AVALIAÇÃO DA IMDb
7,5/10
12 mil
SUA AVALIAÇÃO
Um jovem aristocrata espanhol deve se esconder para manter sua identidade secreta de Zorro enquanto restaura a justiça em Califórnia.Um jovem aristocrata espanhol deve se esconder para manter sua identidade secreta de Zorro enquanto restaura a justiça em Califórnia.Um jovem aristocrata espanhol deve se esconder para manter sua identidade secreta de Zorro enquanto restaura a justiça em Califórnia.
- Direção
- Roteiristas
- Artistas
- Indicado a 1 Oscar
- 4 vitórias e 1 indicação no total
Ed Agresti
- Caballero
- (não creditado)
Avaliações em destaque
In Madrid, the talented aristocratic military swordsman and rider Diego Vega (Tyrone Power) returns to the Mexican California to reunite with his father, the Alcalde Don Alejandro Vega (Montagu Love), and his mother. When he arrives in Los Angeles, he finds that his father has been replaced by the tyrannous Alcalde Don Luis Quintero (J. Edward Bromberg) that oppresses the people with soaring taxes and violent punishment for those that can not afford and supported by the corrupt Captain Esteban Pasquale (Basil Rathbone) and his soldiers. Don Diego does not disclose his abilities with the sword and disguises pretending that he is a sophisticated fashionable gay, for the heartache of his father. However, when he secretly wears a mask and rides a black horse, he becomes the avenger Zorro that carves his mark for the fearfulness of his enemies.
"The Mark of Zorro" is the best Zorro of the cinema history in a time when the studios were concerned with the screenplay and acting and not CGI and sex scenes. The witty delightful story presents Tyrone Power as a fantastic the weak and fragile Don Diego Vega and the powerful Zorro, with totally different personalities. His ability as swordsman and rider is impressive in a perfect choreography of fights, recalling Errol Flynn in "The Adventures of Robin Hood" of two years before. Linda Darnell is so sweet and beautiful that seems to be the inspiration for the title of the novel of Vladimir Nabokov. J. Edward Bromberg and Basil Rathbone are the perfect villains, the first one coward and sleazy and the second arrogant and corrupt. My vote is ten.
Title (Brazil): "A Marca do Zorro" ("The Mark of Zorro")
"The Mark of Zorro" is the best Zorro of the cinema history in a time when the studios were concerned with the screenplay and acting and not CGI and sex scenes. The witty delightful story presents Tyrone Power as a fantastic the weak and fragile Don Diego Vega and the powerful Zorro, with totally different personalities. His ability as swordsman and rider is impressive in a perfect choreography of fights, recalling Errol Flynn in "The Adventures of Robin Hood" of two years before. Linda Darnell is so sweet and beautiful that seems to be the inspiration for the title of the novel of Vladimir Nabokov. J. Edward Bromberg and Basil Rathbone are the perfect villains, the first one coward and sleazy and the second arrogant and corrupt. My vote is ten.
Title (Brazil): "A Marca do Zorro" ("The Mark of Zorro")
The only ingredient missing here is a Fox budget that would have provided Technicolor photography as a part of the film's lush production values. However, even without three-strip Technicolor, this B&W version of the famous legendary outlaw is acted to perfection by the entire cast.
Tyrone Power goes with great ease from the fop to the swashbuckler Zorro, all the while displaying a great deal of charm and good looks. The romantic role of "the girl" goes to Linda Darnell who is more than adequate in the looks department herself.
In the chapel scene and "The White Sombrero" dance routine they have a chance to show the kind of sparks that made them popular movie stars of the '40s. Linda was just about to break out of her virginal roles and about to play more tempestuous heroines, but she does an excellent job as Power's love interest.
Basil Rathbone is at his finest for the final dueling scene, surely even more robustly performed than the one he shared with Errol Flynn in THE ADVENTURES OF ROBIN HOOD--and that's really saying something. Power seems to be evenly matched with Rathbone in his skilled swordsmanship.
Alfred Newman's fitting pseudo-Spanish background music provides just the right amount of excitement to make this a most entertaining show. And the supporting cast--including Gale Sondergaard, J. Edgar Bromberg, Eugene Palette, Montagu Love, Janet Beecher and others is excellent.
By all means worth watching anytime for sheer entertainment.
Tyrone Power goes with great ease from the fop to the swashbuckler Zorro, all the while displaying a great deal of charm and good looks. The romantic role of "the girl" goes to Linda Darnell who is more than adequate in the looks department herself.
