Adicionar um enredo no seu idiomaA New York City detective, traveling by train between New York and Baltimore, tries to foil an on-board plot to assassinate President-elect Abraham Lincoln before he reaches Baltimore to giv... Ler tudoA New York City detective, traveling by train between New York and Baltimore, tries to foil an on-board plot to assassinate President-elect Abraham Lincoln before he reaches Baltimore to give a major pre-Inauguration speech in 1861.A New York City detective, traveling by train between New York and Baltimore, tries to foil an on-board plot to assassinate President-elect Abraham Lincoln before he reaches Baltimore to give a major pre-Inauguration speech in 1861.
- Direção
- Roteiristas
- Artistas
- Minister - Passenger in Club Car
- (não creditado)
- Hawker
- (não creditado)
- Young Mother
- (não creditado)
- Fernandina
- (não creditado)
- Hawker
- (não creditado)
- Miller - Drummer in Ticket Line
- (não creditado)
- Detective
- (não creditado)
- Minor Role
- (não creditado)
Avaliações em destaque
John Kennedy (no, not THE John Kennedy but he's a guy played by Dick Powell) is a New York policeman who is frustrated, very frustrated. The inauguration of Abraham Lincoln is approaching and he insists that there is a plot to kill the man--however, his superiors don't take him seriously. So, he resigns from the force and boards a train headed to Washington. He's determined to do SOMETHING. Along the way, he meets up with several conspirators--though unfortunately no one believes him! And, when he captures the one of the conspirators, the local police want to arrest him instead! What is the man to do?! Aside from one small dumb scene (where Kennedy left his identification and gun in his coat at his seat--leading to serious complications), this is a bang-up film. While you know that Lincoln survived to serve as president, you still are on the edge of your seat--a sign that this is a very good action/adventure film. Tense, well-written and acted--this is well worth seeing.
Anthony Mann directed this 19th century noir type film starring Dick Powell as a New York police sergeant who gets wind of a plot to murder Lincoln in Baltimore. After he confides his suspicions to colleague Regis Toomey, Toomey winds up dead and Powell's more convinced than ever of the rightness of his belief. He boards the train that Lincoln is scheduled to board in Baltimore on to warn him, but Powell's got a lot of people on that train ready to do him in and he doesn't know who to trust.
The Tall Target is very similar to Mann's other classic Winchester 73 in the tautness of the direction and script. There isn't one wasted frame of film in The Tall Target and the suspense is kept throughout, even though history tells us Lincoln dodged a bullet that day. Mann assembled a very strong supporting cast for Powell that includes Adolphe Menjou as a militia colonel called to the colors, Leif Erickson as a Bowery tough, Will Geer as an officious conductor, Marshall Thompson as a southern hothead and resigned West Point cadet and his sister Paula Raymond.
Best performance in the film though is that of young Ruby Dee who plays a slave to Thompson and Raymond traveling with them. She proves to be the only real friend Powell has on the train. It's a quiet understated performance of dignity and strength.
By the way in case any of you are wondering why she doesn't just run away and claim her freedom, a couple of things stops her. The Dred Scott decision for one which obliterated the Missouri Compromise of 1820 with the northern free and southerns slave states and the new Fugitive Slave Law from the 1850 Compromise. However Dee knows that freedom is coming her way and soon.
The Tall Target is one excellent film, one of the best from Dick Powell when he decided to stop making musicals. Catch it absolutely.
There is no film about Garfield's assassination, and only one old film (THIS IS MY AFFAIR with Robert Taylor, Barbara Stanwyck, and Victor MacLaughlin) touched on McKinley's murder. With Lincoln you have no definitive film, a la JFK, but several movies that show the killing or deal with the events or personalitie around it. These include the two sequences in Griffith's BIRTH OF A NATION and ABRAHAM LINCOLN, the film biography of Edwin Booth (PRINCE OF PLAYERS - with Richard Burton as Edwin, Raymond Massey as Junius Brutus Booth Sr., and John Derek as John Wilkes Booth), and the story of Dr. Samuel Mudd, THE PRISONER OF SHARK ISLAND (directed by John Ford, and starring Warner Baxter as the unfortunate Doctor - this may be the best of the Lincoln Assassination films due to Ford's excellent directing). And there is this nice little film directed by Anthony Mann, and starring Dick Powell and Adolphe Menjou. Historically, it is more accurate than some of the reviewers here would believe. An Italian barber named Fernandina was behind the plot (originated in Baltimore) in which a Pinkerton operative infiltrated the scheme to cause a disturbance while Lincoln was delivering a speech in Baltimore, and in the confusion give one of a dozen selected plotters a chance to kill the President-elect. Pinkerton tipped off Old Abe, and his stop in Baltimore was cancelled. Also, he boarded the train in Philadelphia in a disguise (a tam-a shanter and cape were suggested in the press). Lincoln was lampooned for being a silly coward by his opponents, but it was probably true - during the initial weeks of the Civil War Baltimore got more military treatment (including a massacre of a mob of citizens by Massachusetts soldiers) than any other Northern trouble-spot. Fernandina disappeared in the next few months (his eventual fate remains unknown). Pinkerton (who had worked with Lincoln in Illinois, dealing with the Illinois Central Railroad - which also brought him into contact with General McClellan) went on to create the Secret Service. If he overestimated Southern strength, it was unfortunate - but he was a great detective. For all the fictional aspects of the film's script, the movie does capture the urgency of the situation, and the uncertainty of the early days of the Civil War.
