Peripécias de Maisie

These Maisie B-programmers were all based on a tough-as-nails (yet tea-totaling) 30-ish Brooklyn dame who finds herself in some oddball situation where she's broke &/or stranded and manages to get herself out of the jam and help &/or enlighten nearly everyone she comes into contact with (usually landing a $25/week job in the process). Here she's finds herself STRANDED in the middle of Arizona in a broken down Model A (the thing's just 9 years old and had the snot beat out of it) 100-miles late for a singing job in some dive. She meets an anti-social Lee Bowman and his inexplicable sidekick Slim Summerville (imagine Tom Poston's role on Newhart without the humor) and encounters a family of displaced Arkansas sharecroppers traveling to a gold strike (imagine Grapes of Wrath) after her job falls through. The gold strike is back near Bowman's property. This is one of the most meandering and dull Maisies ever made (remember the production was plagued by a change in directors). Absolutely no drama--- the only mildly curious aspect is why Bowman is the way he is (did he discover gold and is hidin' it?). Whatever buildup there is in the plot is deflated at the end, except for the 'Gold is where you find it' theme. It's also got the tragic Scotty Beckett in the role of the sharecropper's kid. Ann's still quite cute and makes with the snappy comebacks, but this entry amounts to nothing much more worthy than a rainy day time waster. Yawn...

The movie may not have done much for comedic Maisie, but it' a worthy reflection of Depression era straits. I like the way Maisie's slowly drawn into the Davis family plight. They're a hard-scrabble family who've lost their farm, along with thousands of others, and are now living hand to mouth. The city-bred Maisie meets up with them as they along with other dispossessed farmers are traveling as part of a rumored gold rush. Though separated at first by a cultural contrast, Maisie's drawn into the family by the common humanity their plight represents, especially by winning little Jubie Davis (Weidler). Together, they share their meager money, along with hopes of a gold strike that will lift their fortunes.

Though MGM has hired a big crowd of extras and costumed them in appropriately seedy clothes, Maisie still stands out. But what about those tacky exteriors that fairly shout studio sound stage. Why make the costuming so realistic, then background them with such outdoor phoniness. After all, this is MGM. At times, Sothern's a little shrill for my taste, but manages to remain likable, while actor Bowman as the reluctant benefactor makes for a churlish and unusual leading man. Too bad little Weidler is largely forgotten. She made for a charmingly plain-faced youngster, without being cutesy. Anyway, the overall result is a curious combination of Depression era drama and Maisie type spunk minus the series' usual laughs. So, fans of the series may find this entry too pointed for their liking. But I enjoyed it for its strong moral and as a reflection of the desperate times.

(In passing-- My dad owned a Colorado gold mine many years ago, and I remember as a boy how eagerly he awaited assay office results so he would know where next to tunnel. In fact, with a few notable exceptions gold in its natural state is unrecognizable. Instead, it's blended into ore that must then be tested for its gold content. So the movie's element of suspense is not fictional.)

Well, it wasn't Alaska but Arizona where Maisie Ravier winds up next in MGM's third film of 10 for the blonde adventuress. While Arizona does have a history of gold mining, I don't know if there ever was another rush around 1940 as this film portrays. But that's the setting for "Gold Rush Maisie."

Enroute for another job singing in the Hula Parlor Café in Truxton, Arizona, Maisie's car breaks down. That leads to a night with a very unhospitable Bill Anders and his sidekick, and then to an adventure with a horde of prospectors who come in search of quick riches. These are mostly families that travel the farm planting and harvesting cycles in the Western states.

Maisie helps the folks set up a tent camp and file their claims, and in the end Anders melts a little. Some good drama and good neighborliness in this film. Ann Sothern continues to please audiences, and Lee Bowman is the grouchy Anders who finally softens up. The rest of the cast all are very good.

There's more drama than comedy in this film. Here are the better funny lines.

Maisie Ravier, "When I first saw you, I thought you were a stinker. Now I've changed my mind. You're not that good."

Maisie Ravier, "I'm not really ignorant - just uneducated."

Maisie Ravier, "As I look back on it, you've been awfully, awfully kind, in a sort of nasty way."

"Gold Rush Maisie" has Maisie (Ann Sothern) prospecting in this 1940 entry into the series.

Maisie's car breaks down, and she becomes stranded and has to ask for help from an isolated, nasty rancher (Lee Bowman) who shares his house with another sourpuss (Slim Somerville).

These films all followed the same formula - Maisie's charm, no-nonsense attitude and warmth melt the icebergs she meets. Later on, she meets a family of farmers who have lost their farm and become migrant workers.

Now they're on their way to prospect for gold. Maisie is stunned at how little they have and sets out to help them.

The atmosphere of "Gold Rush Maisie" is a little more down than usual, and the actions of the rancher played by Lee Bowman are inexplicable. First he's nasty, then he abruptly puts the moves on Maisie, becomes nasty again, and later, after she tells him off, he becomes nice.

Bowman was Sothern's leading man in the series more than once, as was James Craig - I prefer James Craig, who had more energy and variety in his acting.

One does really feel for the family, and that helps to hold one's interest. Sothern does her usual bang-up job.

Another reviewer has it right - Sothern would have been a bigger star in an earlier era. But if huge movie stardom eluded her, she still played some wonderful roles, and her two series are a treasure, as is the actress herself.

As usual, Ann Sothern is the excite-able "Maisie", stranded again, SOMEWHERE. They show joshua trees, so she must have been somewhere in the mojave desert. Although that was probably just a backlot with a backdrop. When her car breaks down, she bumps into Bill (Lee Bowman) and Fred ( Slim Summerville), who get her car going again, but success is short lived. Now Maisie bumps into the Davis family, scratching for gold. Virginia Weidler is the daughter... you may recognize her from "The Women", where she was over-the-top, saccharin sweet and emotional. Here, she's just a normal kid. This one has a pretty thin plot... they had a couple ideas, and put lots of talking in between. Takes a while to get going, but does get better in the second half. Just my opinion. Could be wrong. It DOES have the moral lesson, as Maisie films usually do. See what you think. It's on Turner Classics now and then. Writer C.W. Collison had come up with "Maisie", but then he croaked young in 1941. Collison's death didn't stop them from making movies about Maisie... they were still making them in 1960! Collison had also written the Oscar nominated "Mogambo", with Clark Gable. This Maisie chapter directed by several different folks, apparently due to illness.