Um Amor de Pequena

George M. Cohan's famous musical comedy of the early 1900's became Judy Garland's first young adult movie role after her role as pre-teenager Dorothy Gale in "The Wizard of Oz". It was also her best role and best performance, second to "Oz", prior to "Meet Me in St. Louis". The story tells of a feisty young Irish lass, Nellie Noonan, who falls in love with a handsome Irish cop, Jerry Kelly (George Murphy), then moves to America. Her pig-headed Irish father, Mike Noonan (Charles Winnger), follows, in spite of the fact that he hated seeing his beautiful little girl get married and leave him. When Nellie gives birth to a little girl, tragedy strikes, leaving Jerry and Mike to pick up the pieces and raise Little Nellie Kelly together.

Little Nellie is equally as feisty as her mother, but is modernized and very American. She has the affection of many local boys, most especially Dennis Fogarty (Douglas MacPhail), a clean-cut young lad who has the approval of Jerry, but not Grandfather Mike who wants to keep Nellie all to himself. Nellie triumphs by singing in the St. Patrick's Day Parade, and later at a huge party.

During her teenage years, perky Judy Garland appeared mostly opposite the sometimes too energetic Mickey Rooney; MGM always seemed to consider her not as glamorous as their other young stars, Ann Rutherford and Lana Turner, but in "Little Nellie Kelly", she is the epitome of confidence and youthful joy and happiness. There are no down-putting ballads here, like "In Between", "I'm Nobody's Baby", and "But Not For Me" from the Rooney films. For example, as the older Nellie Kelly, she delivers a very poignant "A Pretty Girl Milking Her Cow", later reprised by the younger Nellie in a swing version. In the St. Patrick's Day parade, she leads the chorus in the production number "It's a Great Day For the Irish!" with a confidence her characters lacked in the Rooney films. Then, at the party, she sings a swinging version of the decade old standard "Singin' in the Rain", with special introduction lyrics added just for Judy. Later, Judy herself is serenaded by her admirers in the George M. Cohan song from the original show, "Nellie Kelly, I Love You!". While it is obvious that the play's story was somewhat altered to modernize it for the early 40's, it still retains Cohan's charm. Judy also lost the nervous gestures she was forced to use in the Rooney films and acts with grace and confidence.

Charles Winninger is amusing as the lovable but hard-hearted grandfather, especially in a sequence where he stirs up a union struggle when Little Nellie tries to get him to work at a construction site; George Murphy goes from young romantic hero to proud and loving father without blinking an eye; The future senator is totally at ease here, and is quite likable. Douglas MacPhail went from second lead in "Babes in Arms" to Garland's love interest, singing "Nellie Kelly, I Love You" with his surprisingly mature deep voice. The rest of the cast is fine too, in much smaller roles, most notably familiar character actress Almira Sessions in the brief role of baby Nellie's nurse.

As others have commented, the film does (on its face) have things to (potentially) enjoy: Judy's singing, Arthur Freed's handiwork, Cohan's songs, and a possible musical and comic look at Irish immigrants in New York. But in almost every way the film stiffs. Judy climbs from the wreckage (as usual) unscathed: her freshness and energy nearly making the film and songs rise to the level of entertainment. But George Murphy is the complacent stiff, the songs are mostly mediocre at best (except for a jazzy "Singin' In The Rain' by Judy), and worst of all "Grandpa" is a character who - although meant to be curmudgeonly and adorable in his irascibility - comes off as almost criminally abusive, ruining his daughter's one leap at married bliss, and doing a good number on his grand-daughter's as well. The actor in that role (the usually reliable Charles Winninger) gives an unlikeable and near one-note performance which constantly grates, until the viewer wants to strangle him. This may or may not have been purposeful, but - in terms of making the film (a light musical affair) bearable to watch - it is a disaster. You feel both aggravated by Grandpa's insistent hostility towards the happiness of others, and put off by the passivity of others toward his ugly and pointless behavior over the course of years. I don't think this is the stuff of light entertainment, but of a psychological essay. Grandpa's just a jerk...

It is true that every now and then you will find an unheralded film to be undeserving of its anonymity. This is not one of those cases: the film drags along, forgettable song after forgettable song, stiff actor after stiff actor, sentimental stereotype after sentimental stereotype, and all made worse by that horrible Irish stew pot of a Grandpa. This one can be skipped without feeling cheated.

