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IMDbPro

Sirocco

  • 1951
  • Approved
  • 1 h 38 min
AVALIAÇÃO DA IMDb
6,2/10
3 mil
SUA AVALIAÇÃO
Humphrey Bogart and Märta Torén in Sirocco (1951)
A cynical American expatriate gets involved in smuggling and gun-running for the rebels during the 1925 Syrian insurgency against French occupation.
Reproduzir trailer2:06
1 vídeo
82 fotos
Film NoirActionDramaRomanceWar

Adicionar um enredo no seu idiomaA cynical American expatriate gets involved in smuggling and gun-running for the rebels during the 1925 Syrian insurgency against French occupation.A cynical American expatriate gets involved in smuggling and gun-running for the rebels during the 1925 Syrian insurgency against French occupation.A cynical American expatriate gets involved in smuggling and gun-running for the rebels during the 1925 Syrian insurgency against French occupation.

  • Direção
    • Curtis Bernhardt
  • Roteiristas
    • A.I. Bezzerides
    • Hans Jacoby
    • Joseph Kessel
  • Artistas
    • Humphrey Bogart
    • Lee J. Cobb
    • Märta Torén
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    3 mil
    SUA AVALIAÇÃO
    • Direção
      • Curtis Bernhardt
    • Roteiristas
      • A.I. Bezzerides
      • Hans Jacoby
      • Joseph Kessel
    • Artistas
      • Humphrey Bogart
      • Lee J. Cobb
      • Märta Torén
    • 52Avaliações de usuários
    • 24Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 2:06
    Official Trailer

    Fotos81

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    Elenco principal80

    Editar
    Humphrey Bogart
    Humphrey Bogart
    • Harry Smith
    Lee J. Cobb
    Lee J. Cobb
    • Col. Feroud
    Märta Torén
    Märta Torén
    • Violette
    • (as Marta Toren)
    Everett Sloane
    Everett Sloane
    • Gen. LaSalle
    Gerald Mohr
    Gerald Mohr
    • Major Jean Leon
    Zero Mostel
    Zero Mostel
    • Balukjiaan
    Nick Dennis
    Nick Dennis
    • Nasir Aboud
    Onslow Stevens
    Onslow Stevens
    • Emir Hassan
    Ludwig Donath
    Ludwig Donath
    • Flophouse Proprietor
    David Bond
    David Bond
    • Achmet
    Abdullah Abbas
    • Arab Singer
    • (não creditado)
    Leon Alton
    Leon Alton
    • Soldier
    • (não creditado)
    Tony Barr
    • Soldier
    • (não creditado)
    John Bleifer
    John Bleifer
    • Hungarian
    • (não creditado)
    Nick Borgani
    Nick Borgani
    • Waiter
    • (não creditado)
    Dick Botiller
    Dick Botiller
    • Minor Role
    • (não creditado)
    Paul Bradley
    Paul Bradley
    • Reporter
    • (não creditado)
    Peter Brocco
    Peter Brocco
    • The Barber
    • (não creditado)
    • Direção
      • Curtis Bernhardt
    • Roteiristas
      • A.I. Bezzerides
      • Hans Jacoby
      • Joseph Kessel
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários52

    6,22.9K
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    Avaliações em destaque

    6Ham_and_Egger

    To thine own self be true?

    In a way Bogart's greatest performances have left Sirocco "priced out of the market." I won't argue that it's on the same level as Casablanca, The Maltese Falcon, or Key Largo, but it is a surprisingly nuanced picture that gets unfairly criticized for not living up to some of the greatest films Hollywood ever produced.

    Bogie is Bogie, tough-talking and trenchcoat-wearing as usual. He plays Harry Smith, a man who, ordinarily, doesn't take sides, but this time, see... there's a dame! That sounds a little dismissive, it's not meant to be. Nobody's ever played a "shades of gray" character quite like Bogart, in my opinion he could have done it a dozen *more* times.

    Swedish actress Märta Torén (pegged as 'The Next Ingrid Bergman') is the dame. She really seems almost as out-of-place in the picture as she would have been in war-torn Damascus. Lee J. Cobb, playing the French commander Col. Feroud, chews the scenery a little but overall he gives a good portrayal of a man fighting for a cause he no longer believes in.

