Valley of Eagles

I watch this by accident, wet Sunday waiting for a visitor. Yep plot weird, wife and lover soon forgotten, reason for chase soon lost, wooden performances...but...it was different.

The safari part watching the reindeer herding and their loss in the ravine, the the arrival of the hunting eagles it was interesting, no CGI, pre Gortex and some of the cast could actually ski.

The somewhat novel idea that people are not savages because they have different standards is interesting as is the acknowledgement of how near the brink people living traditional lives can be. The herd is lost so the herders must work for minimum wage in the logging camp to scrape together enough money to start another herd. The situation is the same now for many previously nomadic communities.

How many other films are set in Lapland and feature the Sami and their way of life?

Suspend your disbelief and watch it on a wet Sunday afternoon.

When Dr Nils Ahlen develops a device that can capture and utilise the energy of sound he naturally becomes the target of the government, be it in the energy field or weapons development. Having convinced his employers of his discovery, Ahlen returns to his home to get his full files only to find that his wife and his partner have gone missing – along with information vital to the development of the technology. With the help of the local police (Inspector Peterson), Ahlen sets out after the two to prevent them getting the information into the hands of the Russians.

In the opening ten minutes of this film things look good – the tone is dark, the wartime plot looks like it will produce a slick and exciting conspiracy/chase thriller and I must admit I settled down for a good "romp". However, not long into the chase the film decides to dump all this silly stuff and becomes some sort of wilderness adventure instead. At this point I tried to stay with the film but it became too stodgy and uninteresting for its own good and the melodrama of the whole affair failed to engage me. The script is pretty talky and, without character development, it didn't keep me with it; instead it throws in wolves and vultures and elements of "savage" life but not in such a way that is fun or entertaining in any sense of the word.

The cast can't do much with it and they come off pretty clunky and wooden. McCallum and Warner have the hardest jobs as they try to lead the film but, from their performances I can only assume that they were as unconvinced and as bored by the whole thing as I was. Dawson and Wood have potentially interesting characters and Wood does have some good scenes but the film doesn't help her by developing those around her to support her emotions within her marriage. The direction is OK but the stock footage is far too obvious and obtrusive.

Overall this starts out well but then becomes a plodding adventure story in the snowy wilderness; near the end it tries to look at the emotions of Ahlen's marriage briefly but it doesn't spend the time on it that that thread deserved. The end result showed potential but the majority of it is boring and flat and produced a film that is watchable at points but mostly not really worth a look.

Interesting early work from director Terence Young who directed the first James Bond film Dr. No.

A scientist (John McCallum) in Norway invents a machine that converts sound-waves into electricity. The scientist initially thinks that his wife may have been kidnapped but his wife has conspired with his assistant to steal it and sell it to the Soviets. The inventor and a police officer pursue them in the icy wilderness of Lapland.

Anthony Dawson plays the treacherous assistant, he played a villain in Dr. No.

The film starts out as a cold war espionage thriller then becomes a survival film with bears, wolves and eagles. Yet with Jack Warner as Inspector Peterson who plays disbelieving policeman at first it becomes a police procedural until he joins the scientist in the hunt.

This is an unusual British B film for the time, it shifts focus too many times and by the end has lost the plot somewhat. It does not help that film has little tension and the leads are rather wooden.

Still it is worthwhile to spot early parts for the likes of Christoper Lee and see how the director's subsequent career was shaped.

Valley of Eagles recently came on BBC2 one afternoon so I set the video and was certainly pleased I did.

A scientist who has invented a machine that can convert sound waves into electrical energy has this stolen by his wife and assistant and this results in a chase across the frozen wastes of Lapland. The scientist teams up with a copper and they join a party who is transporting reindeer the same route. They face many dangers on the way: blizzards, a pack of hungry wolves and avalanches. A lot of the wolves are killed by some eagles that Laplanders use for killing instead of guns to reduce the risk of an avalanche which would result in their village being destroyed. The scientist catches up with his wife and assistant and escape and once the assistant stars shooting a gun, this results in an avalanche and both are killed but the village is safe. The scientist also finds a new love at the end.

Valley of Eagles contains some fantastic scenery in Lapland and has a good score too. Animal lovers probably won't enjoy this though. The snow scenes remind me of the Wilderness Family movies.

The cast includes Jack Warner (Dixon of Dock Green, The Quatermass Xperiment), John McCallum, Anthony Dawson and Nadia Gray. Horror legend Christopher Lee (Dracula) has a small part as a copper.

Valley of Eagles is certainly worth seeing, just for that scenery. Excellent.

Rating: 4 stars out of 5.

VALLEY OF EAGLES starts off as a typical and oh-so-British spy thriller, with a scientist inventing a new type of machine that will serve mankind. Before long his secrets are stolen after he's betrayed by his own wife and assistant, so he must give chase. Where the film differs from the ordinary thriller template is that the action shifts to the snowbound locales of Sweden and an outdoor adventure follows.

Be warned: if you're an animal lover, you'll probably hate this film. Adventures undertaken by the central characters include encounters with reindeer, wolves, and eagles, and plenty of the poor beasts are executed or killed by the time the credits roll. However, the stark black and white photography is a nice match for the icy backdrop, and the film looks great at least. There's even some not-bad avalanche footage achieved on what is obviously a low budget. Watch out for Christopher Lee's cameo as a detective.