O Manto da Morte

Beautifully filmed, SuperCineColor production from Columbia pictures, with a good cast. George Montgomery and Noah Berry are ex-outlaws-turned-Texas Rangers, sent out to help round up the gang they used to ride with. Gale Storm plays a feisty newspaper lady who don't cotton much to Montgomery on account of he was with the outlaws who gunned down her father, the Sheriff, before Montgomery turned into a good guy.

Montgomery plays one of those a man-in-the-middle characters: he infiltrates the outlaw gang, but the Texas Rangers think he's gone bad again. Nobody believes he's a good guy except the lovely and faithful Miss Storm, after Montgomery works his charm on her. Meanwhile, the outlaw boss knows Montgomery is a spy, so they plan to kill him after he helps with a million-dollar train robbery

Action? Dern tootin', pardner! After being shot several times and almost falling off the train, Montgomery slugs it out with an outlaw for control of the engine while the rest of the gang rides alongside, shooting at him. The outlaw tries to feed him into the boiler! Montgomery wins the fight when he sticks the outlaw's gun down the man's pants and pulls the trigger! Ouch .. . ('This is for shootin' my kid brother in the back, you low-down varmit!')

Not exactly 'The Magnificent Seven', but good Western fun from the colorful 1950s.

In so many ways, this is typical Hollywood.

History is botched so thoroughly, this script becomes caricature.

Despite a great cast, and a pretty good story, watching it was painful for me because of all the character names: Butch Cassidy and the Sundance Kid, John Wesley Hardin, and so many other real villains of history are thrown into the mix here.

Naturally, being bad guys, most of them get bumped off -- and it is really infuriating to watch because all those people had real deaths at other places and times.

Why?

Why not just make up other names and present a nice fictional story? It would have been a much better movie.

It's too bad that Butch Cassidy and the Sundance Kid were no longer in a position to sue for the way that they're portrayed in this humble but lively early assignment in glorious SupercineColor for a young Phil Karlson in which George Montgomery teaches a real ugly collection of bad guys that crime doesn't pay the hard way; with Gale Storm the spunky young heroine who edits the local rag and whose pappy naturally met her end at these miscreants' hands.

The action keeps moving, the colour's pretty, the locations attractive. Those looking for deep motivation wouldn't be watching a film like this in the first place; the rest might find it worth a look.

This movie starts off a bit slow but the story line captures you and before you know it you are caught up in a wonderful adventure, I was sorry to see it end. Wonderful location shots , snappy dialog, a really good cast , the villains are played to the hilt and the good guys start off a bit shaky but by the final reel they take control. In one scene Myron Healey an excellent actor, one of the perennial heavies in the fifties westerns forgets and leaves a modern day hearing aid on his right ear, it is clearly visible in the shot, I wonder how many people in the audience picked up on it. The movie ends up with a real good chase involving a train carrying a million dollars in gold and the band of outlaws and the Texas Rangers converging in the final shootout. Attention all western buffs, don't miss this one.

A colourful western that packs a punch, the Texas rangers is solid entertainment with a good build up of the characters and the plot. George Montgomery is a convict given a chance to join the Texas rangers so he could nail Sam Bass and his motley crew who have become the scourge of the state. But Montgomery is only interested in getting the sun dance kid. And he does manage to kill him and he is about to renege on his oath to stop Sam Bass and his gang, but certain events stop him from doing that. The action is slam bang, the plot is smooth as oil, the villains are quite menacing, and there's some close-quarter shooting that's quite violent. An excellent train sequence at the finale is heart-stopping.