AVALIAÇÃO DA IMDb
7,2/10
11 mil
SUA AVALIAÇÃO
Quando um chefe de cidade confisca os suprimentos de um fazendeiro depois que o ouro é descoberto nas proximidades, um vaqueiro duro arrisca sua vida para tentar levá-lo.Quando um chefe de cidade confisca os suprimentos de um fazendeiro depois que o ouro é descoberto nas proximidades, um vaqueiro duro arrisca sua vida para tentar levá-lo.Quando um chefe de cidade confisca os suprimentos de um fazendeiro depois que o ouro é descoberto nas proximidades, um vaqueiro duro arrisca sua vida para tentar levá-lo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 3 indicações no total
Julie Adams
- Laura Baile
- (as Julia Adams)
Stepin Fetchit
- Adam
- (as Stepin' Fetchit)
Harry Morgan
- Shorty
- (as Henry Morgan)
Victor Adamson
- Barfly
- (não creditado)
Harry Arnie
- Barker
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
"Bend of the River" welcomes the fine blend of a passionate action with intense characterization that had become Mann's masterful specialty...
Stewart (in his second feature with Mann after "Winchester '73") is seen as a reluctant hero, stumbled, brutalized and confused, chasing a personal mission with severe determination, and giving life to the complex moral and psychological forces that drive Mann's heroes...
Vivid as a laconic quiet man driven by betrayal to violent rage, Stewart is a former raider on the Missouri-Kansas border, who guides a wagon train of settlers to Oregon... There he gets double-crossed by associates who try to turn aside necessary food and supplies to gold-rush activities...
Ingenious and malicious, Arthur Kennedy (very much in his element), is Stewart's former companion-in-crime whom Stewart saves from hanging, and helps him fight the Indians on the way to Oregon...
Adroit, insincere, and dishonest, Kennedy turns on Stewart stealing the settler's supplies for a handsome profit but is later dispatched by an irritated and enraged Stewart...
Kennedy has been preferred in Westerns as the more insidious kind of villain: friendly, smiling, charming and smooth-talking on the surface, weak and corrupt underneath... His specialty is the courteous type who befriends the hero and then turns out to be planning something illegal to his own advantage on the side...
Julie Adams is along the ride as a love interest getting short penitence in all the macho interplay...
Rock Hudson is cast as a soft gambling man from San Francisco, adept at cards as well as women, defender of a fair deal, ready to fight beside his friends...
Filmed against a breathtaking Technicolor panorama, with nice music that highlights the action, "Bend of the River" is a good standard Western with pace and period feeling, rolling along to its predictable happy ending, discarding any unwanted characters...
Stewart (in his second feature with Mann after "Winchester '73") is seen as a reluctant hero, stumbled, brutalized and confused, chasing a personal mission with severe determination, and giving life to the complex moral and psychological forces that drive Mann's heroes...
Vivid as a laconic quiet man driven by betrayal to violent rage, Stewart is a former raider on the Missouri-Kansas border, who guides a wagon train of settlers to Oregon... There he gets double-crossed by associates who try to turn aside necessary food and supplies to gold-rush activities...
Ingenious and malicious, Arthur Kennedy (very much in his element), is Stewart's former companion-in-crime whom Stewart saves from hanging, and helps him fight the Indians on the way to Oregon...
Adroit, insincere, and dishonest, Kennedy turns on Stewart stealing the settler's supplies for a handsome profit but is later dispatched by an irritated and enraged Stewart...
Kennedy has been preferred in Westerns as the more insidious kind of villain: friendly, smiling, charming and smooth-talking on the surface, weak and corrupt underneath... His specialty is the courteous type who befriends the hero and then turns out to be planning something illegal to his own advantage on the side...
Julie Adams is along the ride as a love interest getting short penitence in all the macho interplay...
Rock Hudson is cast as a soft gambling man from San Francisco, adept at cards as well as women, defender of a fair deal, ready to fight beside his friends...
Filmed against a breathtaking Technicolor panorama, with nice music that highlights the action, "Bend of the River" is a good standard Western with pace and period feeling, rolling along to its predictable happy ending, discarding any unwanted characters...
