Gente Sem Medo

Tear Gas Squad (1940)

** 1/2 (out of 4)

Cheap but fun "B" picture from Warner has Dennis Morgan playing a lounge singer who does a routine as a cop, which crosses the line with a beautiful woman (Gloria Dickson) there watching. Soon she invites the singer to her house where he learns that there are all cops in her family and there's another man, also a cop (John Payne), who also has a thing for her. The singer decides to become a cop himself and this here is where the trouble starts. TEAR GAS SQUAD is pretty straight from start to finish and it follows just about every cliché that you'd expect it to but I still thought the film managed to be quite entertaining through its 55-minute running time. The best thing about the picture is that director Terry O. Morse manages to keep it running at an extremely fast pace and he never lets any of the action slow down. There are all sorts of strange things going on here including the non-stop singing from Morgan who is constantly throwing out a song. Even stranger is the entire love triangle as the woman pretty much disappears from the picture and we're just left with two guys who can't stand one another. Of course there has to be "drama" from the poor attitude of the singer, his fall from grace and then the redemption. I thought Morgan and Payne were both very entertaining in their roles. I'd stop short of saying they gave great performances since the material is pretty light but there's still no doubt that they help keep the film entertaining. Dickson was good as the love interest but she really didn't have too much to do. George Reeves has a couple quick but memorable scenes. If you're looking for top-notch entertainment or an Oscar-winner then you're not going to find it here but those who like "B" movies should find plenty of entertainment here.

Nightclub crooner Dennis Morgan joins the police academy to impress pretty blonde policeman's daughter Gloria Dickson. Cop John Payne is also sweet on Gloria and, as movie luck would have it, he winds up as Morgan's trainer at the academy. Nice little B movie with a misleading title. There's no tear gas squad, although tear gas does play a part in the final minutes of the picture.

Morgan's somewhat miscast but does get to sing some songs, which is primarily what they paid him for. Poor John Payne has to play O'Brien to Morgan's Cagney. Nice supporting cast includes many future TV stars: Edgar Buchanan (Petticoat Junction), William Hopper (Perry Mason), Herbert Anderson (Dennis the Menace), George Reeves and John Hamilton (Adventures of Superman). Director Terry O. Morse would go on to direct the American footage for the first Godzilla. Not a bad movie of its type and a decent way to kill an hour.

There's a definite B-film flavor for this quickie from Warner Bros. that has DENNIS MORGAN as a nightclub singer trying to impress a girl (GLORIA DICKSON) with his impersonation as a police officer during a nightclub act. Little does he know she's from a family of officers, which is why she fails to be impressed by him.

JOHN PAYNE is one of her brothers, also a policeman who knows Morgan because he gave him a traffic ticket for speeding. The story turns out to be a trifle distinguished only by a generous sampling of Irish songs by Morgan, who never sounded in better voice. Unfortunately, the story is hackneyed stuff, with Morgan deciding to actually join the police force instead of just impersonating one. Naturally, he has to shape up under Payne's leadership in training school.

It's predictable nonsense with DENNIS MORGAN's way with a song being the only worthwhile reason for watching. Running less than an hour, it's a harmless programmer but easily forgotten.

Cocky young nightclub singer joins police force to win affection of cop family's daughter.

The title remains a mystery since the crime part comes as something of an after-thought. And when the title tear gas finally does fly, it's short-lived. Actually, the movie's a showcase for Morgan who's clearly on his way to bigger and better things. Despite the B-budget, he comes through here in spades with a lively performance and a fine singing voice.

In fact, the production looks like an opportunity for a number of likable younger players— Payne, Reeves, Anderson— resulting in an uncommonly good-looking male cast. The rivalry between Morrissey (Payne) and McCabe (Morgan) appears both natural and the movie's dramatic centerpiece.

Sure, the story's about as hackneyed as they come. But it's a Warner Bros. production and no one was more energetic on screen than the studio of Cagney, Flynn, and Robinson. Their crews knew how to keep a story moving in both filming and editing. And, despite the limitations, this lively little endeavor is no exception.

(In passing—note the presence of two cast members from 1950's Superman series, George Reeves {Joe McCabe} along with John Hamilton {police chief}. Also, look quickly for Perry Mason's William Hopper in an early walk-on.)

... and the most tear gas associated with this film was probably when the police were called in when the people who bought a movie ticket found out they were going to be watching a musical full of Irish singing and stereotypes rather than a crime film and began to riot. But I digress.

I had low expectations going in, but this thing actually works pretty well. A hot head singer (Dennis Morgan as Tommy McCabe) who parodies cops in his act gets fresh with one of the patrons, one of two girls who came to the club alone. Tommy picks the one who is not as pretty IMHO and who is less perky and has tons of attitude (Gloria Dickson as Jerry Sullivan) . She agrees to let him come over to her house for supper to meet the family. They turn out to be a family of Irish cops who don't like his nightclub act. So McCabe joins the police force to try to win a girl who doesn't like him and already has a beau (John Payne as Bill Morrissey). Not exactly a cunning plan.

This thing turns out to be part musical, part romance, part buddy picture, part gangster picture, and part police procedural. And although it doesn't do any one of these things very well, the whole thing fits together to make a pretty entertaining film. The only genres you probably could not fit into this film are horror and sci-fi.

Of course, the police training part of the film makes it also part comedy. Payne's character is the officer in charge of McCabe's training, and at one point he makes McCabe stand out on the firing range with a cigarette in his mouth so that shakey recruit Piney Jones (Herbert Anderson) will have incentive to aim better! Oh the paperwork and the dismissals that would be required if that happened today! Probably then too! Well, Payne was probably angry not only about the girl problem but also because he doesn't get to sing a note in this film.

There are quite a few future stars of TV in this film. Note that both George Reeves of 50s Superman fame and his boss at the Daily Planet, John Hamilton, costar in this film, but never say a word to one another and are never even in the same scene! Great Caesar's Ghost! Not a bad way to spend an hour.