O Bruto

Had Luis Bunuel ever made a bad movie? I've seen fourteen his films and every one of them is great, simply fantastic, starting with the most famous short film, 17 minutes long "Un chien andalou" (1929) and ending with his swan song, "That obscure object of desire" (1977). Bunuel made films in France, his native Spain, and in Mexico where he had to immigrate after Franco came to power in Spain. Each of his films is uniquely brilliant but all of them have in common his magic touch no matter what period of his life they belong.

"El Bruto" is no exception and it is a strong combination of a surreal melodrama and political film which could also be viewed as a modern retelling of the Frankenstein's story. Pedro "El Bruto" is a young tough slaughterhouse laborer who is exploited by a tyrannical landowner who may be his father and to whom he is very loyal. He is eager to help Don Andres to evict the poor tenants form their houses that belong to Don Andres. Pedro is a simple man who was not used to think a lot and analyze the motivations of the others but he will learn and his eyes will open. Pedro will become a not so obscure object of desire of two women, passionate and strong-willed Paloma, the young wife of Don Andres and the kind and gentle Meche, whose father Pedro accidentally kills while doing the job for Don Andres. As is supposed to be in the melodrama, one of the women is scorned and hell hath no fury as she does and the inevitable ending is coming. The very last shot of the movie with its enigmatic irony is pure Bunuel - only he would finish the film the way he did.

In the 50's, in a poor community in Mexico, the landlord Andrés Cabrera (Andrés Soler) wants to evict his tenants to demolish the buildings and sell the land by a large amount. However, the leader of the community Carmelo González (Roberto Meyer) resists to his attempts. Andrés hires the strong slaughterhouse worker Pedro El Bruto (Pedro Armendáriz) to intimidate the dwellers, and his wife Pamola (Katy Jurado) sexually harasses Pedro.

Pedro goes to the community in the night and he hits the weak Carmelo that has a bleed and dies. When Pedro meets Carmelo's daughter Meche (Rosa Arenas), he falls in love with her and she moves to his house. But the jealous Paloma does not want to give up on Pedro. "El Bruto" is a melodramatic film by Luis Buñuel with the background of a fight of classes between an abusive and powerful landlord and his poor tenants. In this film, Buñuel does not use his "trademark" – the surrealism – and the story is very simple but engaging. The screenplay is very well written and the direction and performances are top-notch. My vote is seven.

Title (Brazil): "O Bruto" ("The Brute")

Minor Bunuel maybe but what a tough little film and featuring the most steamy performance from the stand out Katy Jurado, already well into a film career that would last for almost another 50 years. Fantastic b/w photography and amazing control of crowded action sequences. Not much of the wily old surrealist on view here but he certainly turns in the most dramatic, violent and sexy of films that must have made much of the rest of Mexican cinema look a little stale. It would still be a few years before the director could get back into full stride but this this film must have ensured that he would be able to continue making films, even if temporarily, it was still to be in Mexico. So this is a fine piece of cinema for Bunuel fans and non Bunuel fans and incredible that it should have been so difficult to see for so many years.

In El Bruto, a violent, ox-like abattoir worker (the great Pedro Armendáriz) is hired by a wealthy and evil old man to do a slum landlord's dirty work . There he proceeds to destroy everyone around him . But the tough, tall and strong Bruto called Pedro will fall in love for a girl called Merche (Rosa Arenas) who lives with her father in the building about to be demolish . Meanwhile , Pedro will work in a butcher's shop , where is also Paloma (Katy Jurado) , Andres (Andres Soler)'s spouse, a mature woman who starts to feel attracted to El Bruto .

Buñuel explores his characteristic themes of lust , jealousy , cruelty, class differences , hypocrisy and corruption . This isn't a typical Buñuel film , though there are some symbolism but no surrealism . Interesting and thought-provoking screenplay by the same Luis Buñuel and his usual Mexican collaborator Luis Alcoriza , being efficiently produced by Oscar Danzigers . After his first French period working in which he directed his two greatest surrealist films , he disappeared below the radar in Mexico on a variety of ultra-low-budget films, few of which made much impact outside Spanish-speaking countries , though many of them are well worth watching ; one of them is this ¨Le Brute¨ or ¨El Bruto¨ . Buñuel was given a strict Jesuit education which sowed the seeds of his obsession with both subversive behavior and gritty human dramas , issues well shown in this picture . Pretty good cast gives fine acting ; it is formed by nice Mexican actors such as Pedro Armendariz as El Bruto , a bouncing to kick out a poor people from their houses , Katy Jurado as a satanic Femme Fatale and the innocent and virginal Rosa Arenas .

