Pinóquio

'Pinocchio' benefits from one of the finest collection of songs to grace a Disney cartoon; from 'I Got No Strings', to 'An Actor's Life For Me', and (best of all) 'When You Wish Upon A Star' - brilliant sung by 'Ukelele Ike' Edwards as Jiminy Cricket.

This cute adaptation from Carlo Corolli's classic novel adds pets with the 'aw' factor (cat and fish), as well as a truly scary sequence involving donkeys. The characters are all memorable and Pinocchio is convincing in his move from a wooden puppet to a real boy, even in cartoon form. Good voice talent from Evelyn Venable as the Blue Fairy too, especially in the bits where Pinocchio can't help revealing he isn't telling the truth!

Short, sweet, funny, and involving, 'Pinocchio' is worth an hour of anybody's time, young or old.

It certainly is interesting reading other viewers comments. I can't imagine anyone being "bored" with this film. But then, I don't even go to movies anymore, because I find those made today to be either horrific and traumatizing, or brain-numbingly stoopid and poorly made. Pinocchio, on the other hand, is the ultimate in everything that is "movie" : camera-work, special effects, background music, musical numbers, characterization, story development with narrative sweep, high-drama and low-comedy (but never Lockerroom-low), color, motion, editing, use of sound, artwork, audience manipulation... and in the end, life-affirming! I cannot possibly recommend this movie too highly. In my opinion, considering cinematic effectiveness, Pinocchio rates way up with Citizen Kane, Sherlock Jr., and Battleship Potemkin.

Pinocchio is my favorite movie since I was a child. We can learn many important things that we living for a human from this movie. For example, we donft tell a lie, we don't escape toward an easy thing and what we have courage and so on. I'll never forget the goddess of star say One lie leads to another, and you don't cover the lie in the end. I felt that I don't wont to tell a lie in my childhood. My favorite scene is the scene where Pinocchio go help his father Gepetto in the sea. I think that it is brave of him to fight with a monster whale because he helps his father. And I was impressed with cricket of Pinocchio's conscience. He always helps Pinocchio and lead Pinocchio for good way. It is superb what the goddess of star is always watching Pinocchio in the night sky too. I rated this movie at 9/10.

For it's second full length animated feature, Walt Disney Studios picked the Carlo Collodi children's classic Pinocchio. The wooden puppet boy who turns into flesh and blood because of a heroic deed has been done a few times on screen, but the Disney version remains the standard.

In some of the animated features of recent years we've come full circle in the fact that a lot of well known Hollywood figures have sought to lend their voices to animated productions. Coming to mind immediately are Mel Gibson as Captain John Smith and Eddie Murphy as the donkey in the Shrek movies. It wasn't as chic a thing to do back in Disney's day, still Walt came up with several good ones like young Dickie Jones as Pinocchio, Walter Catlett as J. Worthington Foulfellow, Frankie Darro as Lampwick, and most important Cliff Edwards as Jiminy Cricket.

These folks lend their voices to one of Disney's best musical scores with Catlett making immortal the thespians ballad An Actor's Life For Me, Jones celebrating the fact he's been liberated from all manner of restraint with I've Got No Strings and Cliff Edwards talking about his new responsibilities as the puppet boy's conscience in Give A Little Whistle.

Most important though is the Academy Award given to that most plaintive song of yearning When You Wish Upon A Star as introduced by Cliff Edwards. Edwards was a major performer in the Twenties and early Thirties with his ukulele Ike character and introduced many popular songs like It's Only A Paper Moon and Singing In The Rain. But he had come up on hard times with a lot of substance abuse problems when Walt Disney offered him the part of Jiminy Cricket's voice. The movie Pinocchio and the songs he sang there resurrected his career and even when down and out, Edwards could always get work at the Disney Studio because of Jiminy Cricket's enduring popularity.

Animation never really dates and the best animation in the world was pioneered at Disney Studio. People can see Pinocchio on the same bill as Shrek even today and I daresay the audience would be equally responsive.

And you can appreciate Pinocchio today as much as your grandparents and great grandparents did through the magic of YouTube or Amazon. If not wish upon a star and fate will step in and see you through.

Darker in tone than most Disney animated features (except for 'Hunchback of Notre Dame'), 'Pinocchio' came shortly after 'Snow White' and showed marked improvement in the art of animation technology to produce startling special effects.

The first twenty-five minutes alone raise the film to the level of true animation art. Gepetto's inventive clocks come to life as realistically as any real-life photography could do. The warmth and cosiness of his dwelling and the charming shenanigans of Figaro the kitten and Cleo the goldfish, are all perfectly realized. The imaginative use of music and animation art is never finer than in these opening scenes.

Afterwards, as the plot thickens, the special effects are just as impressive. The scene of Gepetto searching for Pinocchio with a lantern on a rainy night after he has been captured by Stromboli is unforgettable imagery. The wagon lurching along roads with Pinocchio in a cage is a frightening thing. Even darker are the adventures that await Pinocchio when he reaches Pleasure Island. The scene of the boys turning into donkeys is probably one of the most awesome and frightening moments in the film.

Altogether charming are the underwater sequences before the meeting of Monstro the Whale. The climactic chase after the escape from the belly of the whale is handled brilliantly. The music perfectly accents the dramatic chase for this sequence and the songs throughout are in keeping with the mood and characters of the story. It is the sharp contrast between the lighter moments and the darker ones that gives the film a correct blend of fantasy and horror.

Parents should be cautioned that very young children may be frightened. Has to be considered one of the most beautifully animated Disney features of all time. A treasure to see again and again.