AVALIAÇÃO DA IMDb
7,0/10
1,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idioma82-year-old inventor and entrepreneur Thomas Alva Edison is honored in 1929 and he reflects back on his sixty-year career of scientific achievement.82-year-old inventor and entrepreneur Thomas Alva Edison is honored in 1929 and he reflects back on his sixty-year career of scientific achievement.82-year-old inventor and entrepreneur Thomas Alva Edison is honored in 1929 and he reflects back on his sixty-year career of scientific achievement.
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- Roteiristas
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- Indicado a 1 Oscar
- 1 vitória e 1 indicação no total
Avaliações em destaque
Viewed this film a long time ago and enjoyed seeing the great acting performance that Spencer Tracy portrayed as Thomas A. Edison. Tracy must have put a great deal of study into Mr. Edison's life and his laboratory in Menlo Park, N.J. because he looked just like him. Tom Edison had a very rough times being without money and struggling many long hours with very disappointing results. Gene Lockhart,(Mr.Taggart) had a great deal of stock in the gas companies and was trying to stop Edison from producing the electric light. However, Charles Coburn,(General Powell) had great confidence in Tom Edison's inventions and he gave a great deal of financial support among the stock brokers in New York. This is a very nice story of a great inventor and many generations will enjoy this story.
Edison in this version comes across as a kindly soul, sort of "Santa the inventor" -- kind to one and all.
Don't look for historical accuracy of any kind in this film. Although the acting is nicely done. Spencer Tracy is a constant delight. He even gets to play the organ in one scene! Tracy and Co.'s contributions rate it a six, but it certainly doesn't deserve anything more.
I especially loved the one-handed Morse-code tapping Edison. One doesn't need to know much about Edison to realize pretty quickly that this is sheer hagiography.
There is even a court room scene between gas and electrical lighting. Pretty fun.
Don't look for historical accuracy of any kind in this film. Although the acting is nicely done. Spencer Tracy is a constant delight. He even gets to play the organ in one scene! Tracy and Co.'s contributions rate it a six, but it certainly doesn't deserve anything more.
I especially loved the one-handed Morse-code tapping Edison. One doesn't need to know much about Edison to realize pretty quickly that this is sheer hagiography.
There is even a court room scene between gas and electrical lighting. Pretty fun.
Spencer Tracy rarely played real people. He played a character based on Arnold Rothstein in an early film for Fox, and Henry Morton Stanley in STANLEY AND LIVINGSTON, and Rogers of Rogers' Rangers in NORTHWEST PASSAGE, and Clarence Darrow (Henry Drummond) in INHERIT THE WIND, and the Captain of the Mayflower in PLYMOUTH ADVENTURE. It seems like a large number of films, but it is really less than three percent of his movies. He also appeared in this film as the great inventor (over 1,000 patents) Thomas Alva Edison (1847 - 1931).
In 1940 Edison was a national hero. Nobody was quite like him, although Alexander Graham Bell (soon to be subject of a film starring Don Ameche) was a figure of great interest too. So was Samuel Morse, inventor of the telegraph, and Eli Whitney, inventor of the Cotton Gin. However no films were made about them. There was a film with Fred MacMurray and Alice Faye about Robert Fulton and his steamboat, but none about the Wright brothers.
Because of the period of history it was made in, film biography rarely was totally dispassionate. All Americans heroes were flawless, so all questions about Edison's stealing credit from assistants or other inventors was pushed aside (his involvement in the patent battles about the telephone is not mentioned). Nor were his flop inventions: pre-fabricated houses made of cement (actually a good idea, but ahead of it's time), the attempt to be the biggest gold ore refiner in the East (using huge machines to grind the ore out of rocks), the electric car motor. His bigoted feelings towards foreigners (Jews, rival inventors like Nicola Tesla) were not mentioned, nor was his rejection of the offer of a joint 1911 Nobel Prize for Physics (for the accidental discovery of the Edison Affect of carbonization in electricity) because he had to have it with Tesla for discovering alternating current. None of this is mentioned...only the string of great inventions he had a major hand in from 1868 to 1894. As a surface study of his career it is passable, and Tracy and the cast (in particular Gene Lockhart as his critic and nemesis Taggart) are splendid. You'll be entertained, but read A STREAK OF LUCK by Robert Conot for the true story.
In 1940 Edison was a national hero. Nobody was quite like him, although Alexander Graham Bell (soon to be subject of a film starring Don Ameche) was a figure of great interest too. So was Samuel Morse, inventor of the telegraph, and Eli Whitney, inventor of the Cotton Gin. However no films were made about them. There was a film with Fred MacMurray and Alice Faye about Robert Fulton and his steamboat, but none about the Wright brothers.
Because of the period of history it was made in, film biography rarely was totally dispassionate. All Americans heroes were flawless, so all questions about Edison's stealing credit from assistants or other inventors was pushed aside (his involvement in the patent battles about the telephone is not mentioned). Nor were his flop inventions: pre-fabricated houses made of cement (actually a good idea, but ahead of it's time), the attempt to be the biggest gold ore refiner in the East (using huge machines to grind the ore out of rocks), the electric car motor. His bigoted feelings towards foreigners (Jews, rival inventors like Nicola Tesla) were not mentioned, nor was his rejection of the offer of a joint 1911 Nobel Prize for Physics (for the accidental discovery of the Edison Affect of carbonization in electricity) because he had to have it with Tesla for discovering alternating current. None of this is mentioned...only the string of great inventions he had a major hand in from 1868 to 1894. As a surface study of his career it is passable, and Tracy and the cast (in particular Gene Lockhart as his critic and nemesis Taggart) are splendid. You'll be entertained, but read A STREAK OF LUCK by Robert Conot for the true story.
