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Government corruption may not be a laughing matter, but writer director Preston Sturges made some of his funniest comedies from the most unlikely material, and he smartly lampooned the political process in his big screen directing debut. Brian Donlevy is the title character, a less than scrupulous bum elected to the State Governor's office under the patronage of underworld boss Akim Tamiroff and, in a clever reversal of the usual formula, reformed by the responsibilities of public office. But the Governor's newfound honesty spells the end of his fledgling political career because, as McGinty himself so eloquently says, "you can't make a silk purse out of a pig's ear". The film lacks the madcap pace and eccentric characters of later Sturges classics, but compensates with plenty of rich satire (says big boss Tamiroff: "if it weren't for graft you'd get a very low type of person in government…") and an unusual romantic subplot decades ahead of its time. After more than half a century Sturges' wit and originality is still invigorating, not unlike a bracing slap in the face.

The conventional wisdom on McGINTY is that it's lesser Sturges, more important as his directorial debut than as a standalone comedy. Pish and tosh. This is a supremely satisfying comedy and had it been Sturges' only directing credit, would still mark him as a filmmaker to remember. (And, no, that's not a subtle swipe at his others, merely a defense of this too-often overlooked movie.)Maybe the best asset of McGINTY is its budget constraint, which steered Sturges towards the 'ensemble' casting which would become one of his hallmarks. The movie is filled stem to stern with sharp-eyed turns by primarily supporting players (including the leads, Donlevy & Tamiroff, who are excellent). What I can't help but notice is how the Sturges films of the 40s are really the last gasp of the great breakneck comedies of the pre-Code 30s, just prior to the 'screwball' era, when Hollywood was still allowed to poke fun at people/institutions/conventions of the Real World. In fact, McGINTY -with only minor casting changes- would have fit right in with the Warner Bros/First National bumper crop of fast, cynical comedies of '31-'34. (And, by the way, Tamiroff's cheerfully corrupt and malapropping Boss would be paid hilarious homage 20+ years later in animation form as Boris Badinov in Jay Ward's ROCKY & BULLWINKLE cartoons.) The love interest of Muriel Angelus, and adjoining subplot, may come off a bit treacly, but Sturges was canny enough to make this studio-mandated mawkishness an integral part of the plot...even as early as 1940, he was subverting True Love to his devilishly satiric purposes! So stop nitpicking and thoroughly enjoy one of the great American comedies, brought to unforgettable life by that great if unrecognized repertory company, The Sturges Players (featuring, among others, Wm Demarest, Thurston Hall & Arthur Hoyt).

Preston Sturges couldn't get any studio interested in doing his "Story of a Man," nor could he even get it published when it was retitled "Biography of a Bum," so he offered it to Paramount for $10 on condition he could direct it. It was an offer the studio bosses couldn't refuse and it paved the way for other writers, such as John Huston, to take control of their own work by directing its film production. The script, which won an Academy Award for Best Original Screenplay, has some extremely funny moments, with almost all of them involving Akim Tamiroff, who steals the movie as "The Boss," the man who pulls the political strings in the entire state. He is the perfect counterpoint to the rather bland Brian Donlevy, who is in the title role, as a bum who votes thirty seven times in an election for mayor to get the two dollars per vote. This makes a deep impression on Tamiroff, who likes his chutzpa, and eventually runs him for alderman, then mayor, and finally governor. The pace of the film is slow at its start, but picks up when Donlevy starts his story (in flashback) until he's elected mayor, and then slows down again. The condition that he marry to win any election begins his downfall, because he marries his secretary, Muriel Angelus, who wants him to do great things and eliminate the graft in politics. Although it's a marriage of convenience, he falls in love and wants to please her. And you see what she means when Tamiroff is all smiles as he says, greeting the new governor: "What a wonderful opportunity. This state needs everything. ... We'll need - you'll kiss me for this - a new dam. ... You think a dam is something you put a lot of water in. A dam is something you put a lot of concrete in. And it doesn't matter how much you put in there's always room for a lot more. ..." The level of writing is first rate, but I wish there were no flashbacks in the screenplay construction, since you know how it ends from the start. I've always felt the flashback construction in nine out of ten films is detrimental to their enjoyment. The supporting cast includes William Demarest, who has the classic line "If you didn't have graft, you'd have a lower class of people in politics!" Muriel Angelus was and is a relatively unknown actress who quit making movies after 1940. Sturges had severe budget constraints and couldn't use high salaried actors, which would have benfited the film.

The Great McGinty grabbed me with its verve and jaunty iconoclasm from the beginning. "This is the story of two men who met in a banana republic. One of them never did anything dishonest in his life except for one crazy minute. The other never did anything honest in his life except for one crazy minute. They both had to get out of the country." In McGinty, a guy on the outs votes for a politician something like 72 times, and for this he is rewarded with a political boss's favor--"The Boss," and what a boss. Akim Tamiroff is simply wonderful: "Where you get that horse blanket?" And: "What a wonderful opportunity. This state needs everything. ... We'll need - you'll kiss me for this - a new dam. ... You think a dam is something you put a lot of water in. A dam is something you put a lot of concrete in. And it doesn't matter how much you put in there's always room for a lot more. ..." As the lead, "The Boss's" counterpart and equal, it's Brian Donlevy as he never had been before, never was again. McGinty (and Sturge's second movie, Christmas in July) may not quite be up there in the stratosphere with his absolute best like The Lady Eve, Sullivan's Travels, or Unfaithfully Yours, but they are nevertheless both wonderful movies with the Sturges stamp of buoyant uniqueness.

Brian Donlevy is "The Great McGinty" in this 1940 film written and directed by Preston Sturges. The film also stars two men who would become part of the Sturges group of actors, Akim Tamiroff and William Demarest. Muriel Angelus plays McGinty's wife.

Sturges always had interesting beginnings - or ends - to his films. This one begins: One man was always evil and had a moment of honesty; another man was always good and had a moment of evil. They both had to leave the country (paraphrasing). In a foreign country, a bartender tells his story to a suicidal man, an embezzler whom he has just saved, and a woman who works at the establishment. His story is a wild one - he was once governor of a state. As the story unfolds, McGinty - that's the man's name - was a hobo when he was paid $2 to vote to get a man into office. He voted 37 times and attracted the attention of a crooked political boss (Tamiroff) who gets him elected as alderman, mayor, and finally puts him up for governor. Along the way, he marries his secretary (Angelus) in order to have the appearance of a stable, good man. It's a marriage of convenience - she has two children and a dachshund. But he falls in love with all of them, and with her encouragement, decides to turn his back on the graft and the stealing and start thinking of the people. That's when he gets into trouble.

"The Great McGinty" isn't a crazy comedy like "The Miracle of Morgan's Creek" or "The Palm Beach Story." The humor comes out of the fact that this bum rises to the office of mayor and locks horns with the big boss. The best scenes are between Tamiroff and Donlevy, who work beautifully together, particularly when they're trying to kill one another. Though one of the last scenes is a sad one, Sturges gives us our smiles back with the last moments of the film.

Brian Donlevy, who is usually in a supporting role, does a terrific job as McGinty - tough and belligerent, but with a kind side even he didn't know he had. Donlevy repeated his role of McGinty in "The Miracle of Morgan's Creek" in a cameo. Muriel Angelus, a British leading lady who retired to raise a family in 1946, is lovely as Mrs. McGinty, who never wanted to get married again and then falls in love with her husband. Tamiroff makes a powerful "Boss" who has a volatile relationship with his puppet, who sometimes gets out of his strings. An excellent movie that pokes fun at political machinery and behind the scenes plotting. It also shows us what can happen when a little love comes into our lives.