In the chapel scene and "The White Sombrero" dance routine they have a chance to show the kind of sparks that made them popular movie stars of the '40s. Linda was just about to break out of her virginal roles and about to play more tempestuous heroines, but she does an excellent job as Power's love interest.
Basil Rathbone is at his finest for the final dueling scene, surely even more robustly performed than the one he shared with Errol Flynn in THE ADVENTURES OF ROBIN HOOD--and that's really saying something. Power seems to be evenly matched with Rathbone in his skilled swordsmanship.
Alfred Newman's fitting pseudo-Spanish background music provides just the right amount of excitement to make this a most entertaining show. And the supporting cast--including Gale Sondergaard, J. Edgar Bromberg, Eugene Palette, Montagu Love, Janet Beecher and others is excellent.
By all means worth watching anytime for sheer entertainment.
altho Tyrone Power's no slouch. His looks are perfect for he role and he plays the fop wonderfully well:
"Alcalde, I ask for your niece's hand in marriage. A refusal would crush me."
Basil, aside from playing the villain in "The Adventures of Robin Hood" and the famous detective in 14 Sherlock Holmes movies, was a master swordsman, and the final duel is breathtakingly fast and furious. He was so good in the role I hated to see him killed!
The theme music by Alfred Newman is appropriately stirring. And Gale Sondergaard is wonderful as the woman you love to hate. 18-year old Linda Darnell is beautiful but quite stiff in the role.
Note: Eugene Pallette, a Robert Newton look & sound-alike, who played the Padre in this, also played a priest, Friar Tuck, in "Robin Hood," also starring Basil. Also, the 1974 TV version with Frank Langella, Ricardo Montalban & Anne Archer, the first Zorro version I ever saw, uses the same theme soundtrack, and the script and dialogue are very similar to the 1940 version. I recommend this TV version as well.
"Alcalde, I ask for your niece's hand in marriage. A refusal would crush me."
Basil, aside from playing the villain in "The Adventures of Robin Hood" and the famous detective in 14 Sherlock Holmes movies, was a master swordsman, and the final duel is breathtakingly fast and furious. He was so good in the role I hated to see him killed!
The theme music by Alfred Newman is appropriately stirring. And Gale Sondergaard is wonderful as the woman you love to hate. 18-year old Linda Darnell is beautiful but quite stiff in the role.
Note: Eugene Pallette, a Robert Newton look & sound-alike, who played the Padre in this, also played a priest, Friar Tuck, in "Robin Hood," also starring Basil. Also, the 1974 TV version with Frank Langella, Ricardo Montalban & Anne Archer, the first Zorro version I ever saw, uses the same theme soundtrack, and the script and dialogue are very similar to the 1940 version. I recommend this TV version as well.
One thing this movie has is impressive horse riding chase scenes that make you grin at the ingenuity of the director and the cinematographer. The films pace is so exciting that you know that you just have to dip your hat to how it was captured on celluloid. Basil Rathbone (who is famous for playing Sherlock Holmes in the Rathbone/Bruce series that contained 14 movies between the years of 1939 – 1946) is a famous Hollywood swordsman, and I also read that Tyrone Power was also good with sword, and so I eagerly waited for the duel scene between the two.
When the duel started, the idea that this was actually both the actors willing the swords and not just mere stunt men also added to the fun, as the duel is just wonderful and masterful, the grace and the speed the two masterful swordsmen displayed on screen is one that I will always remember, and one that I ask others to see, because I have not seen better fencing than that as of now.
The movie had scenes that jumped at you, there was another chase scene where Zorro (Tyrone Power) made his horse jump off a bridge into a stream and made the horse ride/swam to shore, it was such a sight I raised my brow in amazement, wondering how many shots the director had to take to get that scene right.
The Mark of Zorro is fun, although you can pick out plot holes and wonder how the hero was planning to achieve anything in the riot like ending, but the movie was fun to see all the way through, the story arc is taken from the story The Curse of Capistrano written by Johnston McCulley in 1919, the book introduced the masked hero Zorro, who was like Robin Hood in most sense. Set in Southern California during the early 19th century, the plot deals with Don Diego Vega/Zorro (Tyrone Power), who returned home to find that his town is being extorted by the Governor and his henchman Captain Esteban Pasquale (Basil Rathbone).
Diego then became the mask vigilante Zorro to be able to able to defend his people from the hand of the corrupt Governor.
