Adicionar um enredo no seu idiomaCEO Stephen marries his secretary Kendal in name only, an arrangement made to protect his finances from an attempt at a hostile business takeover. Once the threat is neutralized, he asks Ken... Ler tudoCEO Stephen marries his secretary Kendal in name only, an arrangement made to protect his finances from an attempt at a hostile business takeover. Once the threat is neutralized, he asks Kendal for a divorce - but she refuses.CEO Stephen marries his secretary Kendal in name only, an arrangement made to protect his finances from an attempt at a hostile business takeover. Once the threat is neutralized, he asks Kendal for a divorce - but she refuses.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 vitórias no total
- Mumford
- (as William Davidson)
- Girl in Nightclub
- (não creditado)
- Phyllis's Friend
- (não creditado)
- Miss Collins
- (não creditado)
- Office Worker
- (não creditado)
- Peterson - Butler
- (não creditado)
- Nightclub Patron
- (não creditado)
- Martin Peabody - Justice of the Peace
- (não creditado)
- Waiter
- (não creditado)
- Board Member
- (não creditado)
- Swan Club Patron
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Rosalind Russell is Kendal, the private secretary and behind-the-scenes manager who keeps the Dexter Cement company afloat. Her bachelor boss isn't inept, but isn't very good at handling things when he lapses into one of his overboard infatuations. Kendal bides her time until the day she hopes he'll open his eyes and fall for her. Brian Aherne's Stephen Dexter isn't a wolf or playboy, but a guy who romanticizes about romance. He's looking for the right girl, and every so often he falls for some damsel, who turns out to be a gold-digger. So, Kendal gets him out of the jam. That's the setting when this film opens, and the boss has just returned from a trip.
Robert Benchley is Roger Van Horn, the Dexter Company attorney. And John Carroll is José de Briganza, a long-time acquaintance of Kendal's. They contribute a lot of the humor. Since Kendal mostly runs the business, when Stephen flips over his latest heart-throb, she hires José to run interference - in the form of luring Phyllis away from Stephen. Benchley is a hoot as Van Horn. One of scenes that had me laughing so hard had the three leads together when Roger sends Kendal to go packing her bags. Stephen asks where she's going, and she says to his house. Stephen says, "My house, my house?" And Roger comes back with a reply about "Your house, house" and more. Because Benchley was a humorist, including writing for magazines and newspapers columns, I wondered if this wasn't an ad lib on his part in the film, and it was so funny that Universal kept it in.
Aherne and Russell were in three other comedies together. While they were all very good, they weren't among the best of the comedies for either one. Two of Brian Aherne's films are among the best comedies of all time, and seven of Roz Russell's comedies area among the best of all time.
Here are some favorite lines from this film.
Stephen Dexter, "Mac. I want a new campaign. And it must be warm, and it must be human." Kendal Browning, "The cement you love to touch." Stephen, "Yes, uh, the cem... you love... no, no, no. I mean we must make our cement stand out - give it personality."
Kendal Browning, "I'll tell you what you could do - you could perfume it."
Kendal Browning, "I think you've got something there - Little Annie Cement, that'd be kinda cute."
Stephen Dexter, looking at the billboard on the building opposite his office window, "Kendal, uh, who is that girl?" Kendal Browning, "Well, I don't know her name, but her face in on the canned tomatoes I use."
Stephen Dexter, "Get ahold of her. I'll see her myself." Kendall Browning, going out the door, "Wouldn't it be easier and quicker to pay her off right now?"
Kendal Browning, "If you're sure this is the real thing, my blessings, Stephen. I won't try and stop you. I'm through." Stephen Dexter, "What? Y, yo, you're not going to leave me with all this work...."
Kendal Browning, "I'm not through working for you. I'm just through caring what you do outside office hours." Stephen Dexter, "Mmm, well that's better." Kendal, "For me, not for you."
Roger van Horn, "All you've got to do is marry someone. It doesn't make any difference who she is or what she is. Of course, it would be better if she was a girl you could trust. But all she's really got to do is say, 'I do.'" They both look at Kendal. Stephen Dexter, "Kendall, whatta you say?" Kendal Browning, "I do."
Kendall Browning, "I wish I could afford to strangle you."
Roger Van Horn, "Well, Kendal, you better go home and start parking." Stephen Dexter, "You going away?" Kendall Browning, "Oh, heh, your attorney advised me to move." Stephen, "Move? Where?" Kendal, "Your house." Stephen, "My house? My house!" Roger, "Naturally your house, your house. Would Kendal move into my house, my house?" Stephen, "She's capable of anything."
Stephen Dexter, "What are you doing to me now?" Kendal Browning, "Not to you - for you."