The motion picture was stunningly directed by Luis Buñuel who was voted the 14th Greatest Director of all time . This Buñuel's strange film belongs to his Mexican second period ; in fact , it's plenty of known Mexican actors . As Buñuel subsequently emigrated from Mexico to France where filmed other excellent movies . After moving to Paris , at the beginning Buñuel did a variety of film-related odd jobs , including working as an assistant to director Jean Epstein . With financial help from his mother and creative assistance from Dalí, he made his first film , this 17-minute "Un Chien Andalou" (1929), and immediately catapulted himself into film history thanks to its disturbing images and surrealist plot . The following year , sponsored by wealthy art patrons, he made his first picture , the scabrous witty and violent "Age of Gold" (1930), which mercilessly attacked the church and the middle classes, themes that would preoccupy Buñuel for the rest of his career . After his two avant-garde collaborations with fellow surrealist Salvador Dali , his career, though, seemed almost over by the mid-1930s, as he found work increasingly hard to come by and after the Spanish Civil War , where he made ¨Las Hurdes¨ , as Luis emigrated to the US where he worked for the Museum of Modern Art and as a film dubber for Warner Bros . He subsequently went on his Mexican period he teamed up with producer Óscar Dancigers and after a couple of unmemorable efforts shot back to international attention , reappearing at Cannes with ¨Los Olvidados¨ in 1951 , a lacerating study of Mexican street urchins , winning him the Best Director award at the Cannes Film Festival. But despite this new-found acclaim, Buñuel spent much of the next decade working on a variety of ultra-low-budget films, few of which made much impact outside Spanish-speaking countries , though many of them are well worth seeking out . As he went on filming "The Great Madcap" , ¨The brute¨, "Wuthering Heights", ¨El¨ , ¨Susana¨ , "The Criminal Life of Archibaldo De la Cruz" , ¨Robinson Crusoe¨ , ¨Death in the garden¨ and many others . His mostly little-known Mexican films , rough-hewn , low-budget melodramas for the most part , are always thought-provoking and interesting ; being ordinary screenwriter Julio Alejandro and Luis Alcoriza . He continued working there until re-establishing himself in Europe in the 1960s as one of the great directors . And finally his French-Spanish period in collaboration with producer Serge Silberman and writer Jean-Claude Carrière with notorious as well as polemic films such as ¨Viridiana¨ was prohibited on the grounds of blasphemy , ¨Tristana¨ , ¨The Discreet Charm of the Bourgeoisie" , of course , ¨ ¨Belle Du Jour¨ , with all the kinky French sex and his last picture , "That Obscure Object of Desire" .

Bruto, El (1952)

*** (out of 4)

A slumlord (Andres Soler) tries to evict some tenants from one of his rundown apartments but they refuse to go so he asks a strong but dumb Bruto (Pedro Armenariz) to scare them. Bruto goes to the man causing the most trouble not knowing that he is ill. After a strong punch the man dies and soon Bruto falls in love with a woman (Rosa Arenas) not realizing that it's the dead man's daughter. I was a little worried going into this film after reading some negative reviews but it turned out to be pretty good and didn't just focus or preach about how the poor are treated. As the film started I was thinking this was just going to be a morality tale but Bunuel takes the film into many different directions and really delivers a terrific character study for not only Bruto but the slumlord as well. I really enjoyed the way that Bunuel didn't just show both men as evil but showed that they both had good qualities below all the bad things that they do. The relationship with Paloma (Katy Jurado), the slumlord's much younger wife, gives us plenty of insight to the two men and especially with Bruto and his dumbness. I also loved the style that Bunuel brought to the film in terms of shadows, which is perfectly used during one scene where a group of men are chasing Bruto to kill him. What really keeps this film going are the terrific performances by the entire cast. Armenariz does a brilliant job at being the brute but his performance is made even better by the fact that he can pull off the character's weaker moments. Arenas is downright beautiful and very touching in her role and I really couldn't take my eyes off of Soler who really steals the film with his snake like qualities. This here certainly doesn't rank among the director's greatest works but I think it's still a very entertaining film with a lot going for it.