You don't see these kind of old-fashioned biographies anymore. There have been very few in the last 40 years. Yes, many of the classic biographies sugar-coated the stories, ignoring a person's negative traits, but today's films mostly do the opposite, so it's nice to re-visit a movie in which an American hero is shown as just that. One gets tired of all the trashing.
Thomas Alva Edison certainly was a hero with his incredible inventions (i.e., the light bulb) which affected almost everyone on the planet to a significant degree. This movie goes to great lengths to show Edison's persistence in reaching his goals while also highlighting the dedication of the men who worked for him.
Spencer Tracy as Edison, along with Rita Johnson, Lynne Overman, Charles Coburn, Gene Lockhart, Henry Travers and Felix Bressart make this a pretty solid movie. It's not spectacular, probably not worth more than one look, maybe two, but it's a story that should be seen about an amazing period in history.
Thomas Alva Edison certainly was a hero with his incredible inventions (i.e., the light bulb) which affected almost everyone on the planet to a significant degree. This movie goes to great lengths to show Edison's persistence in reaching his goals while also highlighting the dedication of the men who worked for him.
Spencer Tracy as Edison, along with Rita Johnson, Lynne Overman, Charles Coburn, Gene Lockhart, Henry Travers and Felix Bressart make this a pretty solid movie. It's not spectacular, probably not worth more than one look, maybe two, but it's a story that should be seen about an amazing period in history.
Spencer Tracy stars as the famous inventor Thomas Edison. This movie deals primarily with his struggles to invent the electric light. Beautiful Rita Johnson plays Edison's wife. Excellent supporting cast includes Henry Travers, Charles Coburn, Grant Mitchell, Felix Bressart, and Gene Lockhart -- solid character actors all. Grand MGM polish and production values make for a great-looking picture.
This is the second MGM biopic of Edison released in 1940. The first, Young Tom Edison, starred Mickey Rooney and covered the inventor's early years. Edison, the Man is sort of a sequel to that film. Both are excellent. These old biopics were usually solid, uplifting character-driven stories. Yes they take liberties with the details but the more cynical defamatory biopics we get these days do the same. I'll take an inspirational biography that builds people up and leaves you with the warm fuzzies over some deconstructionist tabloid trash any day.
This is the second MGM biopic of Edison released in 1940. The first, Young Tom Edison, starred Mickey Rooney and covered the inventor's early years. Edison, the Man is sort of a sequel to that film. Both are excellent. These old biopics were usually solid, uplifting character-driven stories. Yes they take liberties with the details but the more cynical defamatory biopics we get these days do the same. I'll take an inspirational biography that builds people up and leaves you with the warm fuzzies over some deconstructionist tabloid trash any day.
Você sabia?
- CuriosidadesThis was one of the films that Spencer Tracy really believed in and actively supported not because he starred in it, but because he was a great admirer of Thomas A. Edison. This was unusual, as Tracy was known throughout most of his career to disparage his own gifts as well as the importance of motion pictures. Also, prior to this film, Tracy had been a very active member of the Academy of Motion Picture Arts and Sciences. He even hosted the awards show on at least one occasion. However, when the nominations came out for the best films of 1940, Tracy was appalled that "Edison, the Man" was so overlooked in the nominations, being nominated for only Best Writing. He swore he would never attend another Academy Award ceremony again, and he never did. Not without irony is that, although he was nominated another six times over the next 28 years, Tracy never won another Oscar after that (after having won two in a row in the previous two years).
- Erros de gravaçãoThe montage sequence depicting Edison's inventions lists "electric power transmission" over a shot of a massive transmission line and the tower that holds it up. That technology was in fact developed not by Thomas A. Edison but by Nikola Tesla. (Tesla held over 700 patents, including Radio. Guglielmo Marconi stole the radio patent from Tesla. The US Patent office has since revoked Marconi's claim, giving it to Tesla.) Edison insisted on powering his lights with direct current, which could only travel short distances from the generators that produced it. Tesla used alternating current, which could be run through transformers to increase its voltage so it could be moved over long distances, then reduced in voltage again for home use. Tesla's alternating current, not Edison's direct current, quickly became the standard and is what is used today.
- Citações
Ben Els: I keep worryin' about Bunt. I guess I won't get a wink of sleep tonight.
Thomas A. Edison: Ah, Mr. Els, you shouldn't try to do two things at once. If you're gonna sleep, sleep. If you're gonna worry, why stay awake and make a good job of it.
- Cenas durante ou pós-créditosThe opening credits appear as 19th Century sampler embroideries.
- ConexõesFeatured in Hollywood: Style Center of the World (1940)
- Trilhas sonorasSweet Genevieve
(1869) (uncredited)
Music by Henry Tucker
Lyrics by George Cooper
Played often in the score
Sung a bit by Spencer Tracy
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Edison, the Man
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Proporção
- 1.37 : 1
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