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Tu És Minha Paixão

Título original: Because You're Mine
  • 1952
  • Approved
  • 1 h 43 min
AVALIAÇÃO DA IMDb
5,9/10
442
SUA AVALIAÇÃO
Tu És Minha Paixão (1952)
A famous opera singer falls for his sergeant's sister at boot camp.
Reproduzir trailer1:48
1 vídeo
31 fotos
ComédiaMusical

Adicionar um enredo no seu idiomaA famous opera singer falls for his sergeant's sister at boot camp.A famous opera singer falls for his sergeant's sister at boot camp.A famous opera singer falls for his sergeant's sister at boot camp.

  • Direção
    • Alexander Hall
  • Roteiristas
    • Ruth Brooks Flippen
    • Sy Gomberg
    • Karl Tunberg
  • Artistas
    • Mario Lanza
    • Doretta Morrow
    • James Whitmore
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,9/10
    442
    SUA AVALIAÇÃO
    • Direção
      • Alexander Hall
    • Roteiristas
      • Ruth Brooks Flippen
      • Sy Gomberg
      • Karl Tunberg
    • Artistas
      • Mario Lanza
      • Doretta Morrow
      • James Whitmore
    • 19Avaliações de usuários
    • 6Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado a 1 Oscar
      • 1 indicação no total

    Vídeos1

    Official Trailer
    Trailer 1:48
    Official Trailer

    Fotos31

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    Elenco principal80

    Editar
    Mario Lanza
    Mario Lanza
    • Renaldo Rossano
    Doretta Morrow
    • Bridget Batterson
    James Whitmore
    James Whitmore
    • Sgt. Batterson
    Dean Miller
    Dean Miller
    • Ben Jones
    Paula Corday
    Paula Corday
    • Francesca Landers
    Jeff Donnell
    Jeff Donnell
    • Patty Ware
    Spring Byington
    Spring Byington
    • Mrs. Montville
    Curtis Cooksey
    Curtis Cooksey
    • Gen. Montville
    Don Porter
    Don Porter
    • Capt. Burton Nordell Loring
    Eduard Franz
    Eduard Franz
    • Albert Parkson Foster
    Bobby Van
    Bobby Van
    • Artie Pilcer
    Ralph Reed
    Ralph Reed
    • Horsey
    Celia Lovsky
    Celia Lovsky
    • Mrs. Rossano
    Alexander Steinert
    • Maestro Paradoni
    Murray Alper
    Murray Alper
    • Supply Sergeant
    • (não creditado)
    Don Anderson
    Don Anderson
    • Soldier in Barracks Number
    • (não creditado)
    Rama Bai
    Rama Bai
    • Foreign Diplomat
    • (não creditado)
    Joe Bautista
    • Butler
    • (não creditado)
    • Direção
      • Alexander Hall
    • Roteiristas
      • Ruth Brooks Flippen
      • Sy Gomberg
      • Karl Tunberg
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários19

    5,9442
    1
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    Avaliações em destaque

    6lastliberal

    Singer gets girl, singer loses girl, singer wins in the end.

    Some people think that this is the best of Mario Lanza's 10 film appearances. It actually had a good story behind it.

    Lanza plays an Elvis-type role (G.I. Blues) as he goes into the Army. He hits the jackpot immediately as his drill sergeant is a big fan, and he also wants to get his sister on stage. Lanza, of course, falls for the sister, Doretta Morrow, in her only movie role.

    Their duet, Because You're Mine, was nominated for an Oscar, but lost to High Noon (Do Not Forsake Me, Oh My Darlin').

    It was a good story of love found, lost, and found again, with a bucket-load of Lanza songs.
    derekmcgovern

    An anti-climax after The Great Caruso, but not without some merit

    Because You're Mine was Mario Lanza's fourth movie, and was much criticised on its release as artistically a step backwards for the celebrated tenor. Certainly, coming straight after The Great Caruso it suffers badly in comparison with that considerable achievement, but is Because You're Mine really THAT bad?

    Actually, this is a fun movie. It lacks the polish of That Midnight Kiss and the sheer high spirits of Toast of New Orleans, but vocally at least this film has more going for it than either of those two movies. Highlights include a definitive Granada (in a key one and a half tones higher than the Three Tenors have ever dared to attempt!), a moving Lord's Prayer and several pleasing operatic and popular selections. My only regret is that All the Things You Are was inexplicably cut from the movie. One of Lanza's loveliest recordings, it was recently restored on the Mario Lanza at MGM soundtrack CD released by Rhino.

    The film also boasts a fine co-star in James Whitmore, who provides much of the movie's comic relief, and a pleasant leading lady in Doretta Morrow of the Broadway Kismet fame. She's no great shakes as a singer, but then - unlike Kathryn Grayson in the earlier movies - she isn't meant to be.

