AVALIAÇÃO DA IMDb
7,2/10
11 mil
SUA AVALIAÇÃO
Quando um chefe de cidade confisca os suprimentos de um fazendeiro depois que o ouro é descoberto nas proximidades, um vaqueiro duro arrisca sua vida para tentar levá-lo.Quando um chefe de cidade confisca os suprimentos de um fazendeiro depois que o ouro é descoberto nas proximidades, um vaqueiro duro arrisca sua vida para tentar levá-lo.Quando um chefe de cidade confisca os suprimentos de um fazendeiro depois que o ouro é descoberto nas proximidades, um vaqueiro duro arrisca sua vida para tentar levá-lo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 3 indicações no total
Julie Adams
- Laura Baile
- (as Julia Adams)
Stepin Fetchit
- Adam
- (as Stepin' Fetchit)
Harry Morgan
- Shorty
- (as Henry Morgan)
Victor Adamson
- Barfly
- (não creditado)
Harry Arnie
- Barker
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Now that this is out on DVD, I hope to be able to view this on a better format: widescreen and a clearer prettier transfer. As with many westerns, there is a lot to like visually. That includes Julia Adams, who plays one of the leads: "Laura Baile." Adams was a decent actress and had a very pretty face. I wonder why she never made it as a "star?"
Overall, this classic-era western has a pretty good story, a good cast led by James Stewart, and enough action to keep ones interest for the hour-and-a-half. I enjoyed most of the characters. Arthur Kennedy, Jay C. Flippen, Rock Hudson, Lori Nelson, Stephin Fetchit and Henry Morgan all comprise a well-known cast.
My only complaint was the "Rambo mentality," with two scenes in which good-guy Stewart should have been easily shot, but wasn't. In summary, pretty good storytelling and one to have in your collection if you are a fan of westerns, especially when Anthony Mann is the director. He and Stewart teamed up on several very good westerns in their day, and this is one of them.
Overall, this classic-era western has a pretty good story, a good cast led by James Stewart, and enough action to keep ones interest for the hour-and-a-half. I enjoyed most of the characters. Arthur Kennedy, Jay C. Flippen, Rock Hudson, Lori Nelson, Stephin Fetchit and Henry Morgan all comprise a well-known cast.
My only complaint was the "Rambo mentality," with two scenes in which good-guy Stewart should have been easily shot, but wasn't. In summary, pretty good storytelling and one to have in your collection if you are a fan of westerns, especially when Anthony Mann is the director. He and Stewart teamed up on several very good westerns in their day, and this is one of them.
One pure masterpiece western from the magician, the wizard of western: Anthony Mann. I discovered it in the seventies, when I was a kid and fell in love with it at first sight. The settings are absolutely outstanding, jaw dropping, unique. Mind blowing. Those landscapes literally steal the whole film. I forget the story but only those mountains, rivers, forests.... This movie enchanted my young years. Pure Anthony Mann's piece of work where Borden Chase seemed to be involved too. Action packed, it also offers romance and the usual lines of a western. Among my favourites from Anthony Mann. I prefer it to TIN STAR for instance.
James Stewart plays Glyn McLyntock whose job is to lead the settlers west.Emerson Cole, a man with a shady past, is played by Arthur Kennedy.He's there to help Glyn with the job.The settlers are gonna need some food for the winter and soon the other side of Cole steps out.Anthony Mann worked for the second time with James Stewart in Bend of the River (1952).Jimmy does good work as always.Arthur Kennedy is brilliant in his role.The beautiful and talented Julie Adams plays Laura Baile and she does it great.Lori Nelson is wonderful as Marjie Baile.Rock Hudson is a gambler named Trey Wilson and he's terrific.This movie has got the most wonderful scenery.It's great to watch all those wagons travel there towards a better future.This is a good western from 55 years back.The world has changed in that time- and so have the movies.
Bend of the River is the second Anthony Mann/James Stewart western and the first in technicolor. The technicolor is used to best advantage here with some great footage of the Columbia River and surrounding vicinity. And Mann used in support of Stewart, Jay C. Flippen, Harry Morgan, Arthur Kennedy and Rock Hudson all of whom had appeared in Mann films before and/or would again. Anthony Mann is never given credit for the stock company he had. Like John Ford, Mann liked using the same players in his films.
Jimmy Stewart is guiding a group of settlers west and along the way saves Arthur Kennedy from a lynching. Turns out they're both former border raiders from the Missouri/Kansas area, but Stewart's decided to go honest.
When they arrive in Portland, the settlers are warmly greeted and a deal is made by settler leader Jay C. Flippen for needed supplies for his people during the winter.
When Stewart and Flippen return for the supplies, there's been a gold strike and the town is mad with gold fever. They have to take what was due them and then have to fight to get the supplies back to the settlers. Seems some prospectors want them also.
The point is that there are no options for Stewart and Flippen. These supplies have to get to their colony or they will freeze and starve during the winter. They have to fight prospectors, townspeople and treachery in their own group to get the goods where they are needed.
There's no law here to help them. It's broken down totally along with all kinds of behavioral virtues when gold fever has struck. One of the best performances in the film comes from Howard Petrie town merchant who can't do enough for the settlers on their first arrival. When we see him next when Stewart and Flippen come for their goods, it's like we're seeing a totally different human being. Petrie has practically morphed into Fred C. Dobbs.
I don't think Jimmy Stewart has ever been more ruthless on the screen than he is here. His characters in Anthony Mann films are always purpose driven whether it's revenge like in Winchester 73, an outlaw bounty so he can start a new life in The Naked Spur, or even an idea he has like offshore oil drilling in Thunder Bay.
