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This film, a Thornton Wilder play, is about how many of the unnoticed details of day-to-day life are sweet and, in fact, ARE life. The Aaron Copeland music sprinkled through the film is lovely and fits the mood perfectly. The contrived ending (not part of the stage play) does not help the film, but by no means does it ruin it, either.

The film version of "Our Town" is a thoughtful look at everyday life, often slow-moving, but usually effective. Without any exciting or surprising events, it tells a worthwhile story and leaves an impression on the viewer.

Most of the story follows the Gibbs family and the Webb family, neighbors in a small New Hampshire town. We learn about their lives, loves, and concerns, told in part by a narrator many years after the fact. Most of the time, things move at a very leisurely pace, with details about the town itself often thrown in. It's worth watching because of the memorable and effective closing sequence, in which Emily Webb, who has married George Gibbs, finds her life in danger. The sequence is creatively done, and brings out the importance of the otherwise mundane events we have seen in the rest of the film.

The characters are all nicely defined, with most of the cast doing pretty well, especially the character acting in the background roles. The small-town atmosphere is also convincing. There's certainly nothing spectacular about the film, but if you are interested simple human drama of everyday life, you should enjoy "Our Town".

Thornton Wilder's "Our Town" is considered an American classic and it's a play that is often discussed in schools here in the States. Because of this, I was somewhat familiar with the story and remember disliking it. However, it seems that this was because instead of watching the play being performed or watching this movie (that was adapted by Wilder for the screen), my class in middle school read the play--the worst possible way to understand and appreciate it. Now, 35 years later, I finally got around to seeing it like it should be seen--and I am glad I did.

This is an interesting play because of its cast. In addition to a lot of familiar supporting actors such as Guy Kibbee, Fay Bainter, Beulah Bondi, Thomas Mitchell and Frank Craven (who assisted Wilder with the screenplay), the film marks the debut of Martha Scott and William Holden. I really appreciate how many of the actors are the same folks who starred in the Broadway play and how the studio let Wilder keep control of his script--this, unfortunately, is pretty rare. Too often, a studio buys a play and then completely changes it--showing utter contempt for the actors and playwright.

As far as the story goes, it's quite peculiar in style. The closest film I can think of like this is the film version of Eugene O'Neill's "Strange Interlude"--but the O'Neill play didn't really work well on screen. Both featured characters speaking their thoughts out loud to the audience--an unusual innovation to say the least. Another innovation in "Our Town" is having the character of the Mr. Morgan (Craven) also acting as the narrator. Because of this unusual style and the leisurely pace of the film, it's one that might lose viewers who don't have the patience to stick with this one. Don't give up--especially when the film gets depressing--it's a delight and the payoff is definitely worth the long wait.

Impressively written, full of wonderful performances and expertly directed, this one is well worth seeing. And, fortunately, since it's in the public domain, it's downloadable from the link on IMDb. Give it a chance--it's a delightful piece of Americana.

Like "Harvey", "The Second Woman" and "Good Morning, Miss Dove", "Our Town" is set in an underpopulated United States town. Its 1901 look shares features with theirs, as do some of its story elements. Everyone knows practically everyone else; and the very fact that such towns are not the sort of place where important thing happens renders what does happen peculiarly intense, as if it had been placed under a magnifying lens in a powerful light. Author Thornton Wilder and his co-writers here adapt what was a most successful and atmospheric play into a deliberately-paced by I suggest an absorbing screenplay. It has the build perhaps of "Picnic" with the underlying calm of a good early western; only the setting here is Grover Corners, New Hampshire, a decidedly northeastern setting.. Sam Wood directed the film with his usual understated skill; and the writers I believe have retained the best of Mr. Wilder's crisp and often memorable dialogue. The film really divides into three parts--which I would nominate as Introduction, George and Emily and Two Futures(?). George Gibbs and Emily Webb in this film become two of the best remembered characters in U.S. fiction. Sol Lesser produced, with music by Aaron Copland, whose repressed melodies seem to me perfectly to serve this understated masterwork of dramatic construction. Production designer William Cameron Menzies and cinematographer Bert Glennon here tried for an uncompromising atmosphere rather than quaint or merely attractive compositions. Julia Heron did the remarkable interiors, with simple but effective wardrobe by Edward P. Lambert. Among the cast, Martha Scott is wonderfully young and unspoiled, and as Dr. Gibbs, Thomas Mitchell plays with Fay Bainter as his wife more-than-expertly. As their neighbors Editor Webb and his wife, Guy Kibbee is unusually restrained and Beulah Bondi as usual solidly dependable or better in every scene she is given. Stuart Erwin ad Frank Craven (as the stage manager) are quite good, and young William Holden shows to much better advantage than he did in several other films of the period. The supporting cast is not given a great deal to do but they do it very seamlessly, in my opinion. But what one remembers of "Our Town" I assert is its haunting, almost poetic quality. The production's pace is leisurely without being slow, electrically tense without being excited and focused without becoming too sad. The story here is about life, death, youth, love, honesty and fear--and the narrative evokes these emotions in the viewer honestly I claim because it is never pretentious and never striving for the effect that it admirably earns. It is I argue a touching black-and-white classic; and it is quite well acted also throughout.

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I've never read the play or seen it performed. All I knew is that it won a Pulitzer Prize and was constantly being done by community theatres. Also there are at least FOUR made for TV versions (this is the only theatrical one). I figured it was time I finally saw it.

From what I can gather, this is a heavily edited version (the TV versions run from 2 to 3 hours) and I KNOW the ending was changed (because of the Production Code). Still I liked it for what it was. Also I saw a recently restored version so it looks pretty good (considering it's over 60 years old).

It's just about life in a small New Hampshire town from 1901 to 1940. It concerns various characters but mostly centers on Emily Webb (Martha Scott) falling in love with George Gibbs (William Holden). It also flawlessly recreates a small town in the early 20th century. Everybody knows everybody else, they all live comfortably with each other, nobody locks their doors at night...combine that with some breath taking production design by William Cameron Menzies and it creates a very comfortable, idyllic feeling. Also some of the shots of the town at night were just beautiful.

A lot of people complain about the total lack of chemistry between Scott and Holden. They're not wrong but this was Scott's first film and Holden's third (I believe)...they were still young and learning. As it is, it's incredible to see Holden so young, handsome and full of life. Scott is very good also and was nominated for an Academy Award for Best Actress for this. They're backed up by a great cast of character actors from he 1930s--basically, nobody is bad. This didn't move me to tears like others said it did, but it WAS very moving. I'd like to see the other versions.

So, a pretty good view of small town life in the early 20th century.