    I'm a fan of both Zero Mostel (the original Max Bialystock) and Nick Dennis (the exuberant Greek mechanic from 'Kiss Me Deadly') and they both have good if small roles here.

    I was impressed by the way Sirocco refused to overtly side with either the French or the Syrians. Neither does the film present Smith as anything but what he is, an opportunist. In fact, for me, it his teetering on the brink of whether to take sides or stay neutral (and thus be true to his own self-serving moral code) that provides the film's best drama.
    9manuel-pestalozzi

    Another stalemate in the Middle East

    This is a most unusual movie for its time, and it is fascinating to read the comments on it here on the IMDb. Many viewers are apparently undecided what to make of Sirocco as it does not fit any of the known stereotypes. This is neither Algiers (1938) nor Casablanca (1942), there is no romance, you don't find anything exotic about the place in question (Damascus, Syria) and no great friendships are about to develop. It is basically a movie about people who are confronted with a drab and hopeless situation (messagewise I would compare it with The Sand Pebbles (1966)). It painfully reminds todays viewers of the ongoing conflicts in Afghanistan and Iraq (well, the Jasmine salesman bolts off before his handgranades go off in the cafe, the suicide bomber had not been invented yet). Western powers (they have a mandate from the League of Nations) are pitted against so called "patriots" (they have no mandate at all) in a bloody battle without a discernible cause. The Bogart character is an opportunist arms dealer and a coward to boot. At one time he really hits rock bottom in the Catacombs underneath the city as he tries to hide in his tattered Bogey-raincoat - one of the many great visual moments in this beautifully photographed nightmare of a movie with its superb set design.

    The main message of Sirocco is a depressing one: If things turn bad, the efforts of single individuals are of negligible effect. We have a disillusioned French officer (Lee J. Cobb who I have never seen better). He wants to prevent a planned execution of civilians as a retaliatory act after an ambush, not out of idealistic motives or with any hope but just because he is sick of all the killing. Like all the other characters he gets bogged down by the circumstances and in the end departs on a meeting with the "patriots" with the Bogart character's help. Everyone agrees that this action is meant to be a suicide. The officer even gets out of his uniform which heretofore had the function of a corset.

    Great sets and scenes abound here. Damascus is a place of eternal night - and we never get out of the place into the open. The Roman Catacombs seem to be inspired by Giovanni Piranesi's "carceri" drawings. There is a great scene in which the Bogart character buys a belly dancer's finger cymbals. Another scene begins with the focus on a visibly tender and juicy steak which the Bogart character starts cutting into. "He brings his own food", the waiter explains to other patrons who would like the same. What a better way to depict a war profiteer?

    As the lines above suggest, the storyline of Sirocco is pretty sprawling and the film is more of a situation than a story. That makes it only more realistic and instructive. Our time is right for anti-war movies of this kind. In can recommend it.
    7telegonus

    Cavern To Cavern

    This 1951 Bogart vehicle, produced by the great man himself, and directed by the estimable Curtis Bernhardt, is a slow-moving rehash of some of Bogart's better known films, going back to Casablanca. This one's set in 1925 Syria, with the Trenchcoated One working both sides against the middle. He's a gun runner selling arms to the Arabs, which at the time was illegal, since Syria was controlled by the French. Bogart had an affinity with the Levant, and was most at ease in an occupied city, with terrorists, revolutionaries and criminals,--often hard to tell apart--running around, blowing up things, and making life difficult for the authorities. As usual, Bogart couldn't care less who wins as long as he gets paid.

    Sirocco is a back lot picture, yet an attractive one. It was made at a time when movies of its type were getting either a whole lot bigger or a whole lot smaller. As such it was somewhat of an anachronism when it came out, and its box-office was modest. This was really the end of the line for the old-style Bogart pics, which it is the last of; and Bogie's next movie, The African Queen, filmed on location and in color, would open up a whole new career for him. I like this one better than most people do, for its cast (Marta Toren, Lee Cobb, Everett Sloan, Gerald Mohr), and its shabby fatalism. A good deal of the picture is set indoors, in cafés, hotel rooms and warehouses. There is a circular, labyrinthine aspect to the movie, as it seems at times as if all the action were taking place literally underground, with the various characters moving from cavern to cavern.
    pauleasterday

    Looks Familiar

    Not a great flick, but interesting to see that conflicts between foreign occupiers and arab locals has been going on for a long time, with similar results. Its a recurring theme in Arabia - foreign armies come in hoping to pacify the locals, only to fall into a bloody pattern of terrorism and retribution. The amazing thing is that its been going on for so long and in so many places. It's an insight on today's middle-east events.