Irish-accented Judy Garland (as Nellie) ignores the objections of lazy father Charles Winninger (as Michael "Mike" Noonan) and marries ambitious George Murphy (as Jerry Kelly). The trio immigrate to the United States and become citizens. The years pass quickly and center stage switches to identical singing daughter "Nellie" (also played by Ms. Garland). She is attracted to Irish import Douglas McPhail (as Dennis Fogarty). History repeats itself when Mr. Winninger strongly objects to granddaughter Garland's courtship...

For most of this film, Winninger's character displays an intense hatred for his son-in-law. His other traits include laziness and drunkenness. This character is so relentlessly unflattering, the hopeful ending does not count for much. There is little Winninger can do with the script, but he manages. The real main attraction is Garland, who gets to emote and sing. Her incredible voice shines throughout, but especially on the amazing highlight "A Pretty Girl Milking Her Cow" and the MGM standard "Singin' in the Rain".

***** Little Nellie Kelly (11/22/40) Norman Taurog ~ Judy Garland, Charles Winninger, George Murphy, Douglas McPhail

George M. Cohan has the last laugh on me. His hit Broadway musical Little Nellie Kelly was adapted into a film in 1940, and I almost turned it off. Judy Garland with an Irish accent? Charles Winninger as her stubborn, unreasonable, ridiculously Irish father? I thought I was in for 98 minutes of silliness. It turns out, Little Nellie Kelly almost made me cry! It's a very touching story, a perfect movie to rent on St. Patrick's Day or Father's Day.

Charles Winninger is extremely stubborn and protective over his only child, Judy Garland. When George Murphy wants to court her, Charles forbids it. When she and George marry, he practically disowns her. He's going to seem outrageous at that part of the movie, and you'll think to yourself, "I hope he doesn't have a big part in the movie." Well, he does have a big part in the movie. Don't let the silly title fool you; this is a heavy family affair. It shows how fathers cope with the transition from daughter to woman, and the impact a stubbornness or hatred can have on the younger generation.

I don't want to tell you too much more about the plot, but I recommend you rent it if father-daughter movies make you cry. You won't believe it at the start, but Charles becomes a relatable character, and when George becomes a father himself, he gives a very good performance. Judy gets less irritating as the film progresses, and during the title song, she gets dolled up and dressed in a gorgeous gown by Dolly Tree, looking prettier than she's ever looked.

So, call your dad and invite him over for lunch and a movie. Even if you don't cry, I guarantee he will!

I have to confess some disappointment in Little Nellie Kelly. Not that I was disappointed with the performances of Judy Garland and the rest of the cast. But I was actually hoping to see an adaption of some kind of George M. Cohan's musical comedy that ran 276 performances during the 1922-23 season on Broadway. But other than the title song and another number, this is not what ran on Broadway at the time. Pity because I would like to have seen just what a George M. Cohan musical comedy was all about. Other than the straight drama/mystery Seven Keys To Baldpate none of Cohan's work was ever brought to the sound screen.

I'm surprised that this film is not run as often as The Quiet Man in and around St. Patrick's Day every year. The story has Judy Garland playing a mother and daughter. Mother marries George Murphy over in Ireland to the distress of her father Charles Winninger. After all of them emigrate to America, Judy dies giving birth to Judy. So the young girl is raised by her father and maternal grandfather.

Which wasn't easy to do because Winninger and Murphy quarrel rather stupidly and don't speak to each other even though they're living in the same household. If it wasn't for the fact that Winninger is helping to raise Garland his granddaughter by staying at home, Murphy would have and should have thrown him out years ago. Winninger is just plain allergic to work.

In the scenes he's in Winninger's a lovable loafer and really steals everything he's in. Barry Fitzgerald must not have been available though his brother Arthur Shields is in the film as the father of Douglas MacPhail that the younger Garland falls for. Winninger is playing a part Barry would normally have been cast in. He and Garland clicked so well that they were cast as father and daughter again in Ziegfeld Girl the following year.

The soundtrack is an odd mix of Cohan's songs, Irish ditties, and some new numbers and for Judy, a revival of Singing In The Rain which producer Arthur Freed coincidentally enough wrote the lyrics for. However her best number is with Douglas MacPhail, It's A Great Day For The Irish which she made a Decca record of as a solo backed by The Wearing Of The Green. It's a more modern version of the same type of song as MacNamara's Band.

Judy's worldwide legion of fans will love Little Nellie Kelly. Still it might have been nice to have one of George M. Cohan's musicals done in some fashion.