Um Raio de Sol

This is a sweet movie. Far better than remakes that followed. Durbin and Laughton seemed to really enjoy their scenes together (The Conga is unforgettable). Her singing is beautiful-"Going Home" brings a lump to the throat. This is my all time favorite movie set of the interior of the mansion. They don't (can't afford to) build sets like that anymore. Great escape.

I liked this movie very much and maybe that's because I am a baby boomer and prefer movies made in the 40's and 50's. Because I have always liked Deanna Durbin I bought this movie from Amazon.com and was very pleased with it. The scene when Deanna sang "Going Home" with Charles Laughton standing in the background was very moving. I thought they were a great team together and it really seemed like they had a great affection for each other. I was a bit annoyed with Robert Cumming's characterization, being a wimp and having no backbone to stand up to his father but then that's where the story lies. I thought Deanna's acting was very good and believable and her singing scenes (though unnecessary,except for "Going Home") did not detract from the story. This was quite an enjoyable light comedy and I would recommend it for anyone who likes movies of the 40's. The performances of Charles Laughton and Deanna Durbin definitely make this picture a treat.

IT STARTED WITH EVE (Universal, 1941), directed by Henry Koster, stars popular singer Deanna Durbin in one of her finest movie roles. Not quite a Biblical tale about Adam and Eve and the apple as the title might imply, nor is there any character in the story named Eve, but actually a comedy of errors in the screwball comedy tradition providing Durbin, still in her late teenage years, an opportunity in a more adult performance, with fine support by the diverse Charles Laughton in a character role that's both funny and touching, and Robert Cummings as a young man caught in the middle of a series of situations and having a difficult time coming up with a suitable explanations.

The scenario revolves around Jonathan Reynolds (Charles Laughton) a middle-aged millionaire on his death bed whose final request is to meet the young lady engaged to his son, Johnny (Robert Cummings). To make his father's last days on Earth a pleasant one, Johnny rushes out into the rain to get his fiancé only to learn from the desk clerk that she and her mother are not available. Not wanting to waste any more valuable time, Johnny encounters a hat check girl (Deanna Durbin) and offers her $50 to return home with him and pose as his fiancée for about an hour. Explaining the circumstances at hand, she agrees. Masquerading as "Gloria Pennington," the girl, Anne Terry, meets the ailing Mr. Reynolds, who takes an immediate liking to her. After their union, the old man finds his son to be in good hands, and can now die in peace. The following morning, Jonathan miraculously recovers from his illness, gets out of bed demanding a large breakfast from his servants and for Johnny to bring "Gloria" back to visit with him. Complications ensue when Johnny not only has to locate Anne, who's about to take the next train back home to Shelbyville, Ohio, but to explain to the real Gloria (Margaret Tallichet) and her mother (Catherine Doucet), having returned from their trip, the situation that has occurred. Things become even more complex when Johnny tries to prevent his father from learning Anne not to be his fiancée, and keeping Anne from attending his father's dinner function where she wants to audition for his theatrical agent friends in hope to land a singing career.

A highly enjoyable comedy with an original premise done at a leisurely pace with a couple of classical songs thrown in for good measure making use of Deanna Durbin's singing talent, including Peter Tchaikowsky's "The Tchaikowsky Waltz" and Antonin Dvorak's "Going Home." Supporting players consist of Guy Kibbee as Bishop Maxwell; Walter Catlett as Dr. Harvey, the nervous family physician; Dorothea Kent as Jackie Donovan, Anne's roommate; Clara Blandick as The Nurse; and comedian Mantan Moreland adding humor as the harassed train station baggage man.

Obviously a high point in Durbin's career that did very well at box office, it's interesting to note that a fun movie such as this is not relatively better known. Durbin and Cummings do well in the roles that might have been tailer-made for Irene Dunne and Cary Grant for example. However, the characters of Anne Terry and Johnny Reynolds were obviously written for much younger performers as enacted by Durbin and Cummings.

