Dumbo

I used to LOVE this film when I was little and then, like most other kids' films I forgot about it. However, the other night I was babysitting until 3.30am and to keep awake I invaded the family's video collection. On watching Dumbo, I was as moved as ever, but also reminded of what a scary and shadowy film it is. My brother had to be guided out of the cinema, crying with his hands over his eyes, when he saw it, and that says a lot for a kids' film. The use of shadows and silhouettes is widespread and the weather is largely rainy and stormy. I can remember being scared during the scene when the train is travelling through the stormy night and particularly when the men (all black, I notice) are building the Big Top. The Pink Elephants sequence is imaginative and impressive for adults but imagine watching it as a kid - it's pretty scary. It's strange to have a film where the main character, title character even, doesn't actually talk, but I suppose there's nothing for him to say, his actions and expressions say it all. The treatment of Dumbo's mother always gets me, particularly the beautiful and haunting "Baby Mine" scene. However, through all the sadness and sinisterness, the heart of the film shines through, and it's a beautiful one with a wonderful message.

Disney had spent vastly more money than he'd planned on "Pinnochio" and "Fantasia", and got little of it back. "Dumbo", next off the rank, was made cheaply, quickly, without fuss. The result is simple but handsome. However handsome "Dumbo" looks, the animation is not very detailed, character design is hardly adventurous, the colours are few but bright, and in an hour it's over. It needn't be more than this, though: the story is far from complicated. It is, I'll admit, a story that has made me cry more than once; and in this instance I don't feel that I've been cheated into crying, because there really is something poignant and heartbreaking about this ugly duckling variant.

Like Hans Andersen, Disney has to pad the outfit a bit to make it fill the space available; yet, with the exception of the introductory bit with the storks, it doesn't feel like padding. In fact the most gratuitous piece of padding is the most necessary. I refer to the pink elephants sequence: a masterpiece of extended unreality (caused by such a tiny quantity of champagne!) which dazzles and sizzles and all but soars out of the screen. It's the sting in Dumbo's tail, and nothing produced since can match its verve.

All the other elephants shun Dumbo for his gigantic ears, and his mother has been locked up for protecting him, so he's all alone in the world... until Timothy Q Mouse shows up.

A beautiful piece of work. At just 60 mins, it is short and sweet. But it also contains some of Disney's best visual poetry. Dumbo's not saying a single word means his entire character is created through the physical. The entire opening sequence, till the gossipy elephants start talking, plays out without words, and its like the best silent movies. Simply beautiful.

Mrs Jumbo rearing up and destroying the big top to protect Dumbo from taunting kids is an incredible scene. Dumbo's mother spends the movie imprisoned in a carriage labelled "mad elephant" - and surely one of the most beautiful, heartbreaking scenes i've ever seen plays out when Dumbo and his mother have contact only by touching trunks, through the bars in the window of her cell. A beautiful sequence begins: the beautiful song "Baby Mine" plays as she cradles him in her trunk, and when Dumbo leaves she can't see him, and she stretches her trunk as far as she can out the window to try and reach him, and... oh, its too much!

The pink elephants sequence is as close to trippy Disney ever got - and its brilliant. One of the best, most inventive sequences in animation history. Great song, too.

Some terrific songs: Look Out for Mr Stork, Casey Junior (the train song), Pink Elephants, When I see an elephant fly and Baby Mine.

10/10. Timothy Q Mouse is a great character, the animation is so concise and perfect, great songs, the message that if you believe you can overcome your handicaps you will so inspiring and beautiful, and the movie so short and sweet it will forever retain its appeal.

Dumbo is a good movie with a reasonably well developed plot and a stellar voice cast. It is a very sweet, fun film for the whole family to enjoy, just running over an hour, it's quick and very easy to follow, but you will also find yourself very connected to these characters, the adorable elephant, the witty mouse, the charismatic crows, it's a great ride. However, the plot is slim, there is little story, we mainly follow Dumbo as he learns how to fly, but nothing really happens, in comparison to Disney's two films prior to this, Snow White & The Seven Dwarfs and Pinocchio, development is thin. The film certainly should have focused on Dumbo's relationship with his mother, it was the only part that had any real depth or emotion, and I think it could have been very effective had it been scoped more. It's certainly not flawless, but Dumbo is a fun hour for the whole family, some unforgettable work by Disney.

A elephant who is ridiculed for his huge ears soon gains the ability to fly with them, making him a popular circus act.

Best Performance: Edward Brophy

I will never get how people still say that Bambi losing his mother is the worst in the classic disney films. For me it's Dumbos mother being imprisoned because she tries to protect her child. Yes, she's not dying, but it's still so very sad! And then we get this little adventure for Dumbo and his mousey companion. These two always remind me of Pinocchio and Jiminy Cricket. The parade of the elephants - which Dumbo and Timothy Mouse are seeing when they're drunk (!) - is one of the craziest drug moments Disney ever did (probably only Alice in Wonderland can match it with it's weirdness). And it's so much fun to see Dumbo fly in the end and how he becomes a worldwide phenomenon after he got bullied around for such a long time.