Paper Bullets

Above all, don't try to watch it for Alan Ladd, because if you try to pick up your handkerschief, you will miss him. So, forget it. But for the rest, this is certainly not a gritty, tough and brutal gangster film in the line of William Wellman's PUBLIC ENEMY, but a gentle and smooth crime film, though not being a comedy either. It is limit light hearted, with a fantastic female lead character that you will not forget. A so ambivalent character as I love. That's the Phil Rosen's film that I remind the most, among the batch I have already seen from this B and Z movies director. Not bad, I repeat, and keep focused on this wonderful actress, whom I don't know at all.

This obviously was a pretty low budget production, but the cast was pretty decent, the basic premise had promise, and something more could have been done with it, but the script wasn't that great- the plot is incoherent and seems almost random at times and the dialog is stilted and terrible.

Basically, a girl's father gets whacked by fellow gangsters, and later she becomes a robber, and wants to avenge his death, and then it goes into a mob protection racket involving corrupt politicians.

Alan Ladd gets top billing but he really plays a very minor role.

I have to say I found it mildly entertaining in its archaic B-grade hokiness but it really is shoddy and pathetic.

Flipping through the channels I was lucky enough to stumble upon the beginning of this movie. I must admit that it grabbed my attention almost immediately. I love older films and this is or should be considered a classic! One of the most wonderful rarities of this movie is that the main character was not only female but she was also a bad girl. I highly recommend this movie!

This movie is still alive and kicking today thanks to the presence of Alan Ladd. This is good in one way because the movie has some interesting things to say, but bad in another because everyone who watches it expecting that tough-guy Ladd is going to hoop through his usual paces, is going to be mighty disappointed. Without fanfare or introduction, Ladd is suddenly introduced in the third reel. True, his role is a key one but it's small and likely to get lost in the shuffle. There are many key roles in former newspaperman Martin Mooney's ambivalent screenplay which hits out at all political alliances and quite ruthlessly denigrates Reform candidates. It's the lovely and extremely talented Joan Woodbury who ties the various strands of the wide-ranging story together. Unlike the usual Hollywood production, the plot actually proceeds in a series of jumps, much like the films later turned out by the French "New Wave", though easier to follow here, especially if you are aware that the film's original title was Paper Bullets. Nonetheless, some of the film's narrative and character switches are a little disconcerting, particularly in the role played by Jack LaRue who has wisely elected to act the part in a strangely non-committal way. One of Jack's best acting jobs ever, but no-one is likely to notice, alas!

Although Alan Ladd has a supporting role in Paper Bullets and in fact gives the film its title, the star here is Joan Woodbury who plays a girl done wrong by the worthless guy she loves and then starts taking it out on a lot of people.

In a brief prologue to the story Woodbury as a child sees her gangster father gunned down for being a stool pigeon. She then spends the rest of her childhood in an orphanage where she meets two of the men who would later play critical roles in her life.

This woman learned not a thing from her tough upbringing however. She stupidly agrees to plead guilty to a vehicular homicide that her drunk date Philip Trent committed and she goes to prison for it. That gives her a far more cynical attitude and for the rest of the film, Woodbury is giving as good as she gets as she rises in the gangland underworld.

Woodbury developed one interesting character, it's a pity that it is attached to a muddled story which drifts off on tangents. The two men in her life are aircraft designer John Bryant and gangster Jack LaRue who also were in that same orphanage. LaRue has a similarly interesting character, but he's also defeated by the script and horrible editing.

As for Alan Ladd he's the only reason this PRC B feature is remembered. He also shows something of what his tightlipped screen persona would be like when he became a star. Ladd plays an undercover cop.

As for the title Ladd tells one of his associates that the gangsters now use Paper Bullets to control a city which are votes. Now that's something today's audience can identify with.