AVALIAÇÃO DA IMDb
6,9/10
3,9 mil
SUA AVALIAÇÃO
Um piloto de avião com dificuldades financeiras se contrata para trabalhar com um magnata do petróleo para sequestrar sua filha maluca e impedi-la de se casar com um líder de banda insípido.Um piloto de avião com dificuldades financeiras se contrata para trabalhar com um magnata do petróleo para sequestrar sua filha maluca e impedi-la de se casar com um líder de banda insípido.Um piloto de avião com dificuldades financeiras se contrata para trabalhar com um magnata do petróleo para sequestrar sua filha maluca e impedi-la de se casar com um líder de banda insípido.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 vitórias no total
Douglas Kennedy
- Second Reporter
- (as Keith Douglas)
William Hopper
- Keenan's Pilot
- (as DeWolf Hopper)
Sol Gorss
- Reporters' Pilot
- (cenas deletadas)
Jean Ames
- Mabel - Hatcheck Girl
- (não creditado)
Peter Ashley
- Reporter in Amarillo
- (não creditado)
Avaliações em destaque
I can see why some people who admire the actor's dramas might complain. Gone with the Wind, it ain't. But it wasn't trying to be, and you do get a host of Hollywood legends, all in top form, doing exactly what they did best.
Airplane lovers will also appreciate the potpourri of period light passenger aircraft, and the scenery and sets are top notch.
The chemistry between Cagney and Davis is great, there's no scene stealing and it's just plain fun to watch. It's kind of sad to hear the treatment it received at the time from both the actors and critics. I wish they'd made ten more. Light-hearted and easy on the soul. One of my all time favorites.
Side note: I met Bette Davis in a store in Westport, CT and she quizzed me about a reversible blender we were both looking at. I was picking one up for my friend Mary. She was very nice--and smoking of course.
Airplane lovers will also appreciate the potpourri of period light passenger aircraft, and the scenery and sets are top notch.
The chemistry between Cagney and Davis is great, there's no scene stealing and it's just plain fun to watch. It's kind of sad to hear the treatment it received at the time from both the actors and critics. I wish they'd made ten more. Light-hearted and easy on the soul. One of my all time favorites.
Side note: I met Bette Davis in a store in Westport, CT and she quizzed me about a reversible blender we were both looking at. I was picking one up for my friend Mary. She was very nice--and smoking of course.
I quite liked THE BRIDE CAME C.O.D. It's an obvious riff on the screwball structure established by the much superior IT HAPPENED ONE NIGHT, but Cagney and Davis really make it so much better than it could have been without their personas and chemistry there to liven things up. If you love the Warner Bros. acting stable of this period, then you're in for a good time.
The plot isn't clever or original, but I laughed quite a lot. Considering how hard it is to get me to laugh aloud when watching a movie, that alone makes this an achievement.
The plot isn't clever or original, but I laughed quite a lot. Considering how hard it is to get me to laugh aloud when watching a movie, that alone makes this an achievement.
Bette Davis and Jimmy Cagney had been teamed once before in "Jimmy the Gent", also a comedy. That picture and this one are two of the relatively rare Bette Davis comedies. Jimmy the Gent was pleasant and fast moving, and featured the two stars relatively early in their career's. Here, they are both at the top of their game, and they elevate the mediocre material into something fast paced, fun, and easy to watch. It's a real pleasure to see two of the screen's greatest stars together. Nothing great, but definitely worth seeing for fans of the stars or of screwball comedies of that era.
I had always avoided this flick because I love both its stars and had read and heard not-so-flattering things about it. Finally caught up with it on the beautiful DVD transfer, and was either laughing or smiling from beginning to end, and believe me that's a rarity! How nice to see all those naysayers proved wrong. Granted, this is one of the most contrived and tortured "meet cute" setups in screwball history, but the plot mechanics are dispensed with quickly and it's all Cagney and Davis at their most sparkling from there on. I actually think it's best to watch this not knowing what happens, so I'll just say WATCH IT if you have a liking for either -- or both -- of these stars. And the Epstein-brothers' script is hilarious; it should be studied by today's comedy writers.
Enjoyable screwball comedy with Bette Davis and James Cagney, helped out by a great supporting cast that includes Eugene Palette, Jack Carson, George Tobias, William Frawley, Harry Davenport, and many others. WB movies back in the day were more often than not defined by their supporting players. They had a premium stable of actors to choose from and many times they're more enjoyable to watch than the leads.
Davis has a lot of fun with this role and, while her comedic talents were always so-so, she shines here. This is also one of the movies where she looks prettiest and curviest. One dress in particular fits her just right.
The movie isn't perfect. It drags a bit more than a screwball comedy should. Davis and Cagney, while having nice comedic timing, don't really have much romantic chemistry. So the inevitable conclusion to a film like this might be a bit hard for some to buy. Still, I recommend it to any Bette Davis or James Cagney fan. Also to any fan of WB films from the 1930s and 40s.
Davis has a lot of fun with this role and, while her comedic talents were always so-so, she shines here. This is also one of the movies where she looks prettiest and curviest. One dress in particular fits her just right.
The movie isn't perfect. It drags a bit more than a screwball comedy should. Davis and Cagney, while having nice comedic timing, don't really have much romantic chemistry. So the inevitable conclusion to a film like this might be a bit hard for some to buy. Still, I recommend it to any Bette Davis or James Cagney fan. Also to any fan of WB films from the 1930s and 40s.
Você sabia?
- CuriosidadesAlthough the movie was publicized as the first screen pairing of Warner Bros.'s two biggest stars, James Cagney and Bette Davis had co-starred in Bancando o Cavalheiro (1934) seven years earlier and had wanted to find another opportunity to work together.
- Erros de gravaçãoThe American Airlines plane Brice is shown boarding in Los Angeles is not the same one he gets off at Amarillo. The registration of the departing plane is NC16006. The one that arrives in Amarillo is NC21752.
- Citações
Joan Winfield: Don't you get lonesome being here all alone?
Pop Tolliver: No, I like people. Not seeing many of 'em keeps me liking 'em.
- Cenas durante ou pós-créditosThe opening credits appear on a series of luggage tags.
- Versões alternativasAlso available in a computer colorized version.
- ConexõesFeatured in Brother Can You Spare a Dime (1975)
- Trilhas sonorasOchi Tchornya (Dark Eyes)
(uncredited)
Traditional Russian ballad
Played by the orchestra at the Embassy Club for The Rogers Dancers act
Principais escolhas
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- How long is The Bride Came C.O.D.?Fornecido pela Alexa
Detalhes
- Tempo de duração
- 1 h 32 min(92 min)
- Cor
- Proporção
- 1.37 : 1
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