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Uma transmissão diária ao vivo fornece notícias nacionais e internacionais atuais, previsões do tempo e entrevistas com jornalistas dos mundos da política, negócios, mídia, entretenimento e ... Ler tudoUma transmissão diária ao vivo fornece notícias nacionais e internacionais atuais, previsões do tempo e entrevistas com jornalistas dos mundos da política, negócios, mídia, entretenimento e esportes.Uma transmissão diária ao vivo fornece notícias nacionais e internacionais atuais, previsões do tempo e entrevistas com jornalistas dos mundos da política, negócios, mídia, entretenimento e esportes.
- Ganhou 3 Primetime Emmys
- 27 vitórias e 52 indicações no total
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I literally just timed ten (YES TEN) minutes of commercials. Yes after 5 minutes they popped back in and spoke for about 8 seconds and said "coming up".....but then went another 5 minutes with the ads. It seems they are more interested in making $$$ than actually reporting the news. Plus they are severely biased against the republican party.
As you can imagine my opportunities for watching are limited to my all too infrequent trips to the US. But I did for one hectic week actually help produce this show, albeit in a very minor capacity. Apart from Wimbledon coverage for HBO this was my first real experience working for American TV, and it was quite an eye opener. In July 1989 the French 'celebrated' their bicentennial of their revolution, and while pretty much every British broadcaster ignored it, the 'Yanks' came over in force.
Presumably the language barrier was thought to be too great for the French to overcome and so NBC hired a British truck, (bizarrely, staffed by Swedish technicians) and hired British operators and engineers of whom I was one. The shoot was on the banks of the Seine, opposite Notre Dame. Just a few yards down from us were ABC with their Good Morning America show, similarly equipped, and fortunately quite friendly as we had to borrow some lighting equipment from them! This was the swansong of Jane Pauley who turned out to be a real lady. Sadly she was about to be stiffed by NBC she was soon to be replaced by a younger, blonder presenter (who guested during the week with us) Shame, as Pauley was a hit with the audience, us, and the many, many, passers by who she treated with respect and courtesy. Bryant Gumbel in contrast, hid what charm he had under a steely, cold exterior, and left me at least in no doubt who was in charge of that particular production.
We also had the pleasure of the company of Willard Scott, who turned out to be a laugh a minute and defused many a tense situation with his easy going humour. Scott has even less hair than I and confused the hell out of me when I saw him later on that year in the studio, with apparently flowing locks. It was only after watching for a few days I realised that he was expected to wear a hairpiece in the studio, but excused the wig, in the blustery conditions of outside work! The real star for me was the director. He's not credited here, but is elsewhere on the IMDb, but forgive me for not naming him. Those in the business will have heard of the $500K+ a year he was making then, and know who I mean. In contrast to the almost fawningly polite style of British Television (I still remember being told on my BBC induction course in the 1970's that we were expected to hold open the doors as we walked around Television Centre, for other members of staff) Americans were direct, and utterly ruthless. One mistake and you were bawled out, two and you were cut, no argument. Remarkable then that I survived the full week although I did learn one or two new swear words. Credit though, when the show was over he walked to every person on that crew and thanked them by name - something a few British directors could learn. I still have a tape we recorded of the show with the his tailback on an extra audio track - and it still makes me blush! The British claim to have invented TV, and well we might, but the Americans have largely perfected it - and they're at their best in this genre of live News and Features. The slick one-two presenter style with throws to specialist sports/weather/news headlines presenters is now adopted by all of our domestic channels, and we know what imitation is
Presumably the language barrier was thought to be too great for the French to overcome and so NBC hired a British truck, (bizarrely, staffed by Swedish technicians) and hired British operators and engineers of whom I was one. The shoot was on the banks of the Seine, opposite Notre Dame. Just a few yards down from us were ABC with their Good Morning America show, similarly equipped, and fortunately quite friendly as we had to borrow some lighting equipment from them! This was the swansong of Jane Pauley who turned out to be a real lady. Sadly she was about to be stiffed by NBC she was soon to be replaced by a younger, blonder presenter (who guested during the week with us) Shame, as Pauley was a hit with the audience, us, and the many, many, passers by who she treated with respect and courtesy. Bryant Gumbel in contrast, hid what charm he had under a steely, cold exterior, and left me at least in no doubt who was in charge of that particular production.
