Expiação

I know nothing about Director Leslie Selander, but in PANHANDLE he gets a catchy film going on a constantly calm note, until the final deluge and shootout.

He is most calmly helped by the rather laid back and softly singing Rod Cameron, one of the tallest male actors to appear in B Westerns and this time out to avenge his brother's murder. Two beautiful females in Cathy Downs and Anne Gwynne do not hurt one bit.

Reed Hadley plays the master villain Garson rather convincingly, down to thinking that he is the sharpest knife in town and claiming that he makes no mistakes. Of course, such overconfidence seldom bodes well for one's safety, as Garson finds to his cost.

Cinematography in PANHANDLE is rather curious: it features some gorgeous sights as John Sands escapes a trio of killers early on, then it gets rather dark inside the villain's saloon, and finally it is shot in near complete blackness and under a deluge of rain. Sadly the quality of photography decreases as the screen gets darker and darker.

All right script by Blake Edwards (of later Pink Panther fame) and Champion.

"Panhandle" is a B-western from Allied Artists...the same company formerly known as Monogram Pictures. I am not sure of the name change and assume it was simply because Monogram had a pretty poor reputation and the name change would possibly evoke more positive imagery to the consumer. However, despite this, "Panhandle" was actually a pretty good film...better than I expected.

John Sands (Rod Cameron) was a feared gunman long ago. However, he tired of the life and retired to a small border town. But this quiet life is interrupted when he learns that his brother was murdered in another town. And, when he arrives in the town, he realizes NOTHING is done without the local boss' permission. In other words, Matt Garson (Reed Hadley) is clearly behind his brother's murder. But since he's the boss, he has lots of men to go through and John will sure have a difficult time getting to him.

Apart from one woman who is inexplicably nasty towards a poor Mexican guy, the acting was very good and the villain easy to hate. I also thought Cameron and the fight scenes were done very well. I have no major complaints about the story and it held my interest throughout.

John Sands is a famed ex lawman ,most celebrated for having faced down Billy the Kid .He is now living in Mexico ,having fallen foul of the law in the States,and is working as a storekeeper when news reaches him that his brother has been murdered .He vows to return to America to avenge his brother despite knowing full well this places him at risk of arrest . He is drawn into enmity with the ruthless Matt Garson who is also his rival for he hand of Garson's secretary (Joan O'Carroll)and to complicate matters he law is on his tail.

Blake Edwards -a man mostly known for his acerbic comedic scripts-co wrote this movie and the screenplay is above average for the genre, and the era .Add some lively action ,including the old genre staple of a bar -room brawl ,and some capable performances and the result is a good and watchable B movie that devotees of the Western will especially enjoy

So, can ex-marshal, now outlaw, John Sands avenge his brother's killing by ruthless town bigwig Garson and his band of toughies. Still and all, Sands is played by a rugged 6'5" Rod Cameron who looks every inch of it and handles it, as well. But, he'll need to because Garson's played by 6'4" Reed Hadley in what amounts to a potentially towering face-off. Plus, there's Garson's over-eager gunsel Floyd (Edwards) who just can't seem to wait for any kind of gunplay. At the same time, hovering in the background are unbending arms of the law. All in all, things look bleak for the compromised ex-marshal.

It's a B-Western with a number of unusually good touches not often found in the genre. For example, take that nifty showdown in the rain, a real oddity; then there're the great Amarillo area scenic shots, dry as a bone; plus, which of the two lovely town gals will Sands end up with, blonde Dusty or brunette June; and lastly catch those unforced humorous touches that fit right in. Still, it's Cameron's impressive presence and understated performance that rivets the show, along with an unexpectedly memorable ending. At same time, I can't help thinking the producers of the Gary Cooper classic High Noon (1952) were influenced by this sneaky little 1948 gem. So catch up with it if you can.

( In Passing - that's the same Blake Edwards of later fame who produced and-or directed many of the Pink Panther flicks along with the classic Peter Gunn TV series, among others. Meanwhile, thanks to this flick, I won't be visiting a barber anytime soon, especially if I have to open the door. Just don't tell the wife.)

Randolph Scott lookalike Rod Cameron is "Sands", a former lawman who travels to a Texas town to investigate the shooting of his newspaper-man brother. Upon arrival, he quickly discovers the town, indeed the territory, under the heel of "Matt Garson" (Reed Hadley). With the help of his secretary "Dusty" (Cathy Downs) he vows to avenge his brother's death. It's quite eerily shot - much of the action takes place at night, in torrential rain, but the story is all just a bit too well travelled, and neither the actors nor the script offer much by way of innovation. This is still a perfectly watchable B-feature that dawdles for the first half hour before finally picking up just enough speed to hold the attention. It's too long - but then films were frequently elongated to accommodate the paying public's appetite for cinema, rather than because the story justified it.