Kendal Browning, "What's this item, one cockatoo?" José de Briganza, waving one hand behind his head, "You know, cockatoo?" Kendal, "Yeah, I know what they are, but what I wanna know is how do you use them in making love?" Jose, "Phyllis want one for the pet, so I give her the bird." Kendal, "Oh, that's all right by me. But, uh, José, $75 for one bird." Joseé, "It talks." Kendal, "For that amount of money it ought a read, write and vote."
Roger Van Horn, after Kendal makes a racket to wake him up, "Hey, cut that out. I'm asleep." Kendal Browning, to Stephen, "Ask grandma - he was in the house all night." Roger, "Oh, go to bed."
Stephen Dexter, "Roger, get me a divorce." Roger Van Horn, "You mind waiting until morning?" Stephen, "How soon can I get one?" Roger, "Well, is Kendal willing?" Kendal Browning, "Uh, no." Roger, "Well, if she fights..." Kendal, "She will." Roger, "Then it'll take years." Stephen, "Years?" Roger, "Five years. You're best chance is to disappear and be given up for dead. Course, it's just a curbstone opinion."
Best of all and driving the movie is Rosalind Russell in the type of role that became her signature: the fiercely competent, take care gal who also happened to be deeply romantic and fighting to get the guy she's set her sights on. Some of her machinations are outlandish but since she plays them straight she manages to put them across.
She's well matched with the debonair Brian Aherne, not only a suave leading man but because of his 6 ft 3 in height someone the statuesque Rosalind paired up well with visually. Virginia Bruce is wry and knowing as a gold digging model and Robert Benchley funny as Aherne's lawyer. The real standout in support is John Carroll, a secondary leading man for most of his career he's full of goofy charm as a former beau of Roz's character displaying a comic finesse that Hollywood didn't take advantage of.
A cute studio movie that helped its star hone her screen persona following directly after her one-two punch of The Women and His Girl Friday.
A bit later, the idiot Stephen learns that his company is vulnerable to a possible hostile takeover. So, to save his butt, he realizes he could hide many of his assets if he gets married and proposed a very business-like arrangement with Kendal--marry him but it will be in name only. Not exactly Mr. Romance, huh? Well, Kendal agrees...but also has plans of her own and they DON'T involve just getting married for his convenience...and he realizes this when she suddenly refuses to grant him a divorce! And, in those days, that meant he was in serious trouble!
While I liked this film, I did not love it and have seen similar sorts of movies from the era that worked better. What is the big problem? Well, the ending (which is a foregone conclusion) comes way too abruptly. It seemed almost like the director realized the film was running on long enough and just decided to wrap it up and call it a day! Enjoyable...but nothing more.
Brian's a successful businessman who gets spring fever every year with a different blonde. His faithful and capable secretary, Rosalind Russell, is in love with him. She sees the flings come and go, and she's not above lending a hand to help them go faster. When his company is in jeopardy, his lawyer Robert Benchley suggests the only way to save it is to get married and put every asset in his wife's name. Brian wants to propose to his current sweetie-pie, Virginia Bruce, so he sends Roz while he tends to the paperwork. Roz isn't keen to see him marry another woman, so she just might louse up the proposal on purpose!
This movie is so delightful, it's bound to make a Rosalind Russell fan out of her biggest critic. I've never liked her very much, but she's very cute in this movie. It's not a screwball comedy, but it's smart and savvy with enough humor to have you laughing at every minute. Brian is handsome, clueless, forgiving, and hilarious; why else would Roz go through so much trouble to land him? For a very funny evening, or a perfect matinee day, check out Hired Wife.
So, I'm looking forward to enjoying this - because I know I will!
Update: I was right! I really like this! It's such a simple movie, that you need to be in a simple mindset and in a lazy mood to really enjoy it. But this is a good, lazy afternoon or late night getting ready for bed movie. It just puts you in a easy going, worry free mood, because you just know that everyone is going to be okay in the end. And this is the feeling that you come away with, when watching a light movie like this. Thank God for them! This movie had a way of making me believe in love more as well. Anything that can do that is a good thing!
And Rosalind Russell does her best Mae West voice in this movie a lot of the time. She is so fun to watch on screen, and her voice is a character all in its own! No wonder she's one of my favorites - all at once sophisticated, and comical. One of the best!
Você sabia?
- CuriosidadesThe jewelry worn by Virginia Bruce (Phyllis Walden) were created by New York City-based jeweler Paul Flato. He is considered the first celebrity jeweler, and from the 1920s to the early 1940s he had an extensive list of movie star clients wearing his pieces.
- Citações
Phyllis Walden: I should have known right from the start that he was a phony. Honest men just don't make love that well, they, they haven't had enough practice!
- ConexõesReferenced in Ordinário, Marche! (1941)
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Hired Wife
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 36 min(96 min)
- Cor
- Proporção
- 1.37 : 1