Many scenes establish the mood of the country at the time. With the beginning of the Civil War only a couple of months away, the tensions leading to that war were in strong evidence on the train. In an early conversation between two women one of them says, "We must take a firm stand against slavery once and for all, don't you agree?" to which the other responds, "As far as I am concerned madame, the new president is Jefferson Davis of Mississippi." Another passenger remarks, "If someone puts a bullet into Abe Lincoln, I'll be the first to shake his hand. That man is heading us straight into war." From the distance of a hundred and fifty years it is interesting to understand that Lincoln, who has become the most admired U.S. president, was so detested at the time by so many.
Another topic broached is the relation between Rachel, a young slave (Ruby Dee) and her owners, the Beauforts. When challenged by Kennedy about her slave ownership, Ginny Beaufort turns to Rachel and says, "I never thought to ask for your freedom and I never thought of giving it to you," to which Rachel responds, "It's not a thing you should have been able to give me. Freedom is something I should have been born with." Certainly this comment resonated with the nascent Civil Rights Movement in the early 1950s.
The black and white photography is well done; the portrayal of the inaugural train seems to be historically accurate.
After seeing this I was left wondering just what the truth was and I was provoked to do a little research. From "Life of Lincoln" by John Caroll Power, H.W. Rokker publisher, 1889, p.51, in referring to a detective who had been hired (behind Lincoln's back) to ferret out the possibility of an assassination attempt planned for when Lincoln passed through Baltimore, the author says, "He (the detective) found out beyond a doubt that a plot was formed for a party of conspirators to crowd around him (Lincoln) in the guise of friends , and at a given signal Mr. Lincoln was to be shot and stabbed." From "The Time Life History of the United States," vol. 5, p.97, 1963, referring to president Lincoln, "Leaving Harrisburg secretly by train on February 22, he transferred at Philadelphia to a sleeper, taking a berth reserved by a female Pinkerton operator for her invalid brother. The party passed safely through Baltimore at 3:30 in the morning and reached Washington at 6 a.m. on the 23rd. The elated Pinkerton sent a code to Harrisburg: Plums Delivered Nuts Safely." Obviously a lot of liberties were taken with history in coming up with this film to turn it into a noir thriller, but there is at least enough of a kernel of truth behind it so it can be enjoyed for the fictionalized version it is without thinking that history has been totally savaged. I thought it was a particularly nice touch to reference a three-cent piece, in circulation at the time.
Você sabia?
- CuriosidadesThe first director attached to this subject, several years before the film was finally made, was Joseph Losey. He had wanted to cast Lena Horne in the role played by Ruby Dee, which originally was planned as a much larger part.
- Erros de gravaçãoIn spite of being set in 1861, there are electric lights hanging in the station and in other locations.
- Citações
Rachel - Slave Maid: Freedom isn't a thing you should be able to give me, Miss Ginny. Freedom is something I should have been born with.
- Cenas durante ou pós-créditosThe opening credits slowly roll up from the bottom of the screen, over a background of a train station. The word "TALL" is extra tall, and the credits are followed by: "Ninety years ago, a lonely traveler boarded the night train from New York to Washington DC and when he reached his destination, his passage had become a forgotten chapter in the history of the United States. This motion picture is a dramatization of that disputed journey."
- ConexõesReferenced in Forces of Nature: Anthony Mann at Universal (2025)
Principais escolhas
- How long is The Tall Target?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- El gran complot
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 966.000 (estimativa)
- Tempo de duração1 hora 18 minutos
- Cor
- Proporção
- 1.37 : 1