest. A movie one will remember with great affection.