The Ghost of St. Michael's

I thoroughly enjoyed this Will Hay comedy, which successfully combines the school story and the requisite nod to wartime concerns with the spoof haunting theme that had featured in some of his most successful earlier work. The old team of Graham Moffat and Moore Marriott are here absent, but Hay is teamed very effectively with chinless Claude Hulbert and a young Charles Hawtrey as a precocious schoolboy. Hay's protagonist treads a skilfully effective line between annoying (we relish watching him get taken down a peg, rather than wincing) and sympathetic, while Hawtrey's gadfly-like persistence as a boy far brighter than his teachers is equally well judged, and Claude Hulbert makes ineffectuality likable.

The film has its share of broad comedy (watch for what Hay does with that piglet...) but often avoids obvious expectations, and is the funnier for it. The suspiciously Teutonic teacher is not, of course, what he seems; the ghost is, of course, not what it seems either; and the motivation which ultimately enlists the boys on the side of their erstwhile petty dictator is certainly not the type customary in school stories!

Overall "The Ghost of St Michael's" is a blend of guffaw-rich visual humour with accomplished misdirection to produce a very appropriate vehicle for its star. The beginning is a little hit and miss, but the film is still full of laugh-out-loud moments.

Dithering teacher Will Hay gets a job at a Scottish castle where pupils have been evacuated to. The castle is said to be haunted and indeed teachers start to be bumped off.

Usual silly Hay and co nonsense which tends to grow on you as the film progresses and turns into a fairly fun comedy thriller. Hawtrey is annoying for the most part but the film gains some dignity from the presence of Huntley and Aylmer.

Just a couple of points: the school is moved to Skye in the Hebrides, Scotland, NOT the Channel Islands.

Also, I would not say it is a take on The Ghost Train: that would be Oh Mr Porter, surely.

But certainly one of the most watchable of Will Hay's films.

It is amazing to see people like John Laurie, who went on to play Private Frazer in Dad's Army on TV, and, of course, Charles Hawtrey.

Did any of the other schoolboys go on to feature or star in other films?

Anybody know?

If you do, let us know

In his Hay-Day Will Hay seldom put a foot - or a tonsil – wrong, the Ghost Of St. Michael's was no exception, proving to be yet another classic. Set in a haunted castle on the Isle Of **** (in case Jerry wanted to know the direction to Skye) I've seen this so many times now that I find it sometimes hard to remember they were all really in Ealing's studios even though it was cheaply and simply made. Such is the power of auto-suggestion!

Because of the War an English boarding school is evacuated en masse to a castle in Scotland, of which the wild eyed porter John Laurie informs the scoffing new science master Hay and forward pupil Charles Hawtrey that it is haunted with the ghost of a phantom piper. Hay strikes up a friendship with fellow silly master Claude Hulbert, but doesn't impress the weird Head Felix Aylmer and incurs the derision of nasty senior master Raymond Huntley – which doesn't matter as these two don't last very long. So many favourite bits: the lesson in the draughty classroom on What Goes Up Must Come Down – with a disinterested Gerald Campion (the future TV Billy Bunter) sat behind Hawtrey – where Hay is taught a lesson; the dormitory feast where Hay gets tight on some jolly good lemonade to the delight of the boys; displaying his deep knowledge of gases to the boys in the science lesson; the denouement which could so easily have ended flat; but especially the delicious inquest in the barn, of which you must already know I'm going to say all I can say is Fiddlesticks!

In the decades before it got out onto DVD it was my most borrowed or copied tape by friends, which is why it's surprising to me that there have been so few commenters here so far. It's always been one of my favourites, a totally un-nasty un-cynical non-violent harmless old fashioned piece of fluff and a, no, the classic of its kind.

I'm giving this seven out of ten, back as a kid it would have been a ten but this time round, well, I suppose you know you're getting old when you find yourself sympathising with Will Hay's incompetent teacher, and rather hoping the obnoxious, snotty school kids get a slap; Charles Hawtrey's smart alec schoolboy in particular seems a nasty piece of work. Otherwise the absence of Moffatt and Marriott are keenly felt, because they allowed Hay to be both blustery incompetence but also sarcastic - here he doesn't get anyone to be sarcastic or superior to, so it's a relatively one-note performance. In his earlier roles you never knew if he'd be the fool or the sarcy one at any given time, it kept you on your toes.

Huntley and Laurie would appear in the war movie The Way Ahead of course. Personally I'm not sure the plot machinations of St Michael's stand up. Was it Huntley's ink on the forged suicide note? What gives? Still, the ending has a few surprises and some genuinely sinister moments.