Now that this is out on DVD, I hope to be able to view this on a better format: widescreen and a clearer prettier transfer. As with many westerns, there is a lot to like visually. That includes Julia Adams, who plays one of the leads: "Laura Baile." Adams was a decent actress and had a very pretty face. I wonder why she never made it as a "star?"
Overall, this classic-era western has a pretty good story, a good cast led by James Stewart, and enough action to keep ones interest for the hour-and-a-half. I enjoyed most of the characters. Arthur Kennedy, Jay C. Flippen, Rock Hudson, Lori Nelson, Stephin Fetchit and Henry Morgan all comprise a well-known cast.
My only complaint was the "Rambo mentality," with two scenes in which good-guy Stewart should have been easily shot, but wasn't. In summary, pretty good storytelling and one to have in your collection if you are a fan of westerns, especially when Anthony Mann is the director. He and Stewart teamed up on several very good westerns in their day, and this is one of them.
Overall, this classic-era western has a pretty good story, a good cast led by James Stewart, and enough action to keep ones interest for the hour-and-a-half. I enjoyed most of the characters. Arthur Kennedy, Jay C. Flippen, Rock Hudson, Lori Nelson, Stephin Fetchit and Henry Morgan all comprise a well-known cast.
My only complaint was the "Rambo mentality," with two scenes in which good-guy Stewart should have been easily shot, but wasn't. In summary, pretty good storytelling and one to have in your collection if you are a fan of westerns, especially when Anthony Mann is the director. He and Stewart teamed up on several very good westerns in their day, and this is one of them.
The second of five genre defining Westerns that director Anthony Mann made with James Stewart, Bend Of The River was the first one to be made in colour. The slick screenplay is written by Borden Chase, adapted from William Gulick's novel "Bend Of The Snake," with support for Stewart coming from Arthur Kennedy, Julie Adams, Rock Hudson & Jay C. Flippen.
Stewart plays guide Glyn McLyntock who in 1847 is leading a wagon - train of homesteaders from troubled Missouri to the Oregon Territory. What the group are hoping for is a new start, a paradise, with McLyntock himself hoping for a new identity to escape his own troubled past. Unfortunately, after rescuing Emerson Cole (Kennedy) from a lynching, it's an act that once McLyntock and the group get to Portland turns out to have far reaching consequences.
In typical Anthony Mann style, McLyntock is a man tested to the maximum as he seeks to throw off his shackles and find a new redemption within a peaceful community. Cloaked in what would be become Mann's trademark stunning vistas (cinematography courtesy of Irving Glassberg), Bend Of The River is often thought of as the lighter tale from the Stewart/Mann partnership. This is most likely because it has more action and no little amount of comedy in the mix, yet although it's a simple story in essence, it is however given a hard boiled and psychological edge by the makers. An edge that asks searching questions of the "hero" in waiting. Can "McLyntock" indeed escape his past? And as a "hero" is it OK to use violence when he is wronged? This is potent stuff that is acted with tremendous gravitas by Stewart.
One of the main plus points on offer is that of having a strong cast operating within. It's thrilling for a Western fan to see Stewart and Kenendy side by side, particularly as the screenplay provides them much opportunities for machismo play. There's also a surprise in store, further allowing two fine actors of their era to solidify the film's credentials. Flippen is a reassuring presence, overseeing things like a genre uncle, Hudson rocks up for some dandy dude duties who joins in the gun play, and Adams (here billed as Julia Adams) is beautifully vivid under Glassberg's colour lenses.
Bend of the River is very much a recommended picture, as in fact are the other four films on the Mann/Stewart CV. 7.5/10
Stewart plays guide Glyn McLyntock who in 1847 is leading a wagon - train of homesteaders from troubled Missouri to the Oregon Territory. What the group are hoping for is a new start, a paradise, with McLyntock himself hoping for a new identity to escape his own troubled past. Unfortunately, after rescuing Emerson Cole (Kennedy) from a lynching, it's an act that once McLyntock and the group get to Portland turns out to have far reaching consequences.
