Com Um Pé no Céu

Of course, it's impossible to tell how much of this story is dramatized and how much is real. And the gothic ideals of what a "church" should be are now very period--as they should be. But what makes this film work is the human nature presented through the characters. I say this because, as a (United) Methodist pastor, I know and have known the very types of characters represented in this film. And as one who sometimes wonders whether I'm fulfilling the mandate of my calling, this film was a welcome and refreshing reminder of maintaining my focus. It is probably a good insight for church members who want to get a glimpse of what life is truly like for a clergy person, then as now (though my parsonage is countless times better than what poor Dr. Spence had to live with!). A recommended dose of reality for the clergy-weary and the clergy-wary alike!

In a class I was taking we were assigned to watch this movie, and then, on paper, keep track of the conflicts that were found. I couldn't stop writing. It was one conflict after another.

I have just been moved to a new church, and though my problems were no where near what the pastor in the movie had to face, I learned a lot from it and I decided to share it with others.

We showed the movie at a Sunday Night service and it was well received and I recommend showing it to your churches. It generated a lot of laughter, especially the differences from then to today, but it also made many good points that hit home. I noticed a change in their attitudes the next day.

This enduring classic is one of those films you can start at 12 midnight and watch all the way through without dozing off for a second. There are no dazzling special effects, no edge-of-your seat car chases or mid-air rescues.However,its engaging procession of honest scenes depicting the often overwhelming, though eventually rewarding, trials of a man of God during the first half of the twentieth century rival the greatest of superficial,high-tech thrills today's blockbusters have to offer. From the early scenes of Mrs.Spence trying valiantly to adjust to the squalor of her parsonages to Dr.Spence's creative solution to the adult choir's intolerable dissonance this film is a radiant beacon in a bleak world bereft with terrorism, wars, and rumors of wars due to its straightforward, heartfelt depiction of faith under fire. Though obviously filled with references to Methodist doctrine the film does not alienate members of other denominations and even nonbelievers can see this as an excellent example of how old-fashioned values triumph over hypocrisy and ignorance in turbulent times. Unfortunately, this movie is unbelievably rare and only pops up on TCM once in a blue moon. I

one foot in heaven is the type of movie that makes a person want to look into how their life has effected other people. (just as the movie about george baily in it's a wonderful life. a simple story about one man's life and how he was able to do, not exciting things, but long lasting things that made people better for having know him. it is great to find this movie playing on tv, but it should be put on dvd or tape for us to enjoy much more often.

One Foot in Heaven is based on the memoirs of journalist Hartzell Spence's growing up as a Methodist preacher's kid in midwest USA from the Theodore Roosevelt era to the Roaring Twenties. It's what they mean when they talk about a family values film. The Camden Family of Seventh Heaven could well have been modeled on the Spence Family of generations past.

Young William Spence played by Fredric March has abandoned a career in medicine after being saved at a revival meeting and goes all the way and becomes a Methodist minister. Though taken aback by the career change, fiancé Martha Scott still marries him and the story follows them for the next 20 years or so, moving from one parish to another. Scott and March are such a good fit as the preacher and wife you would think that March was doing this with his own wife, Florence Eldridge.

March strikes just the right note as the minister, a just and pious man without being overbearing and sanctimonious. Would that preachers today were like him. He also demonstrates a capacity to learn. When his son goes to the silent cinema in defiance of Methodist preaching against the cinema, March takes him in hand to show him the error of his ways. They go to a William S. Hart western and March to his amazement finds he likes it and the western tale carries a good moral positive moral lesson. He changes his own view on the subject.

He also has to deal with a whole lot of modern day pharisees in dealing with the various politics of every parish he's assigned to. Chief among his tormentors are Beulah Bondi, the richest woman in town, who's actually offended by him treating her gardner Harry Davenport as an equal.

And there's Gene Lockhart who has something of the same role here as in Going My Way. But he's not as nice in this film. When he loses control of the church choir which Lockhart regarded as his private preserve, he and wife Laura Hope Crews mount a vicious smear campaign against March's son Frankie Thomas. His confrontation with Hope Crews and her gossip circle is a high point of the film.

Like Seventh Heaven there are some good humorous moments as well. I like March trolling for some marriage business down at the town clerk's office, looking for some wedding fees when times are a little lean. And the usual problems of dealing with parsonages which are not the most kept up buildings in the town.

The title of the film comes from March's explanation that he and his family have to set an example if in fact his profession puts them one foot in heaven already. It's good entertainment and Fredric March and Martha Scott do set the best example we'll ever see.