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Too Young To Kiss stars two actors from the post-war era who seemed to be always coupled together. Van Johnson plays an established impresario whose busy schedule and taste for exotic women leaves him with hardly any time to take talented unknowns seriously. June Allyson plays Cynthia Potter, an excellent musician who is determined to catch his eye despite countless cancellations of appointment on his part. When she hears of a children's audition that he is sure to attend, she stoops to a new level. She dresses as a little girl, braces, bows and all to impress the man. He's hooked, astounded that such talent could come from a 12 year old girl named Molly. He signs her to a contract and takes her under his wing, appalled by the way she is treated by her "older sister" Cynthia and "uncle" (really her fiancée). Slowly the two develop an odd relationship and "Molly" begins to feel awful about duping the man.

One can't help but think of how perfect Mary Pickford would have been in this role had it been created in the silent era. Still, Allyson does a wonderful job in the part, not quite believable as a little girl and yet at times, perfect. This half-way acting makes Johnson's character seem all the bigger an idiot and also gives way for a romantic relationship to bud. Also, did Allyson really do all of the piano performances herself? It would be difficult to have a stand-in do it with some of the shots used. If she did, it is only further proof of how wonderful she was.

While a cute and lighthearted movie, it's a little unsettling that the teacher almost instantly falls in love with Cynthia after he knows for sure she's not twelve...but I suppose I'm reading into this too deep. I got a dreadful feeling at the thought of myself in her shoes, being sentenced to stay inside and not be able to go anywhere, but, other than that, it's a nice film. I suppose.

6/10

"Too Young to Kiss" is interesting to see, especially in this age of awareness towards child rights and their protection. June Allyson, looking like Judy Garland from the 1944 Meet Me in St. Louis, and hardly looking 14, does a good job impersonating a young prodigy, and Van Johnson does all right in his performance as well. However, the movie, in certain scenes, could make the viewer of today a bit uncomfortable. The audience knows in the end that June will confess her legal age, so that no one will be upset or offended. Yet the sexual tension and kisses kind of make one cringe since the plot line is not cleared up at some points with such plot devices as underage drinking and smoking, an older sister who appears to let her kid sister be taken away and cared for by an older single man, etc.... It is interesting to note the Oz music heard as the credits roll and used throughout the movie as stated by another reviewer...The film is one of those old MGM movies that is easy to take and totally forgotten by the next week. June Allyson is terrific in "Good News" and Van much better in "In The Good Old Summertime." Catch those to see them in color and at their peaks).

Did anyone notice that background music written for "The Wizard of Oz" was used in the opening credits and background music for this film? In "Oz", the music plays over the opening scene of Dorothy and Toto running along the road, presumably after encountering Miss Gulch. You hear it many times afterwards. I guess, for this film, they pulled it from the MGM music library, not knowing "Oz" would become such a classic, and that any bit of music from it would be so recognizable over sixty years later. The original piece for "Oz" was (erroneously)titled "Trouble in School."

UPDATE: I have been informed that the above-mentioned piece of music is actually not original to "Oz," but is,in fact, a classically composed children's melody.

June Allyson's acting is really good in this film, I think its one of her best performances. Van Johnson gives a good performance but seems a bit uncomfortable in the role. Gig Young delivers his usual effortless and somewhat detached performance in a thankless supporting role.

My problem is that this story and whole film are contrived, being nonsense about a child pianist who is or is not a child, with one awkward set up after another revolving around this one idea. Its a deliberately contrived movie for its star. The whole idea is misguided as an overall movie, but ironically serves its one and only purpose- to be a starring vehicle for June Allyson and showcase her acting talents and charm.

This is a star who gives a fine performance, and this is a starring role custom written for her. It seems like she is in every scene, and she might be. So if you like June Allyson, you will like "Too Young to Kiss", if you don't like her, you won't.