The Mark of Zorro is a true oldie; the score is so obvious and doesn't blend with the movie (from my own point of view) although the score did get an Academy Award nomination.
The Mark of Zorro is one you can take the time to see even if it is just to see the duel between Power and Rathbone.
www.lagsreviews.com
When the duel started, the idea that this was actually both the actors willing the swords and not just mere stunt men also added to the fun, as the duel is just wonderful and masterful, the grace and the speed the two masterful swordsmen displayed on screen is one that I will always remember, and one that I ask others to see, because I have not seen better fencing than that as of now.
The movie had scenes that jumped at you, there was another chase scene where Zorro (Tyrone Power) made his horse jump off a bridge into a stream and made the horse ride/swam to shore, it was such a sight I raised my brow in amazement, wondering how many shots the director had to take to get that scene right.
The Mark of Zorro is fun, although you can pick out plot holes and wonder how the hero was planning to achieve anything in the riot like ending, but the movie was fun to see all the way through, the story arc is taken from the story The Curse of Capistrano written by Johnston McCulley in 1919, the book introduced the masked hero Zorro, who was like Robin Hood in most sense. Set in Southern California during the early 19th century, the plot deals with Don Diego Vega/Zorro (Tyrone Power), who returned home to find that his town is being extorted by the Governor and his henchman Captain Esteban Pasquale (Basil Rathbone).
Diego then became the mask vigilante Zorro to be able to able to defend his people from the hand of the corrupt Governor.
The Mark of Zorro is a true oldie; the score is so obvious and doesn't blend with the movie (from my own point of view) although the score did get an Academy Award nomination.
The Mark of Zorro is one you can take the time to see even if it is just to see the duel between Power and Rathbone.
www.lagsreviews.com
This movie was directed by Rouben Mamoulian and this was basically the only action movie he directed and probably his best film, he made one more movie with Tyrone Power a year later called Blood And Sand and that was pretty bad. This is also one of Power's best movies and much better than Jesse James the year before. Their isn't much to the plot that you need to know like Power coming back from Spain and finding his father thrown out of power by a dictator and the people are starving. His father can't or won't do anything so Power decides to become Zorro. Basil Rathbone is the dictator's top bodyguard and a top swordsman. Linda Darnell is the dictator's daughter who winds up getting married to Power through an arranged marriage. This is much better then the remake in 98 called The Mask Of Zorro and a great movie.
Você sabia?
- CuriosidadesThe famous duel was staged by Hollywood fencing master Fred Cavens. He specialized in staging duels that relied more on real swordplay rather than the jumping on furniture and leaping from balconies that many film duels incorporated up until that point. Cavens' son, Albert Cavens, doubled for Tyrone Power in the fancier parts of the duel (mostly with his back to camera), such as the extended exchange with Esteban ending with Don Diego's sword smashing into the bookcase. Basil Rathbone, a champion fencer in real life, did not care for the saber (the weapon of choice in this film), but nevertheless did all of his own fencing. Fast fencing shots were under-cranked to 18 or 20 frames per second (as opposed to the standard 24fps) and all the sound effects were post-synchronized.
- Erros de gravaçãoThe character "Captain Esteban Pasquale" uses the Italian spelling for his surname. The Spanish spelling is Pascual. While a subsequent addition to this entry has sought to attribute it to the presence of Italian mercenaries in the Spanish army of the period, the inescapable fact is that the screenwriter had more important things to attend to than inject such a trivial historical footnote. He misspelled Pascual's name in the script (made obvious by Basil Rathbone's pronouncing it in the two-syllable Spanish form, pas-KWAL), and that misspelling was then incorporated in the copy provided the department that drew up the film's end title.
- Citações
Captain Esteban Pasquale: His Excellency will never forgive me if I let you go without a word of welcome from him. I'm quite sure that you'll save me a reprimand.
Don Diego Vega: How could I refuse a man anything with a naked sword in his hand?
- Cenas durante ou pós-créditosOpening credits prologue: MADRID - when the Spanish Empire encompassed the globe, and young blades were taught the fine and fashionable art of killing ...
- Versões alternativasAlso available in a colorized version.
- ConexõesEdited into Homem e Mulher Até Certo Ponto (1970)
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- La marca del Zorro
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.000.000 (estimativa)
- Faturamento bruto mundial
- US$ 10.248
- Tempo de duração1 hora 34 minutos
- Cor
- Proporção
- 1.37 : 1
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