Correspondente Estrangeiro

This film is a true gem, that had all of the touches we have come to associate with films of the master. While "Rebecca" (from the same year) may have garnered more recognition, it was an extremely brooding film that lacked the trademark Hitchcock sense of humor.

"Foreign Correspondent" however, had it all. The suspense is unrelenting, building to a spectacular climax. It had many of those dazzling Hitchcock sequences: the assassination in Amsterdam, the scene in the cathedral tower and, especially, the sequence in the windmill, which is pure magic!

Of course, it also had that classic sense of humor and a slew of terrific character roles, including Edmund Gwenn as the most cherubic and cheerful hit man you've ever seen! The final scene was strictly American propaganda, but that can probably be forgiven considering the subject matter of the film and the time of it's release.

All in all, a wonderful example of the master at his best, that deserves to be dusted off and enjoyed alongside some of it's more celebrated cousins!

While not as well-known today as some of his later films, Alfred Hitchcock's spy thriller "Foreign Correspondent" is entertaining, exciting, and masterfully constructed. Though lacking the star power of some of the great director's more famous movies, the cast is very good, the settings are wonderfully conceived, and the story and writing keep the viewer's attention at all times. It has everything we hope for from Hitchcock: action, suspense, and a good dose of humor.

The plot is a complicated one, beginning when American reporter Johnny Jones (Joel McCrea) is sent to Europe just before the outbreak of World War II. Expected to send back news about the possibility of war, Jones stumbles across an espionage ring that is using kidnapping and murder in an attempt to get important government secrets for use in the coming war. The action goes from England to Holland and back to England, with Jones constantly escaping from danger as he tries to get the details of the spy plot for his newspaper. It does take some effort to follow everything that is happening, but there are many action sequences and a lot of good writing - with many fine touches of humor - that make it easy to pay attention.

In the lead role, McCrea performs with the easy-going understatement that typifies the heroes of Hitchcock's earlier films. Laraine Day is pleasant if unspectacular as McCrea's romantic interest, whose father (played nicely by Herbert Marshall) is also one of the key figures on the international scene. The supporting cast also has some fine actors. George Sanders for once gets to play a good guy, Robert Benchley is very funny as McCrea's fellow foreign correspondent, and Albert Basserman is touching as an old diplomat who has seen too much of the world's troubles.

But it is the action sequences and the settings that really make the film. Hitchcock's expert hand can be seen in almost every setting, and he displays a wealth of creative ideas here equal to any of his films. Particularly good are the memorable windmill scenes and the exciting climactic sequence in mid-ocean. This final sequence is not only thrilling, it also perfectly completes all of the film's action and themes.

"Foreign Correspondent" contains plenty of excitement, humor, and suspense, along with some of Hitchcock's best set pieces. It is highly recommended.

In 1939, the editor of the New York Globe invites the tough reporter John Jones (Joel McCrea) to be the substitute for the inefficient Stebbins (Robert Benchley) as foreign correspondent in London. His first assignment is to interview the Dutch leader Mr. Van Meer (Albert Basseman) in his lecture for peace in London to know about the possibility of a declaration of war against Germany. Johnny meets Stephen Fisher (Herbert Marshall), the leader of the organization Universal Peace Party that promotes peace, and his beautiful daughter Carol Fisher (Laraine Day), and he has a crush on Carol. When Van Meer is apparently murdered in Amsterdam, Johnny follows the assassin with Carol and the journalist Scott ffolliett (George Sanders) through the countryside and discovers that Van Meer has been abducted indeed. However, nobody believes on the truth and he tangle with an international conspiracy.

"Foreign Correspondent" is a highly entertaining adventure, with a suspenseful story of espionage and an enjoyable romance, with Joel McCrea and Laraine Day showing perfect chemistry. But the greatest attraction is the plot based on the beginning of the World War II in 1939 practically in real time. My vote is eight.

Title (Brazil): "Correspondente Estrangeiro" ("Foreign Correspondent")

Note: On 16 October 2024, I saw this film again.

Reporter Johnny Jones (Joel McCrea), used to working the streets of New York, is sent overseas as a foreign correspondent. His first assignment is to get an interview with a diplomat negotiating peace to prevent war. When the diplomat is assassinated right in front of him, Jones sets off after the killer and finds himself embroiled in an international conspiracy plot.

Exciting thriller from the master of suspense, Alfred Hitchcock. One of his best films from the '40s. McCrea is wonderful and the cast backing him up is first-rate. George Sanders, Herbert Marshall, Robert Benchley, Albert Bassermann, Edmund Gwenn, and so on. High quality actors all who never give bad turns. Also female lead Laraine Day in her biggest and best role outside of the Dr. Kildare series. She's great in this and it makes you wonder if she couldn't have been a bigger star had MGM used her for more than Kildare's love interest.

The plot may be a bit complicated for some but you get lost in it and don't quibble with the particulars until after it's over. If you're like me, by then you won't care since you enjoyed the film so much. There's some good action and memorable set pieces, like many of the best Hitchock thrillers have. The script keeps things light despite the dark tone of the plot. It's a classic in every way, thoroughly enjoyable from beginning to end. One of the best WW2 films made before America had entered the war and Hollywood started churning them out one after another.

The first half hour of Hitchcock's "Foreign Correspondent" looks like it can either be a light romantic comedy or a oddly fashioned drama about current events. But then, there's this scene in the rain, where our hero, played with energy by Joel McCrea, attends a crowded political meeting. McCrea notices his new friend, an elderly ambassador acts vacant and glassy eyed. Then, this mysterious photographer steps in. The photographer has next to his camera, a gun.... At this point "Foreign Correspondent" becomes an inventive chase thriller, darting across the audiences' eyes at a berserk chase. This was the first time that Hitchcock had all of Hollywood's tools at his disposal, and what a spellbinding, constantly fun classic came of it. I look forward to this film making it's DVD debut!