Os Filhos dos Mosqueteiros

This movie is one of my all time favorites! Swashbuckling, funny, adventurous and downright silly at times, it is ALWAYS entertaining to watch.

This is the movie that really made me fall for Maureen O'Hara. Red hair, green eyes, and she swordfights better than any man in this movie! What more could you want?

This movie seems to have brought out the true sense of whimsy in all of the cast. Their grins give them away throughout the movie. They were obviously having a blast. And so do we.

"At Sword's Point" contains homages to "The Three Musketeers" and some common conventions for such films. Placed in 1648, it starts with Queen Anne of France (Gladys Cooper) worried about threats to her throne and her son's succession to the throne. The Duc de Lavalle (Robert Douglas) is stirring up the nobles, who are circling like sharks. The queen has hidden her young son in a monastery to keep him safe from Lavalle. Since Lavalle is unable to find the prince, he resorts to plan B: he will marry Princess Henriette (Nancy Gates). But Henriette despises him and the queen resists all threats. She attempts to contact Spain for assistance, but all her messengers are killed en route by Lavalle. Time is of the essence, because the queen is sick.

She decides to reach out to her trustworthy four musketeers from the past: Athos, Aramis, Porthos and D'Artagnan. If you have not seen "The Three Musketeers" (1935), you should probably watch that film first. By now the musketeers are older men. Each sends his son in his place, except Athos who sends his daughter Claire (Maureen O'Hara), a fine swordswoman.

This story is full of intrigue, swordplay and clever twists, even if it departs from history. Nods to "The Three Musketeers" include the passing of the father's sword to the son. Also, when the musketeers meet, there is swordplay among them to establish their abilities. (It should be noted that the swordplay and stuntwork in this film is quite good. Maureen O'Hara displays an athleticism that few actresses could match.) Moroni Olsen plays the aged Porthos--the same role he played in the 1935 film.

The film uses the common convention of a woman passing as a man--something that just has to be accepted because there is no way anyone would mistake Maureen O'Hara for a man simply because her hair is under a hat and she is wearing men's breeches.

Shot in Technicolor, this film is a colorful addition to the "Three Musketeers" canon. The acting is solid and the action scenes are worth seeing.

As a French, I have always been amazed by the fact that the Hollywood industry was so much inspired from French novels, myths and legends, French history as weel. Amazed and please too. This movie reminds me my childhood, no matter the factual mistakes, history mistakes. It is colorful, fast paced, beautifully made and acted. Cornel Wilde is excellent in this role. Errol Flynn could have made it too.

Is "At Sword's Point," a great adventure film?

Well, perhaps not. But it is a great spoof of adventure, and, as a piece of entertainment, it needs no defending.

The sons of the three musketeers rally round their aging Queen of France (Gladys Cooper) to prevent her daughter's marriage to the ambitious Duc De Lavalle (Robert Douglas) and to protect the throne of Young Louis XIV (Peter Miles) from the villainous nobleman...

Caught between beautiful sets, fancy costumes and clashing swords, our reddish-brown haired heroine (Maureen O'Hara) - as Claire, the daughter of Athos, who joins the offspring of the other musketeers - found enough opportunity for romance with the handsome and dynamic Cornel Wilde (expert fencer as D'Artagnan). Maureen's proficiency with the sword gets our attention but not her ability to manage the soft dialogue...

The supporting cast - the tall, distinguished looking Dan O'Herlihy as Aramis & Alan Hales Jr. as Porthos - add a major assets to the picture, photographed in vivid Technicolor...

A hilarious duel climaxes this likable swashbuckling adventure...

Plugging into a familiar franchise, SONS OF THE MUSKETEERS is perhaps most noticeable for Maureen O'Hara's performance as Claire, daughter of Athos, who adopts masculine attire and joins her fellow junior musketeers (Cornel Wilde, Dan O'Herlihy and Alan Hale Jr.) in writing wrongs. All of them know her true identity, but they are happy to play along in sustaining the illusion that she is actually a man, so that they can enjoy the fun of pranks such as the need for all the musketeers to share a bed together, or to take a shower together.

In truth O'Hara does not really make a convincing man, but this doesn't really seem to matter in a Technicolor adventure full of action, sword-fights and stirring music (by Roy Webb). As with many costume pictures made in the early Fifties (notably MGM's IVANHOE), the action unfolds at a brisk pace, leaving viewers little time to notice obvious implausibilities such as the musketeers speaking in a variety of accents ranging from Hollywood English to broad Nebraska. The supporting cast contains a smattering of Brits - to lend classical "authenticity" including Gladys Cooper (delivering her lines in stentorian tones reminiscent of Queen Victoria), and (in an uncredited role) Holmes Herbert, who for decades made a habit of playing butlers, lords, and miscellaneous nobles, his cut-glass British accent (honed in the theater of the early Twenties) contrasting with the panoply of other speaking voices on offer.

SONS OF THE MUSKETEERS tells a familiar tale, but it does so in a highly breezy and entertaining manner.