Gentil Tirano

Fine actor Robert Taylor seems to be a bit long in the tooth (although he was only 30 at the time) to portray "The Kid." Still, if you suspend all knowledge of the Billy legend, he does a stalwart job as an older and wiser Billy. Brian Donlevy is great, as usual, though he plays the good guy Sherwood (Pat Garrett in reality and in subsequent Billy the Kid inspired films)instead of his many tough guy badies (Beau Geste - Academy Award nominee, and Destry Rides Again - to mention two). The writers seem to change all the names to protect...well who?Instead of Tunstall, the english gentleman rancher who tries to change Billy's wayward ways, it's Keating. Instead of Murphy, the instigator of the Lincoln County War, its Hickey. And instead of Pat Garrett, it's Sherwood. But, some good shoot 'em ups and some good dialogue make this a pleasant Saturday afternoon at the westerns. Saddle up.

Check out Ivanhoe, Waterloo Bridge, and Knights of the Round Table to see Robert Taylor at his best. For other Billy movies, see Young Guns, Young Guns II, Chisum, and the Left Handed Gun.

This early film follows the exciting life of Billy Bonney . This is an interesting but flawed Western . With Robert Taylor in title role , in one of his first movies , and Donlevy as his friend and later marshal , but the movie fails to gel overall . Robert Taylor as the title character gives a decent performance . Right-handed Robert Taylor spent weeks perfecting his ability to draw a gun with his left hand in preparation for this film . Brian Donlevy as an alike-Pat Garrett is good , and Ian Hunter who plays a look-alike to Tunstall ; although some acting seem badly dated today . Sweeping and glimmer cinematography by William L. Skall . Great musical score by David Snell , including Mexican songs almost make you forget the screenplay ain't so hot . The director David Miller creates some fine action scenes , he posteriorly directed a classic Western, 'Lonely are the brave' .

Other known films about this legendary outlaw were the followings : 'Billy the Kid(1930)' by King Vidor with John Mack Brown and Wallace Beery; 'The left-handed gun (1958)' by Arthur Penn with Paul Newman; 'Pat Garret and Billy the Kid (1973)' by Sam Peckinpah; 'Gore Vidal's Billy the Kid' with Val Kilmer ; 'Young Guns(1988)' by Christopher Cain with Emilio Estevez ; and 'Young Guns 2(1990)' by Geoff Murphy.

The picture was partially based on real events . The actual deeds are the followings : The most famous outlaw-gunslinger of the South-west , Billy the Kid was known by several names, but mostly as William Bonney . Believed have been born in New York City , Billy moved west with his family and eventually became a cowboy in Lincoln county, New Mexico, for cattleman J.H. Tunstall (in the movie similar role played by Ian Hunter) . In February 1878 Tunstall was killed by a cattle rival (played by Gene Lockhart) and this started the Lincoln County war, in which Billy played a leading part and was one of the group that shot dead Sheriff Brady . After his preceptor has been murdered he seeks vengeance for his death . He became an outlaw with a price on his head. Pat Garret(named in the film as Sherwood and played by Brian Donlevy), a former friend of the Kid, was elected sheriff of Lincoln County and set out to capture the young outlaw . He caught him and sentenced to be hanged. But Bill, although shackled hand and foot, managed to escape from jail by shooting dead the two deputies guarding him . Garrett went after him again and on 15 July 1881 tracked him at Fort Sumner, and there shot him dead by surprise in a darkened room.

Of all the versions of the Billy the Kid saga this is one of the loosest ones with the facts. Even the names are completely changed in this film with only Robert Taylor retaining Billy's most known alias of William Bonney. Even Brian Donlevy does not get to play Pat Garrett, he's Jim Sherwood in this.

But this is the standard Billy the Kid story, a young outlaw who goes to work for a straight arrow rancher during a range war. Then later when the rancher, in this case Ian Hunter, is gunned down at that point the tragic end that Billy will come to is irreversibly set for him.

This was Robert Taylor's first western and it would be another eight years before he did another. After that westerns became pretty standard film fare for him. Taylor, like his good friend, Ronald Reagan, loved horses and probably if MGM hadn't made him a romantic heart throb, he would have loved to have been a cowboy actor. Like Reagan he certainly looked at home hosting Death Valley Days later on.

Jim Sherwood(Pat Garrett)is a different part for Brian Donlevy to play. Donlevy was at the high point of his career as a screen villain and being a good guy for him is almost a case of an alternate universe. But being the professional he was, Donlevy carries off the portrayal in fine style.

Ian Hunter is just fine as the English gentleman rancher who tries to set Taylor on the straight and narrow. And you will not find a sneakier more loathsome villain than Gene Lockhart as the local boss of the area who is provoking a range war with Hunter.

Billy the Kid is not the best western that Taylor ever did, but it certainly opened a whole new career vista for him.

BILLY THE KID's outdoor photography of handsome exterior settings gives this western a rugged flavor and ROBERT TAYLOR makes an acceptable Billy the Kid. MGM obviously wanted to toughen his appearance on screen as one of filmdom's handsomest male stars and chose to cast him in this rugged role. Most of the time his tough expression ranges from petulant to suspicious and not much else, but this was before his acting took on more dimension in other sturdier western roles.

However, nobody in the cast can overcome the fact that the screenplay is rather routine. BRIAN DONLEVY is sturdy as the Marshall who grew up with Billy and MARY BRIAN is fine as the love interest. GENE LOCKHART is effective as a cowardly villain and others in the cast give the story some flavor despite a screenplay full of western clichés.

Nice to look at, but easily forgettable as a story of Billy the Kid.

Many Western movies have used Monument Valley as a back drop since John Ford popularised it, in movies like Stagecoach and the Searchers, but none better than this one in my opinion. Director David Miller seems to have spent time working out how to shoot the scenery from every favourable angle, with great attention to composition, finding many new and attractive combinations of the familiar landmark rock formations. Then provides the cast with plenty of opportunities to ride back and forth across in front of it. The movie itself, although not particularly accurate in a historical sense, keeps to the spirit of the more favourable interpretations of Billy's actions and has a sound structure. Robert Taylor, in his prime and decked out in shiny black leather, has rarely looked better, and Brian Donleavy is given a rare opportunity to play a "white hat", instead of his usual role as a leader of the "black hats".