Um Raio de Sol

It Started with Eve is my favorite Deanna Durbin movie. I owned this movie on video, also I have Nice Girl? and His Butler Sister. They do not compare with this film. Deanna plays a hat-check girl in a hotel who poses as Robert Cummings' future bride for his dying father. Charles Laughton plays Cummings' father in the film suddenly get better. Cummings does not know how to tell the father when the real bride arrives. Besides acting Deanna is singing during the movie. Nice to watch and relax on a rain or snowy day.

Would anyone not take a bet that a 20-year-old young woman would be mincemeat if she tried to take a film away from the skilled and hammy hands of Charles Laughton, especially when Laughton, to modern eyes, looks suspiciously like he's playing Tim Conway playing one of Conway's old, tottering geezers? It Started With Eve, an attractive romantic comedy, stars Deanna Durbin, Robert Cummings and Charles Laughton. It was a shame Laughton wasn't a few years younger. He and Durbin turn out to be quite a pair, both of them adept at delivering smart lines, doing subtle double-takes or moving from subversive good cheer to tear-jerker moments of sincerity. They dominate the film and they do it as equals. Robert Cummings was a skilled light-weight lead. Here. as in so many of his films, he just doesn't have the leading-man gravitas to appear as anything but an earnest puppy. When he shares a scene with either Laughton or Durbin, he makes a pleasant second banana.

It Started With Eve begins with Jonathan Reynolds (Laughton), a rich old tycoon, apparently on his death bed. When his son, Jonathan Junior (Cummings), comes rushing in from a trip to Mexico, old Jonathan asks to meet young Jonathan's new fiancé, who has come to New York with him, accompanied by her mother. Young Jonathan tries to contact his fiancé, can't reach her, and believing his father is now dying, happens upon Anne Terry (Durbin), a hat-check girl. He rushes Anne to the side of his father and introduces her as his fiancé. But the next day his father recovers. Now young Jonathan has his fiancé he can't let his father meet, and his father wants to keep seeing Anne, thinking she's the fiancé. The movie's an hour-and-a- half of mistaken identity and screw-ball encounters. Love finally wins out, but only after Laughton plays matchmaker and Durbin sings two or three songs. Along the way we have some clever lines ("The trouble with being sick is you have to associate with doctors!"), a good deal of skullduggery as Laughton contrives to smoke the cigars his doctor forbids him, and a fast pace set by director Henry Koster. Laughton, of course, overacts but gets away with it. He also has a comb-up hair style that, if he were a foot shorter, would let him pass for a munchkin. He does a lot of stooped-over shuffling, squinting from under his eye- brows, and little bits of business that we wind up hardly noticing when Durbin is around. She must have been quite a challenge for him. Durbin, at 20, is no longer the child star. She's well-nigh gorgeous, with a figure that could make staring illegal. She is natural and straight- forward, and completely self-assured. She's one of the few actresses who could get away with sniffing mightily or falling down next to a piano and make us smile just at her style. She was, in a word or two, sui generis. And for those who admire subversive scene-stealers, the movie has that master, Walter Catlett, playing Dr. Harvey. Catlett was in hundreds of films, usually playing blowhards or flustered shysters. He's a bit subdued here, but just the sound of his voice is enough to make me smile.

The movie is a bit of froth, expertly served. If it's a little dated, well, so am I.

IT STARTED WITH EVE (Universal, 1941), directed by Henry Koster, stars popular singer Deanna Durbin in one of her finest movie roles. Not quite a Biblical tale about Adam and Eve and the apple as the title might imply, nor is there any character in the story named Eve, but actually a comedy of errors in the screwball comedy tradition providing Durbin, still in her late teenage years, an opportunity in a more adult performance, with fine support by the diverse Charles Laughton in a character role that's both funny and touching, and Robert Cummings as a young man caught in the middle of a series of situations and having a difficult time coming up with a suitable explanations.

The scenario revolves around Jonathan Reynolds (Charles Laughton) a middle-aged millionaire on his death bed whose final request is to meet the young lady engaged to his son, Johnny (Robert Cummings). To make his father's last days on Earth a pleasant one, Johnny rushes out into the rain to get his fiancé only to learn from the desk clerk that she and her mother are not available. Not wanting to waste any more valuable time, Johnny encounters a hat check girl (Deanna Durbin) and offers her $50 to return home with him and pose as his fiancée for about an hour. Explaining the circumstances at hand, she agrees. Masquerading as "Gloria Pennington," the girl, Anne Terry, meets the ailing Mr. Reynolds, who takes an immediate liking to her. After their union, the old man finds his son to be in good hands, and can now die in peace. The following morning, Jonathan miraculously recovers from his illness, gets out of bed demanding a large breakfast from his servants and for Johnny to bring "Gloria" back to visit with him. Complications ensue when Johnny not only has to locate Anne, who's about to take the next train back home to Shelbyville, Ohio, but to explain to the real Gloria (Margaret Tallichet) and her mother (Catherine Doucet), having returned from their trip, the situation that has occurred. Things become even more complex when Johnny tries to prevent his father from learning Anne not to be his fiancée, and keeping Anne from attending his father's dinner function where she wants to audition for his theatrical agent friends in hope to land a singing career.

