Um Raio de Sol

Let's see - you're a classically trained singer with a gorgeous voice, you're pretty, a good actress, highly paid...and all you want is to get out of show business.

That's Deanna Durbin's story, and thank goodness, she didn't get her wish until she made films like "It Started with Eve," also starring Charles Laughton and Robert Cummings.

Durbin plays Anne Terry, a hat check girl trying to make it as a classical singer. One night, she is drafted by Johnny Reynolds Jr. (Cummings) who believes his father (Laughton) is dying. His father has insisted on meeting his fiancée, but when Johnny returns to the hotel to find her, she and her mother (Margaret Tallichet and Catherine Doucet) aren't in their room. Desperate, he offers Anne money if she will pose as his fiancée. Anne wants to return home to her family, so the money will come in handy. She accompanies him to his father's deathbed.

Well, Jonathan Reynolds Sr. rallies! He's not going to die, and his son may well -- he now has two fiancées. Jonathan Sr. plans a party for all his high falutin' friends, including people like Leopold Stokowski, to meet Anne and to have her sing for them.

Johnny Jr. is in a pickle and tells Anne that he will say that they broke up and then introduce his father to his real fiancée, whom Reynolds Sr.'s doctor will bring to the house. But Anne wants to sing at the party, so after he announces the big breakup, Anne rushes in and begs forgiveness.

Robert Cummings, a huge star in television, was usually second tier in films. He always excelled in comedy, and he does a great job here. Laughton, playing a man who's supposedly dying, looks quite gaunt and is, of course, marvelous as a man who has a great relationship with Anne and grows fond of her.

Deanna Durbin herself acts and sings like a dream and looks beautiful. Her warm personality shines through. She sings "Clavelitos," "Goin' Home," "When I Sing," and "Ahi, viene la conga" impressively.

"It Started with Eve," is a fast-moving, fun, highly entertaining film with moments of poignancy. This film marked the end of Deanna Durbin's work with producer Joe Pasternak and director Henry Koster; Pasternak went to MGM, and Deanna went on suspension for turning down a script. In the end, she was given approval of her directors, stories and songs.

Hard to believe this songbird, now 90, retired at the age of 26 and never looked back. It's a tribute to her that 64 years post-retirement, Deanna Durbin still has plenty of fans.

It Started with Eve is my favorite Deanna Durbin movie. I owned this movie on video, also I have Nice Girl? and His Butler Sister. They do not compare with this film. Deanna plays a hat-check girl in a hotel who poses as Robert Cummings' future bride for his dying father. Charles Laughton plays Cummings' father in the film suddenly get better. Cummings does not know how to tell the father when the real bride arrives. Besides acting Deanna is singing during the movie. Nice to watch and relax on a rain or snowy day.

With Deanna Durbin's charm, Charles Laughton's energy, a decent supporting cast, and a worthwhile story, "It Started With Eve" is a funny and engaging comedy. It may seem like a weird idea to pair such dissimilar talents as Durbin and Laughton, but it does work. As Laughton's son, Robert Cummings gets mostly straight lines, but he performs his role well, and Walter Catlett also has some good moments as a rather high-strung doctor.

The story starts out a little slowly, but once it gets rolling it is interesting. It also has some thoughtful moments, as the characters try to figure out how to deal with all the dilemmas that start when Cummings's character has to improvise a way of comforting his seriously ill father. The actual plot developments are insubstantial in themselves, but are generally used to good effect. It could have been played as an all-out screwball comedy, but here the more balanced approach seems to work at least as well.

The movie builds up steam as things develop, and saves some of the best moments for the climactic sequence. It's a successful combination that makes for enjoyable viewing.

This is a sweet movie. Far better than remakes that followed. Durbin and Laughton seemed to really enjoy their scenes together (The Conga is unforgettable). Her singing is beautiful-"Going Home" brings a lump to the throat. This is my all time favorite movie set of the interior of the mansion. They don't (can't afford to) build sets like that anymore. Great escape.

Would anyone not take a bet that a 20-year-old young woman would be mincemeat if she tried to take a film away from the skilled and hammy hands of Charles Laughton, especially when Laughton, to modern eyes, looks suspiciously like he's playing Tim Conway playing one of Conway's old, tottering geezers? It Started With Eve, an attractive romantic comedy, stars Deanna Durbin, Robert Cummings and Charles Laughton. It was a shame Laughton wasn't a few years younger. He and Durbin turn out to be quite a pair, both of them adept at delivering smart lines, doing subtle double-takes or moving from subversive good cheer to tear-jerker moments of sincerity. They dominate the film and they do it as equals. Robert Cummings was a skilled light-weight lead. Here. as in so many of his films, he just doesn't have the leading-man gravitas to appear as anything but an earnest puppy. When he shares a scene with either Laughton or Durbin, he makes a pleasant second banana.

It Started With Eve begins with Jonathan Reynolds (Laughton), a rich old tycoon, apparently on his death bed. When his son, Jonathan Junior (Cummings), comes rushing in from a trip to Mexico, old Jonathan asks to meet young Jonathan's new fiancé, who has come to New York with him, accompanied by her mother. Young Jonathan tries to contact his fiancé, can't reach her, and believing his father is now dying, happens upon Anne Terry (Durbin), a hat-check girl. He rushes Anne to the side of his father and introduces her as his fiancé. But the next day his father recovers. Now young Jonathan has his fiancé he can't let his father meet, and his father wants to keep seeing Anne, thinking she's the fiancé. The movie's an hour-and-a- half of mistaken identity and screw-ball encounters. Love finally wins out, but only after Laughton plays matchmaker and Durbin sings two or three songs. Along the way we have some clever lines ("The trouble with being sick is you have to associate with doctors!"), a good deal of skullduggery as Laughton contrives to smoke the cigars his doctor forbids him, and a fast pace set by director Henry Koster. Laughton, of course, overacts but gets away with it. He also has a comb-up hair style that, if he were a foot shorter, would let him pass for a munchkin. He does a lot of stooped-over shuffling, squinting from under his eye- brows, and little bits of business that we wind up hardly noticing when Durbin is around. She must have been quite a challenge for him. Durbin, at 20, is no longer the child star. She's well-nigh gorgeous, with a figure that could make staring illegal. She is natural and straight- forward, and completely self-assured. She's one of the few actresses who could get away with sniffing mightily or falling down next to a piano and make us smile just at her style. She was, in a word or two, sui generis. And for those who admire subversive scene-stealers, the movie has that master, Walter Catlett, playing Dr. Harvey. Catlett was in hundreds of films, usually playing blowhards or flustered shysters. He's a bit subdued here, but just the sound of his voice is enough to make me smile.

The movie is a bit of froth, expertly served. If it's a little dated, well, so am I.