No início da década de 1930, o professor Viktor Roth é adorado pelos alunos e leva uma vida feliz com a família nos Alpes alemães, na fronteira com a Áustria, até que Adolf Hitler ascende ao... Ler tudoNo início da década de 1930, o professor Viktor Roth é adorado pelos alunos e leva uma vida feliz com a família nos Alpes alemães, na fronteira com a Áustria, até que Adolf Hitler ascende ao poder com seus ideais de pureza racial.No início da década de 1930, o professor Viktor Roth é adorado pelos alunos e leva uma vida feliz com a família nos Alpes alemães, na fronteira com a Áustria, até que Adolf Hitler ascende ao poder com seus ideais de pureza racial.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias no total
- Holl
- (as Dan Dailey Jr.)
- Professor Werner
- (as Thomas Ross)
Avaliações em destaque
Follows the lives of a German family and their friends as Hitler comes to power in the 1930s, and the results of this change. Explores very directly the effects of Nazi rule, how freedoms are lost and the right to be different and think differently is destroyed. Shows very vividly the effect of group-think/mob-think and the cult of personality.
Yes, it was made during World War 2, so is to some extent a propaganda movie. However, the themes explored can be applied to any fascist country.
Can be compared to Charlie Chaplin's "The Great Dictator", which was released in the same year. While Chaplin used satire and comedy to mock the Nazis, this movie is pure drama, and stands alongside The Great Dictator in exposing the evil that was Nazism.
Both films are about how the political changes affect some very ordinary people. This film deals with the Roth family, Frank Morgan and Irene Rich, their children Margaret Sullavan and Gene Reynolds and Irene's sons by a first marriage, William T. Orr and Robert Stack. And of course Robert Young and James Stewart who are rivals for Sullavan.
The stepsons and Young are confirmed Nazis, they see Hitler's rise to power as a great thing, that Germany will take her place among the first rank of nations. Morgan, Stewart and Sullavan are appalled by the excesses and brutality in stamping out any contrary opinions that think the Third Reich is not a good thing.
It's hard to believe, but before World War II, Jimmy Stewart was cast in a few roles that are foreign types. Later on Stewart was the quintessential American character and the public would never have accepted him. He played non-Americans in Seventh Heaven, The Shop Around the Corner, and The Mortal Storm. The last two were done to critical and commercial success. Stewart's character of Martin Breitner, a farmer who wants to be a veterinarian, is as idealistic and decent as the very American Jefferson Smith. Probably why the public accepted Stewart in this role.
Also because the entire cast is American with the notable exception of Maria Ouspenskaya as Stewart's mother. So no foreign speech pattern stood out.
Frank Morgan was usually cast at MGM as a comic befuddled buffoon. Here in The Mortal Storm he shows his great skill as a player going completely against how he was usually typed. He's a college science professor who will not teach any Nazi pseudo-science about racial superiority of the Germans. His non-Aryan, read Jewish, name is carefully noted several times though the word 'Jew' is never used.
Margaret Sullavan once again is a tragic heroine. Considering the limited amount of films she did, I think Margaret Sullavan had more screen deaths per film than any other female player. She carried an aura of tragedy about her, probably a carry over from her real life. She and Stewart make a pair of tender lovers, just as she did in Three Comrades with Robert Taylor. Their life and happiness together are sacrificed by a brutal political regime.
Note the performances of Ward Bond as the local brownshirt, storm trooper leader and Dan Dailey as the young local head of the Hitler youth. Good studies in the kind of people the regime attracted and who could rise to the top in that kind of society.
The Mortal Storm still holds up well after over 60 years, a great study in the early days of a regime that made the world suffer.
Quite honestly, I found this quite unnerving to watch and felt ill at ease observing the gradual breakdown within the family. It certainly isn't a film for the faint hearted and I won't go any further than mention briefly that AWFUL final scene ........!!
Você sabia?
- CuriosidadesNazi leader Adolf Hitler banned this film from release in Germany because of its strong anti-Nazi sentiments. In addition, all MGM films from that point until the end of the war also were banned in Germany because the studio made this one.
- Erros de gravaçãoDuring the brawl with the Nazi gang, Martin suffers a pronounced bruise on his right cheek. However, the next day when Freya visits Martin and apologizes for the brawl the previous evening, there is no sign of a bruise on his face nor of a fight.
- Citações
Prof. Viktor Roth: I've never prized safety, Erich, either for myself or my children. I prized courage.
- Cenas durante ou pós-créditosAfter the final credits: The closing quotation is from "Gate of the Year" by Minnie Louise Haskins.
- ConexõesFeatured in Hollywood: Style Center of the World (1940)
- Trilhas sonorasGaudeamus Igitur
a traditional student drinking song dating from the 13th century. The melody appears in the score when Professor Roth enters the school and the traditional Latin words are sung by his class during his birthday celebration.
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Detalhes
- Tempo de duração
- 1 h 40 min(100 min)
- Cor
- Proporção
- 1.37 : 1