We also had the pleasure of the company of Willard Scott, who turned out to be a laugh a minute and defused many a tense situation with his easy going humour. Scott has even less hair than I and confused the hell out of me when I saw him later on that year in the studio, with apparently flowing locks. It was only after watching for a few days I realised that he was expected to wear a hairpiece in the studio, but excused the wig, in the blustery conditions of outside work! The real star for me was the director. He's not credited here, but is elsewhere on the IMDb, but forgive me for not naming him. Those in the business will have heard of the $500K+ a year he was making then, and know who I mean. In contrast to the almost fawningly polite style of British Television (I still remember being told on my BBC induction course in the 1970's that we were expected to hold open the doors as we walked around Television Centre, for other members of staff) Americans were direct, and utterly ruthless. One mistake and you were bawled out, two and you were cut, no argument. Remarkable then that I survived the full week although I did learn one or two new swear words. Credit though, when the show was over he walked to every person on that crew and thanked them by name - something a few British directors could learn. I still have a tape we recorded of the show with the his tailback on an extra audio track - and it still makes me blush! The British claim to have invented TV, and well we might, but the Americans have largely perfected it - and they're at their best in this genre of live News and Features. The slick one-two presenter style with throws to specialist sports/weather/news headlines presenters is now adopted by all of our domestic channels, and we know what imitation is
I'm not sure where you got your data about cast members, but someone needs to check it with NBC. Dave Garroway, the original host of Today, appeared on at least 2000 episodes during the first nine years of the run -- 5 days a week for at least 48 weeks a year for nine years -- but you credited him with 3 episodes. Jack Lesculie was an everyday regular on the show for at least 3 years in the beginning. To credit these men with fewer appearances than J. Fred Muggs, a chimpanzee who appeared on the show during that era, is an insult to their memory -- particularly since Muggs was biting them all the time! In those days, the program was live, so the human performers had to be careful how they reacted. Seriously, this was one of the most important programs in the early days of television, thanks largely to the work of Garroway, Pat Weaver and newscaster Frank Blair. It trained people to get up in the mornings and turn on their sets -- a habit we've continued to practice for more than half a century!
Someone suggested the show go to a 1 hour format, because that would be plenty of time to get what they wanted in. Well, how about going to a 15 minute format. That's about how much substance there is on any given show.
Even the weather primarily consists of Al Roker joking around on the plaza. I actually like him, but they should stop the charade that he's giving a forecast and just say "Here's Al Roker, who is going to schmooze a bit on the plaza and then unhelpfully gesture toward a map the United States and mention that in some part of the country it will rain. Or not rain."
Even the weather primarily consists of Al Roker joking around on the plaza. I actually like him, but they should stop the charade that he's giving a forecast and just say "Here's Al Roker, who is going to schmooze a bit on the plaza and then unhelpfully gesture toward a map the United States and mention that in some part of the country it will rain. Or not rain."
Once the Today Show had merit with the likes of Ann Curry but it's become a hollow program more concerned about lame entertainment than meaningful news. I stopped watching. And once, Hoda Kotb was a valuable journalist fell into the trap of entertainment over news and subsequently left Today to devote her time to Hoda and Jenna another lame show that doesn't, however, claim to be anything else. I'm not even sure why I gave it 3 Stars. Maybe it was locality to what it once was.
Você sabia?
- CuriosidadesThe show began broadcasting from 10 Rockefeller Plaza in 1952. The studio was on street level with huge windows around which passers-by would gather to appear on TV. After a few years, the show moved to a more traditional studio in 30 Rockefeller Plaza, the worldwide headquarters of NBC. In 1994, the show relocated to that same glass-enclosed studio, 1-A.
- ConexõesEdited into The N Word (2004)
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- How many seasons does Today have?Fornecido pela Alexa
Detalhes
- Tempo de duração4 horas
- Proporção
- 1.33 : 1
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