A Mão da Múmia

The producers of the original `Mummy' film obviously had not thought about a sequel. They turned the mummy, Kharis, into a pile of dust at the end and destroyed the Scroll of Toth, which the mummy used to invoke his murderous spells and control the partially reincarnated Princess Ananka.

The `Mummy's Hand' was made eight years after the original had burned the storyline bridges. Therefore, the writers had to start over and hope we weren't really paying much attention to the continuity. Not surprisingly, lots of cut footage from the original film was thrown in to set up the story. This time around, instead of a scroll in a stone chest, we now have an urn full of tana leaves.

This loose sequel introduces the value of the fluid of the tana leaf to give the mummy power (carried on into subsequent mummy films) and the mummy's murderous nightly romps to eliminate those who would find and violate the tomb of the Princess. The principal investigators this time are Dick Foran, the hero and straight man, and Wallace Ford, the formula sidekick who wisecracks his way through the movie with typical nervous bravado. The rest of the mandatory characters are the evil high priest, the older scientist, an attractive female and of course, the mummy.

This movie takes on the familiar 40's mystery formula: murders mixed with comedy relief. The original film was a classic, but the `Mummy's Hand' and the mummy films that followed through the mid 1940's quickly reverted to type. They looked more like entries in a B-movie serial than the subsequent chapters of a classic horror film story.

Not a sequel to Boris Karloff's THE MUMMY (1932), but the start of an entirely different series of unrelated films featuring a new mummified prince called Kharis. A group of amateur but likable treasure seekers search for the tomb of an ancient princess, but they encounter the still-living mummy instead, bent on destroying anyone who would dare defile the ancient Egyptian gods.

While not a great Universal horror movie by any means (one critique would be the re-usage of the same exact shot again and again of Kharis shambling about in the wilderness) this was the first and best of four Universal films featuring the mummy Kharis. At this stage of the game the formula was still fresh and not at all clichéd or monotonous, so that already places HAND at a distinct advantage over its other sequels and spin-off's. Tom Tyler makes one very creepy mummy, all arthritic and twisted, with weird eyes that are optically blackened out for full effect in chilling closeups (albeit the same repeated closeup). George Zucco takes top honors as the deliciously mad High Priest who keeps the mummy alive and killing via the sacred brew of nine ancient tana leaves. Dick Foran, Wallace Ford, Cecil Kellaway and the perky Peggy Moran are all very pleasant as the awkward explorers who stumble upon Kharis' cursed tomb. Comic relief is well used throughout, but never becomes intrusive, as the action always remains dead serious whenever the mummy takes center stage.

*** out of ****

One of a long long list of remakes of the original The Mummy (1932) and the first of 4 movies within the first Mummy franchise.

Now what struck me immediatly was the fact that the production values and general appearance of the movie are considerably weaker than the original which you wouldn't expect since it was made almost a decade later.

Second though advertised as a horror it most certainly isn't, this is closer to a comedy by far especially since our two leads crack wise from start to finish and much of it is really quite ahead of its time.

Once again we see an expedition go terribly wrong as a mummy rises from the dead and.........you know the rest.

Though it all looks pretty terrible the acting and writing is better than the original and though I'd certainly not say The Mummy's Hand is a good film I can definetly see the appeal.

The Good:

Some great characters

Some great writing and great comedy

Has a real charm

The Bad:

Looks even more dated than the 1932 original

Fall apart in the final act

Things I Learnt From This Movie:

Even our comedic leads were more convincing than Tom Cruise in the 2017 remake

Around 1940, Universal began a new series of "B" horror films. Most ran just over an hour and featured the studio's cast of monsters. "The Mummy's Hand" (running 78 minutes) and better than most of the series, brings back the Mummy, who had last appeared in 1932 with Boris Karloff in the title role. This time the role is filled by veteran western performer Tom Tyler who gives a chilling performance as Kharis the mummy.

Dick Foran (also a veteran of ridin' the range) as an out of work archaeologist and Wallace Ford as his partner (and comic relief) set out to finance an expedition to find the lost tomb of an ancient Egyptian princess and all the riches therein. Along for the ride are Cecil Kellaway as the expedition's backer and Peggy Moran as his daughter and Foran's love interest. The venerable George Zucco plays the High Priest and villain of the piece. Eduardo Ciannelli has a nice bit as the old High Priest who hands over his power to Zucco.

The film suffers from its "B" mentality and budget limitations but the mummy sequences are among the best that Universal has ever done. The temple setting is also very impressive. Universal would replace Tyler as the Mummy with Lon Chaney Jr. for three subsequent and inferior sequels.

Still and all, "The Mummy's Hand" ranks as a pretty good "B" horror film.

Easily the best of the four "Kharis" films made by Universal as follow-up to their 1932 original The Mummy. The film differs dramatically in scope and mood from the original. Whereas the original was darkly romantic, mystical, creepy, this first sequel goes more for humour than suspense and romance. Dick Foran and Wallace Ford are two archaeologists out of work in Egypt who come across some pottery that leads them to the final resting place of the Princess Ananka. Just made High Priest of Karnak, George Zucco has pledged his life to defend the secret of her resting place. What ensues is a good, interesting, sometime humourous tale of Zucco trying to thwart Foran, Ford, and their backers, Cecil Kellaway and Peggy Moran. Obviously not backed with a huge budget, this mummy film is fun. Foran is very good as the male lead. Ford is bearable at best, but Kellaway is as always a charming, affable presence on the screen. Moran is beautiful and effective in her role. But it is George Zucco's film, as he utters the great lines that have come to be associated with the "legend" of Kharis. Zucco has great screen persona and this is really one of his great roles. Tom Tyler, a western star, plays the bandaged one with reasonable aplomb(okay, effectiveness if you prefer). Although nothing in stature to Karloff's interpretation of the Mummy, Karl Freund's methodic direction, and the dark atmosphere of the original The Mummy, The Mummy's Hand is enjoyable and has given us the story of Kharis.