Jesse James at Bay

Roy Rogers stars as Jesse James and his look-alike, gambler man Clint Burns. George "Gabby" Hayes is Mr. Rogers's ex-pal, Sheriff Gabby. Gale Storm (Jane Fillmore) and Sally Payne (Polly Morgan) are a noteworthy team, as two reporters on the lookout for stories about the elusive outlaw hero.

Of course, mistaken identity / impersonation is a plot development, since Rogers essays a "dual role". Rogers is charming, as usual; but, there is nothing really elevating this his performance above the ordinary - any potential to deliver a memorable Jekyll/Hyde performance is done in by poor material. The better pair to watch are Ms. Storm and Ms. Paye as the St. Louis Journal reporters - they are the film's highlight. The songs are fine, though badly synched.

*** Jesse James at Bay (1941) Joseph Kane ~ Roy Rogers, George 'Gabby' Hayes, Gale Storm

This different (and improbable) take on the Jesse James legend makes for pretty good light entertainment. Having Roy Rogers in the lead certainly alters the tone considerably, but he carries it off all right. Gabby Hayes and Gale Storm also help out. The story has an angle on James that probably bears little relation to fact, but it's rather creative, and it makes for a plot that moves quickly and holds your attention. As one of Rogers' earlier films, the emphasis is on action, and there is plenty of it. Not a movie to take seriously, but one that makes for an enjoyable hour of viewing.

When a crooked banker/railroad man attempts to swindle some farmers, Sheriff Gabby Hayes sends word to his old friend Jesse James (Roy Rogers), who robs the banks and railroads in order to make things right. The villain retaliates by hiring Jesse's slack-jawed double (Rogers again) to make trouble in order to discredit James.

Jesse James At Bay is a typical but okay vehicle for Roy, who's pretty good at playing the heavy, though he gets to sing only once during the movie and then only a few verses.

This is Roger's second time playing double in a movie, the first time being as Billy the kid and Billy's good-guy replacement in 1938's Billy The Kid Returns and the third being 1942's Sunset On The Desert.

In JESSE JAMES AT BAY (1941), Roy Rogers does a good job enacting a dual role as Jesse James and Clint Burns, a Jesse look-alike employed to commit crimes to besmirch Jesse's reputation among the farmers of Missouri. The plotting of this Republic Pictures B-western starts out strong as farmers are given options on parcels of land along the railroad right-of-way in order to encourage development, only to lose the land after they've farmed it when the court throws out their options. The broker who convinced them to make the deal then forces the farmers out so he can sell the land at a profit. The real Jesse comes out of retirement to rob the land broker and give the money to the farmers so they can buy up their own land. The land broker then hires the Jesse look-alike to burn farmhouses and terrorize farmers in Jesse's name in order to thwart their support of Jesse.

One's credulity gets severely strained, however, when the Jesse look-alike begins palling around with the land broker in full public view and no one puts two-and-two together. At this point, two goofy lady reporters from St. Louis (played by Gale Storm and Sally Payne) start nosing around and popping up everywhere and the whole plot starts to sink under the weight of its own silliness. Now it was a given in B-westerns that the villains behind the scenes were usually high-level capitalists and land barons, but they usually had plenty of henchmen to do the dirty work. Here, things get utterly ridiculous when the land broker and the shady lawyer get on horses and whip out guns themselves and chase the sheriff and the incorruptible judge into the foothills, culminating in a shootout in the rocks among middle-aged men, three of them in suits.

Roy is quite a revelation in his scenes as the criminal look-alike. His sullen look and behavior in the role indicate a darker side that, unfortunately, never got exploited in his long career. Also on hand are Gabby Hayes as the sheriff, Hal Taliaferro as the lawyer, Roy Barcroft as a henchman, and Pierre Watkin as the devilishly smooth land broker. Storm and Payne are actually quite funny as the lady reporters, but the comic relief seems a little misplaced at that point in the film, helping to undermine the already weakened suspense. The film has a lot of good elements and started out on a promising note, but the script ran away from itself making the end result just another minor B-western capitalizing on the Jesse James name.

In the days before he was permanently playing himself in stories of the modern west, Roy Rogers played a number of real western characters and in Jesse James At Bay he plays the title role. And we learn the 'true' story that being that Jesse was not shot in the back by Bob Ford.

When a couple of sharp crooks played by Pierre Watkin and Hal Taliaferro cheat a bunch of honest ranchers and farmers out of their spreads, sheriff Gabby Hayes on the Q.T. sends for Jesse who's been lying quiet in Nebraska and out of the reach of Missouri law enforcement. Of course this does present an ethical problem for Gabby as he is the sheriff and he is sending for a wanted outlaw.

But not to be outdone Watkin and Taliaferro use a gambler named Clint Burns also played by Roy Rogers to sully Jesse's image as a Robin Hood. Nevertheless Gabby and Roy as Jesse get on to the scheme and turn it to their advantage quite cleverly.

Roy does quite well in the dual role although later on I doubt his public would have tolerated a villainous Roy Rogers. Roy and Gabby have to contend with a pair of reporters played by Sally Payne and Gale Storm who want the 'real' story.

As what was said in The Man Who Shot Liberty Valance 'print the legend'.