O Castelo do Homem Sem Alma

Robert Newton plays James Brodie, a hatter who is consumed by the desire for power and importance. He has built himself a large grand house (the Hatter's Castle of the title) He bullies his wife and children, tyrannises over his employees, and is horrible to everyone who he encounters. His daughter ( Deborah Kerr) is loved by the handsome young local doctor James Mason, who (of course) Newton hates. Newton has a mistress, the lovely Enid Stamp-Taylor, who persuades him to give a job to her 'step brother' (actually former lover) played by the splendidly slimes Emlyn Williams. This of course leads to trouble and not just for Newton. The character of James Brodie is so unrelentingly horrible that I was unable to take him seriously. Especially absurd is the idea that he won't have servants and expects his wife to do all the housework - nobody with social pretensions in the Victorian era would have thought of not having servants, they were simply essential.

It's a ghastly story and as close to a horror tale as you can get within the limits of realism. It was A.J.Cronin's first major novel and very Dickensian as such, telling an alternative Scrooge story without the main character ever learning his lesson. So things go consistently from bad to worse all the way through. James Mason and Deborah Kerr, both still very young here, provide some kind of a balance against all the wicked tyranny but not enough to bandage the very serious wounds of this gruesome detailed account of tyranny. Robert Newton is magnificent as always in his consistent viciousness, and all the other actors are perfect as well. The one thing you could object against here is the meaning and reason for A.J.Cronin to tell such a story.

Nothing to do with Cromwell but Christmas was banned in Scotland in 1573. Had this Victorian tale been set in a country other than Scotland, Robert Newton's abhorrent hatter in this story would surely have had a Scrooge-like Christmas Day transformation!

Horrid hatter, James Brodie unlike Scrooge is utterly unlikeable and even if he'd lived in a country which had Christmas, no number of spirits could redeem him. Robert Newton delivers just the right amount of brooding Victorian malice. He plays the role just right to make it believable - sinister but not quite at the level of a pantomime villain. He thoroughly engrosses you as you desperately yearn to see him get his cumuppance.

The great Welsh actor (and writer) Emlyn Williams gives an equally believable performance as the thoroughly obnoxious Dennis "Uriah Heep's less trustable brother!" It's difficult to say who is more dislikable. With the two leading characters being so unrelentingly unpleasant, there's not a lot of lightness here. Inevitability you compare this with Dickens and when you do that it's clear how much more depth and layers and humour Dickens imbued into his stories. This was however the very first thing A J Cronin ever wrote so as a first go at writing a story, it's still pretty impressive.

It's not Cronin's best work, his characteristic social and political criticism hadn't developed yet but it's still a decent Victorian style melodrama. As a film, it has pace, atmosphere and tension - it's beautifully produced.

It's incredibly unfortunate that Robert Newton isn't a household name. He was an unbelievably talented, versatile British actor from the silver screen era, but while his name hasn't lasted through the decades, other, far less talented actors have remained household names, like Spencer Tracy, Clark Gable, and Gary Cooper. If you have no idea who Robert Newton is, rent Hatter's Castle tonight.

Robert Newton plays the patriarch in A.J. Cronin's epic Hatter's Castle. He owns a hat shop, and we are treated to his hardened business persona as well as his cold demeanor at home. He's extremely strict with his innocent, frightened daughter, Deborah Kerr, and he's cruel and callous to his wife, Beatrice Varley. Beatrice slaves away as a homemaker, and her exhaustion is palpable through the screen. Deborah is very young and very sweet, and she's quickly torn between two potential lovers, the slimy Emlyn Williams and the handsome doctor James Mason.

But back to Robert Newton. It's his movie, after all, and his tour-de-force performance-which was not honored by a single award or nomination-that makes this movie one of the great classics from the silver screen. As he always does, he completely embodies his character. He doesn't care about making the audience hate him, and even though he made a career out of playing villains, this role is totally different from the other bad guys he's played. He's cold, selfish, and merciless, yet as the story unfolds, he compels the audience to care about what happens to him. Bobby has an incredibly expressive face, and his intense energy makes his performance worth remembering.

This is a very heavy story, so if you like Thomas Hardy stories, you'll find a new favorite in Hatter's Castle. If you don't think you can handle it-if you walked out of The Mayor of Casterbridge-I don't think you'll like it. Try Jamaica Inn instead for an introduction to Robert Newton.

Although future mega stars James Mason and Deborah Kerr appear in Hatter's Castle, the film truly belongs to star Robert Newton. Most people today are familiar with Newton in his later pirate roles like Blackbeard or Long John Silver which allow full expression for his florid style. In Hatter's Castle Newton is kept in check by the director until the climax which calls for nothing less than what Newton was known to deliver on the screen.

Newton dominates Hatter's Castle playing a haberdasher with lots of pretensions. He's made a lot of money at business and that's what he's all about. His business, his family are all merely extensions of himself and his drive for what he considers respectability. He's going to have the grandest house for miles around, something they would call a castle back in the day, Hatter's Castle. With a house that would support a lord, can a peerage be far behind. That's what he's ultimately aiming for.

Newton's family, his props are his doormat of a wife Beatrice Varley who is dying from cancer and Newton wants to hear none of it and his children Deborah Kerr and Anthony Bateman. There are traces of incestuous longing for Kerr with Newton as he allows her no male companionship whether it's earnest young doctor James Mason who secretly treats Varley on the side and sneaky and sniveling clerk Emlyn Williams who also has ambitions. Newton also has mistress Enid Stamp-Taylor and their carrying on is an open scandal around the town. I'm sure Newton figures if that was good enough for all the lords and ladies in olden and modern times it's good enough for him. Of course they already had their titles, something he overlooks.

In the end it all blows up around him. Emlyn Williams really loses it all in the famous Tay railroad bridge disaster where a bridge over the Tay River to Dundee collapses and a train goes over with it with all crew and passengers lost. This might be the only film that deals with that tragedy and A.J. Cronin did incorporate it in his novel. Good special effects for its time in the British cinema.

The bare essentials of Cronin's work is incorporated here. The plot of the novel was shorn of several subplots and characters the most prominent was another son for Mr.&Mrs. Brodie. Speaking of which young Anthony Bateman should be given kudos for a very nice portrait of a shy young kid trying so hard to please his uncaring father.

After almost 80 years Hatter's Castle holds up well today. Honestly I can't think of a cast to match this one for a remake. Especially for Robert Newton.