    And like so many middle-east conflicts, in this movie you are left being not very sympathetic to either side. Yes, its the Syrian's home, but their tactics are sickening. The French come off no better as the aggressors and oppressors. The third parties, such as Bogart's character, are just vultures feeding off the tragedy.

    Good one to watch if you're thinking of invading an Arab nation.
    aidosh94

    Hard to explain...

    SIROCCO is a film which has gotten mixed reviews, or at least mostly bad reviews. And they are right. My favorite Bogie films (or at least the ones I've seen) are IN A LONELY PLACE, CASABLANCA, THE BIG SLEEP and a couple more. And they have the right to be called "classics". Or even by some, "masterpieces". But SIROCCO doesn't get that chance because, well, it's really nothing special. Being a huge Bogie-fan, I was disappointed when the movie ended and I felt that person who can be referred as "supporting role" was Bogie. Being the superstar that he was, he should have been able to be in the film a little more. I wouldn't advise anyone to not see this film. OK, see it. But don't expect a masterpiece, or even a great movie cause' it's not, unfortunately. the acting and the whole black/white thing were the only good things. But, hey, I would advise IN A LONELY PLACE to anyone, anytime, anywhere. So don't get your hopes up for SIROCCO, instead go rent/buy IN A LONELY PLACE, because that is a film worth calling a classic. Hope I helped.

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    Enredo

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    Você sabia?

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    • Curiosidades
      According to actor Jamie Farr, the movie debuted on Saturday night at the Rivoli in his home town of Toledo. Most of Toledo's Arab-American community turned out to see it. As a scene where Bogart walks though a crowded bazaar begins to fade, an Arab voice is heard shouting, "Ya hallah deen bayak!" which caused most of the audience to collapse in laughter. The non-Arabs in the house did not understand why everyone else was laughing until the line was translated for them: "Goddamn your father!"
    • Erros de gravação
      In a very key plot point scene Balukjiaan goes to Smith's warehouse on behalf of French intelligence and tries to find out if there are any dried apricots. He uses as an excuse that he is throwing a birthday party for himself and has plenty of pilaf and pahklava, but nothing sweet for dessert. Pahklava is the Armenian name for baklava, which is a very sweet Greek and Middle Eastern dessert. Either the writers didn't know what pahklava is or the whole premise of needing dessert is mistaken.
    • Citações

      Col. Feroud: Why don't you do both? Take the money and kill me too.

      Emir Hassan: You want to die? Why do you want to die?

      Col. Feroud: I only want to arrange a truce. Cease fire for 24 hours, so that Syrians and Frenchmen can sit together.

      Emir Hassan: And what shall we discuss, the terms of our surrender?

      Col. Feroud: We can try to settle our differences according to the dignity of man.

      Emir Hassan: There is dignity in men who are willing to give their lives for what they believe in.

      Col. Feroud: Men needn't die to prove their dignity.

      Emir Hassan: You're asking me to surrender!

      Col. Feroud: I'm asking you to consider your people. An effort must be made. We must make some effort! Otherwise, we're not civilized men. Perhaps we'll fail and the war will go on, but at least we will have tried. That's all I want.

      Emir Hassan: Colonel, you are a fool.

      Col. Feroud: I come to talk of peace and understanding and you call me a fool?

      Emir Hassan: Yes, Colonel. I respect you, but you are a dreamer and a fool.

    • Conexões
      Referenced in Sonhos de um Sedutor (1972)

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    • How long is Sirocco?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 13 de junho de 1951 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Árabe
    • Também conhecido como
      • Sirocco - Zwischen Kairo und Damaskus
    • Locações de filme
      • Yuma, Arizona, EUA
    • Empresa de produção
      • Santana Pictures Corporation
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 4.349
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 38 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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