IT STARTED WITH EVE did play for a while on American Movie Classics (1992-93) about the same time it was distributed on video cassette by MCA Home Video. The Hans Kraly story was redone by Universal as I'D RATHER BE RICH (1964) featuring Sandra Dee, Robert Goulet and Maurice Chevalier, with a few alterations, but like the original, has been lost to cinema history, known mostly by film scholars and historians. Even with the original currently available on DVD and latter cable broadcast on Turner Classic Movies (TCM premiere: December 30, 2013) might offer IT STARTED WITH EVE some new life to a new generation of movie lovers looking for something amusing, nostalgic as well as lighthearted entertainment by its three principal actors. (***1/2).

Let's see - you're a classically trained singer with a gorgeous voice, you're pretty, a good actress, highly paid...and all you want is to get out of show business.

That's Deanna Durbin's story, and thank goodness, she didn't get her wish until she made films like "It Started with Eve," also starring Charles Laughton and Robert Cummings.

Durbin plays Anne Terry, a hat check girl trying to make it as a classical singer. One night, she is drafted by Johnny Reynolds Jr. (Cummings) who believes his father (Laughton) is dying. His father has insisted on meeting his fiancée, but when Johnny returns to the hotel to find her, she and her mother (Margaret Tallichet and Catherine Doucet) aren't in their room. Desperate, he offers Anne money if she will pose as his fiancée. Anne wants to return home to her family, so the money will come in handy. She accompanies him to his father's deathbed.

Well, Jonathan Reynolds Sr. rallies! He's not going to die, and his son may well -- he now has two fiancées. Jonathan Sr. plans a party for all his high falutin' friends, including people like Leopold Stokowski, to meet Anne and to have her sing for them.

Johnny Jr. is in a pickle and tells Anne that he will say that they broke up and then introduce his father to his real fiancée, whom Reynolds Sr.'s doctor will bring to the house. But Anne wants to sing at the party, so after he announces the big breakup, Anne rushes in and begs forgiveness.

Robert Cummings, a huge star in television, was usually second tier in films. He always excelled in comedy, and he does a great job here. Laughton, playing a man who's supposedly dying, looks quite gaunt and is, of course, marvelous as a man who has a great relationship with Anne and grows fond of her.

Deanna Durbin herself acts and sings like a dream and looks beautiful. Her warm personality shines through. She sings "Clavelitos," "Goin' Home," "When I Sing," and "Ahi, viene la conga" impressively.

"It Started with Eve," is a fast-moving, fun, highly entertaining film with moments of poignancy. This film marked the end of Deanna Durbin's work with producer Joe Pasternak and director Henry Koster; Pasternak went to MGM, and Deanna went on suspension for turning down a script. In the end, she was given approval of her directors, stories and songs.

Hard to believe this songbird, now 90, retired at the age of 26 and never looked back. It's a tribute to her that 64 years post-retirement, Deanna Durbin still has plenty of fans.

With Deanna Durbin's charm, Charles Laughton's energy, a decent supporting cast, and a worthwhile story, "It Started With Eve" is a funny and engaging comedy. It may seem like a weird idea to pair such dissimilar talents as Durbin and Laughton, but it does work. As Laughton's son, Robert Cummings gets mostly straight lines, but he performs his role well, and Walter Catlett also has some good moments as a rather high-strung doctor.

The story starts out a little slowly, but once it gets rolling it is interesting. It also has some thoughtful moments, as the characters try to figure out how to deal with all the dilemmas that start when Cummings's character has to improvise a way of comforting his seriously ill father. The actual plot developments are insubstantial in themselves, but are generally used to good effect. It could have been played as an all-out screwball comedy, but here the more balanced approach seems to work at least as well.

The movie builds up steam as things develop, and saves some of the best moments for the climactic sequence. It's a successful combination that makes for enjoyable viewing.