AVALIAÇÃO DA IMDb
6,8/10
865
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA young composer has vivid dreams of the past that reflect, yet conflict with his waking life.A young composer has vivid dreams of the past that reflect, yet conflict with his waking life.A young composer has vivid dreams of the past that reflect, yet conflict with his waking life.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias e 1 indicação no total
Marilyn Buferd
- La postière
- (as Marylin Bufferd)
- …
Monique Aïssata
- La servante de Leïla
- (não creditado)
Robert Balpo
- Le directeur du collège
- (não creditado)
Madeleine Barbulée
- La femme au bureau de poste
- (não creditado)
- …
Jacques Beauvais
- Petit rôle
- (não creditado)
Georges Bever
- Le garçon de café
- (não creditado)
Avaliações em destaque
Beautiful, dreamy, magical, funny romp through the ages of French history, though the ending is predictable. *** out of 4.
It could remind Fellini. But it is special. For naivety, the trip across historical periods, for lovely eulogy of love and friendship, for delicat humor and for charme. Explanation - the genius of Rene Clair. The talent of Gerard Philipe. The art to create an entire world in seductive manner, with sweet game of cliches. . The plot. And...the magic. To create a dream atmosphere is always a challenge. In this case is an impressive victory. And premise for a lovely film.
This is a brilliant Frech-Italian comedy by René Clair. Extremely innovative, it divides the leading character's life in two moments: when he is awaken and while he sleeps. The former is - pardon the pun - a nightmare, as he hates to teach music in the school or in private classes. Even that is not regarded as something to be respected and his neighbors think that he should have another job, such as a car mechanic. His dream of being a successful musician and composing an acknowledged opera is far from coming true. Therefore, he wants to sleep all the time, as in his dreams his life is as interesting as he wants: not only he is a successful musician but also he has the most beautiful lovers in many different moments of History. That is the most remarkable achievement of the film: the dreams are exactly how we dream - crazy, incoherent, changing suddenly from a situation to another completely different, full of altered references of events in our daily life. Besides that, Gérard Philipe and all the actors do a great job. Gina Lollobrigida is particularly beautiful as the orientalist-style Algerian girl named Leïla. The unrealistic scenario works quite well in order to increase the environment of fantasy. Hilarious situations happen while Claude travels through French imaginary history in his dreams. This film makes me want to check out other movies made by René Clair.
A splendidly madcap yet romantic depiction of the lure of the dreamworld on a down-at-heel composer. All told with a lot of vim and vigor but it still ends up dragging a little, never really engages the emotions, and as usual with Clair, the songs are poor.
The recurring joke from progressively older and older historical figures about how things used to be better when they were young is brilliantly executed, and the representations of the slipping in and out of the dream world reminded me of Eternal Sunshine as much as anything else.
A little too random and hit and miss overall but it's still an amazing idea for a story, perfectly realized on the technical level, and lovely to look at.
The recurring joke from progressively older and older historical figures about how things used to be better when they were young is brilliantly executed, and the representations of the slipping in and out of the dream world reminded me of Eternal Sunshine as much as anything else.
A little too random and hit and miss overall but it's still an amazing idea for a story, perfectly realized on the technical level, and lovely to look at.
This film is highly recommended for those people who have an appreciation of an elusive quality called charm. Charm is in short supply in today's cinema be it French, American or other. Charm is difficult to define, but you know it when you see it. The daydreams of a young composer may seem like a frivolous topic, but an actor of the caliber of Gérard Philipe make it all seem so worthwhile. The essence of the story, for me anyway, is the collision between dream and reality - our hero is constantly reminded of how ordinary life is, how unsatisfying compared to his luscious fantasies. He is constantly brought crashing down to earth. But these scenes are precisely the funniest ones. I recall especially the scene in the classroom where the kids mock him to death - how humiliating, but still it's hilarious.
Gérard Philipe said that the director René Clair left nothing to chance. Every tiny detail, every nuance was carefully thought out in advance. The greatest problem for René Clair was that of rhythm. Apparently they were always trying to shorten certain scenes by a few seconds in order to heighten the comic effect.
One of the greatest of all directors and an actor of unquestioned skill, conscientiousness and charm collaborate on an effort that reminds us of what French culture used to be. It may seem dated or even corny to some, but I hope that for others it serves as an image of cultural values that will not be seen again.
Gérard Philipe said that the director René Clair left nothing to chance. Every tiny detail, every nuance was carefully thought out in advance. The greatest problem for René Clair was that of rhythm. Apparently they were always trying to shorten certain scenes by a few seconds in order to heighten the comic effect.
One of the greatest of all directors and an actor of unquestioned skill, conscientiousness and charm collaborate on an effort that reminds us of what French culture used to be. It may seem dated or even corny to some, but I hope that for others it serves as an image of cultural values that will not be seen again.
Você sabia?
- CuriosidadesFinal film of Jane Pierson.
- Versões alternativasThe dubbed Italian version incorporates shots of road signs written in Italian.
- ConexõesFeatured in Le ciné-club de Radio-Canada: Film présenté: Les belles de nuit (1956)
- Trilhas sonorasLes Belles de Nuit
Music by Georges Van Parys
Lyrics by René Clair
Performed by Martine Carol, Gina Lollobrigida and Magali Vendeuil
Principais escolhas
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Detalhes
- Tempo de duração
- 1 h 27 min(87 min)
- Cor
- Mixagem de som
- Proporção
- 1.37 : 1
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