Adicionar um enredo no seu idiomaA show business family leaves the Great White Way and heads to a farm in New England. What results are the difficulties they have before they are accepted by the community.A show business family leaves the Great White Way and heads to a farm in New England. What results are the difficulties they have before they are accepted by the community.A show business family leaves the Great White Way and heads to a farm in New England. What results are the difficulties they have before they are accepted by the community.
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The first time I saw this movie when I was a pre-teen, I loved it. It is innocent, real, true to life and I love Charlotte Greenwood and Shirley Temple. I can still see it in my memory.
I like this movie "Young People" but I haven't been able to find it. I pretty much have all Shirley Temple's movies but I can't find this in Video Stores. Will they be getting in more stock on this movie? Every time I go to a video store they say its not on stock or they never heard of it. Can it only be ordered on line or will I be able to get it at a video store? I told my grandchildren about this movie and how they helped people even if they were made fun of. Its a very entertaining movie. I know I can get my grandchildren to sit down and watch this movie. I also enjoy watching Jack Oakie and Charlotte Greenwood. These are good family movies that I've enjoyed and would like my grandchildren to see. Please let me know how I can get this movie. I would greatly appreciate it. Thanks, Veronica
It looks as if Fox wasn't prepared to spend anything but a B-picture budget on Shirley's last film for the studio. Even the colorized version that popped up several years ago fails to give the picture an A-picture look that it deserved. All the trappings are on a downscale that makes the film little more than a programmer.
Shirley herself is still a talented girl--still the cheerful disposition, dimples and dancing feet--but while her talent is obviously a modest one, it's Charlotte Greenwood and Jack Oakie that are the real pros. Occasionally Shirley meets their standards and this gives the film the lift it needs. But all too often, it's apparent that the charm she had as a tot isn't enough to maintain her pre-teen appeal.
The story is a simple one about a vaudeville couple who adopt a baby girl and then want to retire to the country so she can have a normal life when she's growing up. The conflict comes when the townspeople refuse to accept the showbiz family in their community. Finally, with the help of George Montgomery and Arleen Whelan, the family overcomes all obstacles. A fierce storm sequence toward the end is extremely well done but fails to save the picture from being anything more than an ordinary yarn.
Clever use of Shirley's earlier film footage as a tot is inserted for the "babe on the road" inserts. It's a pleasant enough show but more funding by Fox would have elevated it to A-status.
Shirley herself is still a talented girl--still the cheerful disposition, dimples and dancing feet--but while her talent is obviously a modest one, it's Charlotte Greenwood and Jack Oakie that are the real pros. Occasionally Shirley meets their standards and this gives the film the lift it needs. But all too often, it's apparent that the charm she had as a tot isn't enough to maintain her pre-teen appeal.
The story is a simple one about a vaudeville couple who adopt a baby girl and then want to retire to the country so she can have a normal life when she's growing up. The conflict comes when the townspeople refuse to accept the showbiz family in their community. Finally, with the help of George Montgomery and Arleen Whelan, the family overcomes all obstacles. A fierce storm sequence toward the end is extremely well done but fails to save the picture from being anything more than an ordinary yarn.
Clever use of Shirley's earlier film footage as a tot is inserted for the "babe on the road" inserts. It's a pleasant enough show but more funding by Fox would have elevated it to A-status.
Joe and Kitty, a couple who perform on the vaudeville circuit, take in an orphaned baby named Wendy (Shirley Temple), who they raise as their own and eventually incorporate into their act. Eventually, she becomes the star of their trio, The Ballantines, until Joe and Kitty decide to quit the business and put down roots in New England. Their timing is prompted somewhat by the fading of Vaudeville, caused by the popularity of films.
Jack Oakie and Charlotte Greenwood capture the spirit of vaudeville extremely well. He is a perfect "second banana" and she is the prototypical specialty act. When Joe and Kitty arrive in the New England town of Stonefield, their show biz bluster makes them fish out of water. Daughter Wendy, always the upbeat optimist, helps them negotiate with some social situations. But Stonefield is a town of staid citizenry who like tradition; those in power resist any concessions to modernity. In the end, circumstances arise that demonstrate that the Ballantines are valuable citizens of the community.
Miss Temple carries this film and provides the center of the story. And due to some remarkably edited sequences, we see her performing from ages six to twelve, roughly.
As a musical, this film is not a tremendous success, but it is worth seeing due to Shirley.
Jack Oakie and Charlotte Greenwood capture the spirit of vaudeville extremely well. He is a perfect "second banana" and she is the prototypical specialty act. When Joe and Kitty arrive in the New England town of Stonefield, their show biz bluster makes them fish out of water. Daughter Wendy, always the upbeat optimist, helps them negotiate with some social situations. But Stonefield is a town of staid citizenry who like tradition; those in power resist any concessions to modernity. In the end, circumstances arise that demonstrate that the Ballantines are valuable citizens of the community.
Miss Temple carries this film and provides the center of the story. And due to some remarkably edited sequences, we see her performing from ages six to twelve, roughly.
As a musical, this film is not a tremendous success, but it is worth seeing due to Shirley.
This is certainly not a bad film if one accepts the fact that Shirley is growing up. There is a predictability to it, for sure but can anyone deny the all-the-more-so predictability of every Astair-Rogers film? We still love them, don't we? Young People suffers from a mediocrity that gives it a feel of a second rate Andy Hardy film, but it has a way of growing on you. My daughter and wife occasionally can be heard humming "5th Avenue" a very catchy number from the film.
I wonder if anyone out there noticed the scene when Shirley, reading the paper in the parlor, points out casually to her parents that an old show biz acquaintance is going to appear on "television"! This may be the first time the new (very very new) medium is mentioned in a "throw-out" line. Any comments?
I wonder if anyone out there noticed the scene when Shirley, reading the paper in the parlor, points out casually to her parents that an old show biz acquaintance is going to appear on "television"! This may be the first time the new (very very new) medium is mentioned in a "throw-out" line. Any comments?
Você sabia?
- Curiosidades"Baby, Take a Bow," which Shirley Temple performs early in the film, was shot six years earlier for "Stand Up and Cheer" (1934). It was cleverly re-edited and inter cut with new shots of Jack Oakie and the chorus, with a double for Temple standing in for the long shots. Similarly, the brief excerpt of Temple's hula number, originally shot for "Curly Top" (1935), was superimposed behind Oakie in the vaudeville montage.
- Erros de gravaçãoIn the colourised version, young Wendy's polka dot dress during 'Baby, Take a Bow' is blue. However, in the same original footage shown in 'Stand Up and Cheer!' (1934), the dress was colourised red and off-white. The dress itself is red and off-white in reality, as documented in auction photographs and museum displays.
- ConexõesFeatured in Biografias: Shirley Temple: The Biggest Little Star (1996)
- Trilhas sonorasFifth Avenue
(1940) (uncredited)
Music by Harry Warren
Lyrics by Mack Gordon
Sung and Danced by Shirley Temple, Jack Oakie and Charlotte Greenwood
Reprised by them in their home
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- Young People
- Locações de filme
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 19 minutos
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- 1.37 : 1
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