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7,2/10
1,5 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDonald's frustration level is stretched to the limit when he attempts to court Daisy without the interference of his nephews.Donald's frustration level is stretched to the limit when he attempts to court Daisy without the interference of his nephews.Donald's frustration level is stretched to the limit when he attempts to court Daisy without the interference of his nephews.
Clarence Nash
- Donald Duck
- (narração)
- (não creditado)
- …
Avaliações em destaque
Donald Duck has a date with Daisy but his nephews Huey, Dewey, and Louie keep getting in the way. He arrives at her house only to be preceded by them. In the end, they pop an ear of corn which leads to some outrageous dancing from Donald with Daisy.
I am surprised by the suggestive tail wagging from Daisy. Otherwise, it's a fun little family friendly cartoon short with Donald. The nephews are less annoying than usual since they eventually get Donald together with Daisy for a happy ending. It's not one of the icons but it's very solid.
I am surprised by the suggestive tail wagging from Daisy. Otherwise, it's a fun little family friendly cartoon short with Donald. The nephews are less annoying than usual since they eventually get Donald together with Daisy for a happy ending. It's not one of the icons but it's very solid.
A Walt Disney DONALD DUCK Cartoon.
When MR. DUCK STEPS OUT for a romantic afternoon with Daisy he finds his Nephews have beat him there.
Some furious jitterbugging and a terrific jazz soundtrack enliven this well-animated little film. This was Daisy's second appearance in a cartoon and the first time her name was used. Clarence "Ducky" Nash provided the voices for all five fowls.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
When MR. DUCK STEPS OUT for a romantic afternoon with Daisy he finds his Nephews have beat him there.
Some furious jitterbugging and a terrific jazz soundtrack enliven this well-animated little film. This was Daisy's second appearance in a cartoon and the first time her name was used. Clarence "Ducky" Nash provided the voices for all five fowls.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
'Mr. Duck Steps Out (1940)' is essentially one long dance number, as Donald boogies his way over to Daisy's house for a date. However, his three nephews seem determined to mess with him, so it isn't long before trouble ensues. There isn't much to the piece in terms of story. Thankfully, though, the piece is well-paced and lively, with generally impressive animation and a few chucklesome sight-gags. It's typically rather enjoyable and it comes together nicely in the end. 6/10
This short is the first actual appearance of Daisy Duck because the earlier short Don Donald(1937) introduced a very different in appearance and voice Donna Duck.Donald is at his best in this film.He proves to be a fun-loving young man and he doesn't have to be jumping up and down to attract the audiences.He gets the most out of the situation in this one and at the end has earned Daisy's affection.Daisy proves to be a hell of a dancer and a seductive little devil.Her first role is actualy one of the best she ever had.The nephews need for attention ant their interest in Daisy is a good enough motivation for them.They prove themselves inventive and capable.This short has all five Ducks in one of their most interesting appearances ever.Worth watching.
One of the funniest of the Donald Duck cartoons, here his three nephews try to Donald and Daisy apart and the plan backfires. The real fun begins when Donald swallows the red-hot corn cob!! Great cartoon.
Você sabia?
- CuriosidadesDaisy Duck gets her name in this cartoon. She had previously appeared in Don Donald (1937) under the name Donna. As in that cartoon, she speaks in the same quacking voice as Donald.
- ConexõesEdited into Disneylândia: Donald's Weekend (1958)
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Caindo Fora
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração8 minutos
- Proporção
- 1.37 : 1
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By what name was O Sr. Pato Sai de Casa (1940) officially released in Canada in English?
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