    Lanza hated making this movie, and did his best to sabotage it, gaining a huge amount of weight in the vain hope that this would discourage the producers from going ahead with it. As a result, Lanza's weight varies from 240 pounds to 159 pounds (often in successive scenes), a distracting but intriguing sight.

    But none of this need detract from your enjoyment of a pleasant movie that includes some agreeable singing from the finest tenor of his generation. And you can always watch Serenade (Lanza's next movie) straight after it for a reminder of what this man could do with a much meatier tale.
    styner-2

    Lanza weight fluctuation and the costumer's solution

    Lanza's character is inducted into the Army and undergoes basic training, during a season in which the summer uniform was prescribed. Normal summer "Class A" uniform for a private would have been a long-sleeved cotton khaki shirt with tie (tucked in between second and third buttons of shirt) and matching trousers, heavily starched (but no jacket or blouse). As an option, purchased at their own cost and only authorized for off-duty purposes, enlisted men could purchase an officer's summer Class A uniform, comprising shirt and tie in a tropical worsted material, topped with a jacket. Perhaps ten senior NCOs ever did this, of course. They and Lanza's character: the jacket hides a multitude of sins (and fat rolls), so Lanza's buck private is the best dressed enlisted man in the lower 48 during most of his military scenes. And he often looks as if he could play two NFL line positions simultaneously!
    lanzafan

    The Trouble Starts

    After the triumph of "The Great Caruso" in 1951, Lanza was all set to start work on "The Student Prince." MGM had other ideas and wanted to exploit his more popular image. When they approached him, his response was "You cannot put Caruso in the army!" He was persuaded eventually to start on "Because You're Mine" with the dangling carrot of Student Prince promised next in line. He did not like the script, or his co-star, who constantly smoked and was considered by him to be unsuitable, because of her limited experience and he also put on weight at an alarming rate, so that costumes had to be remade or altered almost daily, to accomodate his fluctuating size. This is all too apparent in some scenes, when he walks in slim and walks out again at least 40 pounds heavier. It was his way of rebelling against the system. Once completed, it was chosen as the 1952 Royal Command film in U.K. but the critics panned it. O.K. the plot is thin, the acting dated, but the voice - wow - that voice. He was truly on top form and the soundtrack and studio recordings of the songs from the film are still great favourites today. Just listen to "The Lord's Prayer" to see what I mean. Not a favourite film of mine, but I watch just for the voice and memories of a bygone era.
    7blanche-2

    Mario's in the army now

    With Kathryn Grayson refusing to work with him again, Mario Lanza has a new leading lady in "Because You're Mine," a 1952 film which also stars Doretta Morrow, James Whitmore, Paula Corday, Jeff Donnell, and Spring Byington.

    Lanza is a great opera star, Renaldo Rossano, who gets drafted into the army. Fortunately for him, his commanding officer, Sgt. Batterson (Whitmore) is a fan, so Rossano has it pretty easy.

    Batterson is also trying to promote his sister as a singer. Renaldo falls for her. His prima donna back at the opera house (Paula Corday) will have something to say about that.

    Broadway star Doretta Morrow is perky, and while not as pretty as Grayson, sings beautifully. Lanza was not very nice to her - that's putting it mildly - but apparently eventually apologized.

    Unhappy making this film after his triumphant "The Great Caruso," Lanza gained weight throughout the film so he's trim in one scene and chunky the next.

    It's a shame he felt that way - the film is pleasant enough, and he sings like a dream, doing a segment from "Il Trovatore," the "Addio" from "Rigoletto," the end of "Cavalleria Rusticana," the "Our Father," the title song, "Because You're Mine," and a very impressive "Granada." Not only does he impress with his glorious high notes, he does some very lyrical and soft singing as well.

    James Whitmore moves into the comedy of his role easily, and Spring Byington is delightful as a general's wife who needs Renaldo to sing at a reception.

    Very pleasant and a must for opera and Lanza fans.

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The older woman who asks for Renaldo's autograph is played by Mario Lanza's real-life mother; the unspeaking man with her is Lanza's father.
    • Conexões
      Featured in Toast of the Town: MGM's 30th Anniversary Tribute (1954)
    • Trilhas sonoras
      Because You're Mine (Main Title)
      Written by Nicholas Brodszky and Sammy Cahn

      Performed by Mario Lanza

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    Detalhes

    Editar
    • Data de lançamento
      • 3 de outubro de 1952 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Tú eres mi pasión
    • Locações de filme
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Califórnia, EUA(Studio)
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 43 minutos
    • Proporção
      • 1.37 : 1

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