A highly enjoyable comedy with an original premise done at a leisurely pace with a couple of classical songs thrown in for good measure making use of Deanna Durbin's singing talent, including Peter Tchaikowsky's "The Tchaikowsky Waltz" and Antonin Dvorak's "Going Home." Supporting players consist of Guy Kibbee as Bishop Maxwell; Walter Catlett as Dr. Harvey, the nervous family physician; Dorothea Kent as Jackie Donovan, Anne's roommate; Clara Blandick as The Nurse; and comedian Mantan Moreland adding humor as the harassed train station baggage man.

Obviously a high point in Durbin's career that did very well at box office, it's interesting to note that a fun movie such as this is not relatively better known. Durbin and Cummings do well in the roles that might have been tailer-made for Irene Dunne and Cary Grant for example. However, the characters of Anne Terry and Johnny Reynolds were obviously written for much younger performers as enacted by Durbin and Cummings.

IT STARTED WITH EVE did play for a while on American Movie Classics (1992-93) about the same time it was distributed on video cassette by MCA Home Video. The Hans Kraly story was redone by Universal as I'D RATHER BE RICH (1964) featuring Sandra Dee, Robert Goulet and Maurice Chevalier, with a few alterations, but like the original, has been lost to cinema history, known mostly by film scholars and historians. Even with the original currently available on DVD and latter cable broadcast on Turner Classic Movies (TCM premiere: December 30, 2013) might offer IT STARTED WITH EVE some new life to a new generation of movie lovers looking for something amusing, nostalgic as well as lighthearted entertainment by its three principal actors. (***1/2).

With Deanna Durbin's charm, Charles Laughton's energy, a decent supporting cast, and a worthwhile story, "It Started With Eve" is a funny and engaging comedy. It may seem like a weird idea to pair such dissimilar talents as Durbin and Laughton, but it does work. As Laughton's son, Robert Cummings gets mostly straight lines, but he performs his role well, and Walter Catlett also has some good moments as a rather high-strung doctor.

The story starts out a little slowly, but once it gets rolling it is interesting. It also has some thoughtful moments, as the characters try to figure out how to deal with all the dilemmas that start when Cummings's character has to improvise a way of comforting his seriously ill father. The actual plot developments are insubstantial in themselves, but are generally used to good effect. It could have been played as an all-out screwball comedy, but here the more balanced approach seems to work at least as well.

The movie builds up steam as things develop, and saves some of the best moments for the climactic sequence. It's a successful combination that makes for enjoyable viewing.

When you rent It Started with Eve-because after reading this review, you'll be unable to resist-you're going to consider turning it off after the first ten minutes as you reach for your hankie. Please don't turn it off! I know the beginning is very sad, but if you stay with it, it turns into an absolutely delightful romantic comedy.

Charles Laughton is Robert Cummings's ailing father, and as his doctor, Walter Catlett, has given him mere minutes to live, there's a very tearful deathbed scene. Charles begs Bob to describe his lovely fiancé and gives his dying wish to meet the young woman. Bob runs off to the hotel where she's staying, but she's left her room and he can't reach her. He's frantic and desperate, and in a mad dash to make his father happy in the seconds before he dies, he whisks a random woman, Deanna Durbin, home with him and pretends she's his intended.

Now, all that setup is the sad part of the movie. Charles reassures everyone he's had a full and happy life, but just as you're wiping up your tears, he wakes up from his sleep and declares, "I'm hungry!" Hooray! Now the fun can start. As you might guess, Bob and Deanna keep pretending they're engaged to keep Charles happy, even though Bob's real fiancé, Margaret Tallichet, is waiting impatiently in the wings.

Deanna, of course, get to show off her musical talents, playing the piano and singing some very impressive songs. Since she was primarily a singer, you might expect her to be a lousy actress, but she's pretty good. It doesn't hurt that she's working off such a wonderful pro like Charles Laughton in most of her scenes. Bob Cummings is also very good in the movie. He has great comic timing and is perfectly frazzled and inept when the part calls for it.

Charles Laughton, in one of his gentle, romantic, sweet roles, completely stole my heart. He's so adorable in It Started with Eve. I'm partial to him anyway, so you might think I'm a bit biased, but I watched this movie with my mom-who doesn't always think he's likable-and she was just as charmed as I was. Once he's no longer at death's door, Charles spends the rest of the movie up and about, sneaking cigars against his doctor's orders, requesting "a nice warm steak-y", throwing parties, and dancing the conga at a nightclub! He and Deanna have such a close chemistry in their scenes together, I kept thinking the film was a romance between them instead of between Deanna and Bob. If you can't imagine Charles Laughton being a romantic lead, rent It Started with Eve to change your mind.