Devil's Island

This Boris Karloff movie was very entertaining though it seemed strongly inspired by the earlier film, THE PRISONER OF SHARK ISLAND since there were so many similarities between the two movies. SHARK ISLAND is an account of the real life man, Dr. Samuel Mudd, who was sentenced to a harsh American prison in the Tortugas after he gave medical treatment to a fleeing John Wilkes Booth. Whether or not Mudd knew that Booth had just killed the President is debatable--especially since word of the assassination may not have reached Mudd's home in rural Maryland.

In much the same way, Boris Karloff plays a doctor who attends to a seriously injured man. Although Karloff knows the man was guilty, as a doctor he'd taken an oath to heal and couldn't just let the man die. As a result of his kindness, he's arrested and sent to Devil's Island, where he is abused and treated like an animal. What happens next you'll have to see for yourself, but I was very impressed by this simple film that wasn't really a horror film but a film about the human spirit and justice. Karloff, in particular, did a nice job in his role as the hapless doctor, though the script was also very good--making the viewer really care about these men in prison.

The only negative, and it's a small one, is the prologue. Because the war in Europe was just beginning, the producers wished to distance themselves from condemning this French institution and so they tacked on a nice prologue saying that this film didn't represent the French people of today. This seemed rather unnecessary, as other prison films don't have similar introductions.

Dr. Gaudet(Boris Karloff) is a respected brain surgeon, and is unjustly sentenced to ten years' imprisonment on Devil's Island. Gaudet draws attention to himself by complaining about the in-human conditions and leads an unsuccessful revolt. As punishment, the warden sentences Karloff and his comrades to death. Boris Karloff plays the lead convincingly, making himself as pathetic a character as possible. It is a very mild acting role for Boris, and that is probably why George Raft had turned the role down. France decided not to eliminate the notorious colony and attacked the film as anti-French at the preview in January 1939. They immediately banned all future Warner Bros. films. A year later it was released, but by this time, France was too busy with World War II to object.

Excellent vehicle for the great Boris Karloff to branch out from playing horror roles and play the hero in a drama. Karloff plays a French brain surgeon who attends to a friend shot by the police. The friend is considered an enemy of the state so Karloff is tried and convicted of treason. He's sent to the penal colony on Devil's Island, where he suffers under the brutal conditions and the corrupt commandant in charge.

Warner Bros. was no stranger to making prison dramas. They made some of the best. This may not take place in a traditional American prison or chain gang but, make no mistake about it, this has many of the familiar plot elements you expect from those types of films. It's a B picture that barely clocks in at an hour but it's well-paced with terrific acting from Boris Karloff and a solid cast backing him up. It's one of Karloff's best non-horror roles and definitely something his fans will want to see.

DEVIL'S ISLAND proved an interesting change-of-pace for Karloff but one which, I agree, is hampered by its second-feature status: as it stands, potentially controversial issues like miscarriage of justice, as well as prison brutality and corruption, are not dealt with in much detail and the expected showdown between Karloff and the callous warden (James Stephenson, who would die only 2 years later and whose best role was his Oscar-nominated turn in William Wyler's THE LETTER [1940]) never occurs. Instead, we're made to believe that the warden's wife is so grateful for ex-brain surgeon Karloff's having saved their daughter's life that she is perfectly willing to see her husband's ruined by reporting his mistreatment of the prisoners to higher authority - when, prior to the girl's accident, she didn't seem to bother much with them since she used to frequently ride up to the labor camp, in her finest attire, as if going on a Sunday picnic! A brave and well-made B-movie all around but, ultimately, it doesn't really tread new ground and certainly doesn't carry the sheer emotional power of I AM A FUGITIVE FROM A CHAIN GANG (1932).

WEST OF SHANGHAI is a real oddity. Although set in China, the film resembles a Western with lots of horseback riding and a set that looks like distinctly Mexican. Then there's a crime angle with lots of graft and double dealing concerning a local oil field. Finally there's BK himself playing a Chinese warlord (in politically incorrect Asian make-up) with more than a hint of black comedy. He has some choice dialogue which he makes the most of. Sheila Bromley scores as a tough minded American woman as does Vladimir Sokoloff as a weary Chinese general. At 62 minutes the movie is enjoyable and doesn't wear out its welcome.

The same cannot be said of THE INVISIBLE MENACE which despite its sci-fi sounding title, is just an ordinary murder mystery taken from an unsuccessful stage play called WITHOUT WARNING (it closed after just 17 performances). It is set on an Army base where a newly wed private and his smuggled in bride stumble across a grisly murder. At 59 minutes it feels roughly 30 minutes too long with stock characters and a totally wasted BK although, as usual, he has his moments. Both movies were directed by John Farrow (Mia's dad) who would move up the Hollywood ladder to bigger and better things.

The last movie in the set, and the best of the three, is DEVIL'S ISLAND about an unjustly accused doctor who is sent to the infamous locale for treating an injured criminal. The parallels to the real life case of Dr Samuel Mudd (who set John Wilkes Booth's leg after Lincoln's assassination) and to Henri Charriere (made famous by Steve McQueen in the movie PAPILLON) are fairly obvious. This film, directed by B movie specialist William Clemens, is full of atmospheric photography (on the same Western set as SHANGHAI) with solid performances from everyone involved. A decent script also adds to the viewer's enjoyment...For more reviews visit The Capsule Critic.