But in Bend of the River it's a matter of survival and to prove to himself that he can and has changed his character for the better. It's as much an internal struggle for Stewart as it is with the forces allied against him.
It's another ten star winner for the Stewart/Mann team.
Jimmy Stewart is guiding a group of settlers west and along the way saves Arthur Kennedy from a lynching. Turns out they're both former border raiders from the Missouri/Kansas area, but Stewart's decided to go honest.
When they arrive in Portland, the settlers are warmly greeted and a deal is made by settler leader Jay C. Flippen for needed supplies for his people during the winter.
When Stewart and Flippen return for the supplies, there's been a gold strike and the town is mad with gold fever. They have to take what was due them and then have to fight to get the supplies back to the settlers. Seems some prospectors want them also.
The point is that there are no options for Stewart and Flippen. These supplies have to get to their colony or they will freeze and starve during the winter. They have to fight prospectors, townspeople and treachery in their own group to get the goods where they are needed.
There's no law here to help them. It's broken down totally along with all kinds of behavioral virtues when gold fever has struck. One of the best performances in the film comes from Howard Petrie town merchant who can't do enough for the settlers on their first arrival. When we see him next when Stewart and Flippen come for their goods, it's like we're seeing a totally different human being. Petrie has practically morphed into Fred C. Dobbs.
I don't think Jimmy Stewart has ever been more ruthless on the screen than he is here. His characters in Anthony Mann films are always purpose driven whether it's revenge like in Winchester 73, an outlaw bounty so he can start a new life in The Naked Spur, or even an idea he has like offshore oil drilling in Thunder Bay.
But in Bend of the River it's a matter of survival and to prove to himself that he can and has changed his character for the better. It's as much an internal struggle for Stewart as it is with the forces allied against him.
It's another ten star winner for the Stewart/Mann team.
"Bend of the River" welcomes the fine blend of a passionate action with intense characterization that had become Mann's masterful specialty...
Stewart (in his second feature with Mann after "Winchester '73") is seen as a reluctant hero, stumbled, brutalized and confused, chasing a personal mission with severe determination, and giving life to the complex moral and psychological forces that drive Mann's heroes...
Vivid as a laconic quiet man driven by betrayal to violent rage, Stewart is a former raider on the Missouri-Kansas border, who guides a wagon train of settlers to Oregon... There he gets double-crossed by associates who try to turn aside necessary food and supplies to gold-rush activities...
Ingenious and malicious, Arthur Kennedy (very much in his element), is Stewart's former companion-in-crime whom Stewart saves from hanging, and helps him fight the Indians on the way to Oregon...
Adroit, insincere, and dishonest, Kennedy turns on Stewart stealing the settler's supplies for a handsome profit but is later dispatched by an irritated and enraged Stewart...
Kennedy has been preferred in Westerns as the more insidious kind of villain: friendly, smiling, charming and smooth-talking on the surface, weak and corrupt underneath... His specialty is the courteous type who befriends the hero and then turns out to be planning something illegal to his own advantage on the side...
Julie Adams is along the ride as a love interest getting short penitence in all the macho interplay...
Rock Hudson is cast as a soft gambling man from San Francisco, adept at cards as well as women, defender of a fair deal, ready to fight beside his friends...
Filmed against a breathtaking Technicolor panorama, with nice music that highlights the action, "Bend of the River" is a good standard Western with pace and period feeling, rolling along to its predictable happy ending, discarding any unwanted characters...
Stewart (in his second feature with Mann after "Winchester '73") is seen as a reluctant hero, stumbled, brutalized and confused, chasing a personal mission with severe determination, and giving life to the complex moral and psychological forces that drive Mann's heroes...
Vivid as a laconic quiet man driven by betrayal to violent rage, Stewart is a former raider on the Missouri-Kansas border, who guides a wagon train of settlers to Oregon... There he gets double-crossed by associates who try to turn aside necessary food and supplies to gold-rush activities...
Ingenious and malicious, Arthur Kennedy (very much in his element), is Stewart's former companion-in-crime whom Stewart saves from hanging, and helps him fight the Indians on the way to Oregon...
Adroit, insincere, and dishonest, Kennedy turns on Stewart stealing the settler's supplies for a handsome profit but is later dispatched by an irritated and enraged Stewart...
Kennedy has been preferred in Westerns as the more insidious kind of villain: friendly, smiling, charming and smooth-talking on the surface, weak and corrupt underneath... His specialty is the courteous type who befriends the hero and then turns out to be planning something illegal to his own advantage on the side...
Julie Adams is along the ride as a love interest getting short penitence in all the macho interplay...
Rock Hudson is cast as a soft gambling man from San Francisco, adept at cards as well as women, defender of a fair deal, ready to fight beside his friends...
Filmed against a breathtaking Technicolor panorama, with nice music that highlights the action, "Bend of the River" is a good standard Western with pace and period feeling, rolling along to its predictable happy ending, discarding any unwanted characters...
Você sabia?
- CuriosidadesThough the film received generally poor reviews, it is noteworthy as marking a turning point in James Stewart's career, as he began to play much more violent, cynical and ruthless characters.
- Erros de gravaçãoWhen Laura Baile gets shot by an arrow, it is almost between her neck and her chest. Soon after, it is high in her right shoulder.
- Citações
Glyn McLyntock: Always point this (the wagon tongue) toward the North Star. Then come morning, we'll know where we're going.
- ConexõesEdited from Paixão Selvagem (1946)
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- How long is Bend of the River?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto mundial
- US$ 5.194
- Tempo de duração
- 1 h 31 min(91 min)
- Proporção
- 1.37 : 1
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