In typical Anthony Mann style, McLyntock is a man tested to the maximum as he seeks to throw off his shackles and find a new redemption within a peaceful community. Cloaked in what would be become Mann's trademark stunning vistas (cinematography courtesy of Irving Glassberg), Bend Of The River is often thought of as the lighter tale from the Stewart/Mann partnership. This is most likely because it has more action and no little amount of comedy in the mix, yet although it's a simple story in essence, it is however given a hard boiled and psychological edge by the makers. An edge that asks searching questions of the "hero" in waiting. Can "McLyntock" indeed escape his past? And as a "hero" is it OK to use violence when he is wronged? This is potent stuff that is acted with tremendous gravitas by Stewart.
One of the main plus points on offer is that of having a strong cast operating within. It's thrilling for a Western fan to see Stewart and Kenendy side by side, particularly as the screenplay provides them much opportunities for machismo play. There's also a surprise in store, further allowing two fine actors of their era to solidify the film's credentials. Flippen is a reassuring presence, overseeing things like a genre uncle, Hudson rocks up for some dandy dude duties who joins in the gun play, and Adams (here billed as Julia Adams) is beautifully vivid under Glassberg's colour lenses.
Bend of the River is very much a recommended picture, as in fact are the other four films on the Mann/Stewart CV. 7.5/10
James Stewart plays Glyn McLyntock whose job is to lead the settlers west.Emerson Cole, a man with a shady past, is played by Arthur Kennedy.He's there to help Glyn with the job.The settlers are gonna need some food for the winter and soon the other side of Cole steps out.Anthony Mann worked for the second time with James Stewart in Bend of the River (1952).Jimmy does good work as always.Arthur Kennedy is brilliant in his role.The beautiful and talented Julie Adams plays Laura Baile and she does it great.Lori Nelson is wonderful as Marjie Baile.Rock Hudson is a gambler named Trey Wilson and he's terrific.This movie has got the most wonderful scenery.It's great to watch all those wagons travel there towards a better future.This is a good western from 55 years back.The world has changed in that time- and so have the movies.
Being a huge movie buff, I had thought I had seen every western film ever made with the leading actors of the mid-20th century. We purchased a DVD with 4 old westerns starring James Stewart - "Bend of the River" was the first on the disk. I had never heard of it, but the cast included Rock Hudson and Harry Morgan so I thought it would be interesting at least.
It started out with action right from the start - which really caught me off-guard. I kept thinking to myself that it must get really slow/boring/stupid or something to merit it's lack of public awareness. Not so - this film kept me completely rapt with all its twists and turns.
The writing was incredible - comedy, drama and human angst all combined within a scene and then again, and again throughout the story. You felt you could relate to each character, no matter how minor or repugnant their role.
I am also a history buff with respect to ghost towns and the Gold Rush. What I have read about the real prospectors and the greedy businessmen who preyed on their pursuit of riches only enhances the believe- ability of this story.
Regardless of the goofs, errors or historical/geographical inaccuracies that have been listed within this site - this movie is a real gem.
It started out with action right from the start - which really caught me off-guard. I kept thinking to myself that it must get really slow/boring/stupid or something to merit it's lack of public awareness. Not so - this film kept me completely rapt with all its twists and turns.
The writing was incredible - comedy, drama and human angst all combined within a scene and then again, and again throughout the story. You felt you could relate to each character, no matter how minor or repugnant their role.
I am also a history buff with respect to ghost towns and the Gold Rush. What I have read about the real prospectors and the greedy businessmen who preyed on their pursuit of riches only enhances the believe- ability of this story.
Regardless of the goofs, errors or historical/geographical inaccuracies that have been listed within this site - this movie is a real gem.
Você sabia?
- CuriosidadesThough the film received generally poor reviews, it is noteworthy as marking a turning point in James Stewart's career, as he began to play much more violent, cynical and ruthless characters.
- Erros de gravaçãoWhen Laura Baile gets shot by an arrow, it is almost between her neck and her chest. Soon after, it is high in her right shoulder.
- Citações
Glyn McLyntock: Always point this (the wagon tongue) toward the North Star. Then come morning, we'll know where we're going.
- ConexõesEdited from Paixão Selvagem (1946)
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- How long is Bend of the River?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 5.194
- Tempo de duração
- 1 h 31 min(91 min)
- Proporção
- 1.37 : 1
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