Natal em Julho

Well to kick off our "Third Annual Christmas Watching Season" we put on the classic film "Christmas in July" This 1940 Film is a Gem "Christmas in July", is written and directed by Academy Award winner Preston Sturges. In this film a workplace practical joke goes awry when an office clerk (Dick Powell), believing he has won a $25,000 prize, takes his girlfriend (Ellen Drew) on an extravagant Christmas shopping spree… in the middle of July! After they discover it was all a hoax, their spending spree turns into a wild slapstick riot. More than just a holiday heart-warmer, this madcap masterpiece is a classic gift of laughter that is perfect for every season.

The fast paced film runs only 69 Minutes but not a minute goes by without 10 laughs!

A clerk making $22 per week dreams of winning the $25,000 grand prize in a coffee company's slogan contest. Sturges' second directorial effort is not only a sweet and simple comedy but also fast-paced and efficient, wrapping up in just over an hour. As the ambitious but earnest sloganeer, Powell basically plays the role of the straight man, surrounded by loony characters, including Walburn as the flustered owner of Maxford House, not to be confused with Maxwell House, and Sturges regular Demarest as one of the judges of the contest. Despite the short running time and the emphasis on comedy, Sturges manages to make the characters human.

Coffee company clerk Dick Powell (as Jimmy MacDonald) enters a sloganeering contest with the catchphrase: "If You Can't Sleep at Night, It Isn't the Coffee, It's the Bunk!" Mr. Powell thinks the slogan is as "clear as crystal," but pretty, pragmatic girlfriend Ellen Drew (as Betty Casey) is unmoved. Although his slogan is confusing, Powell is optimistic about winning the $25,000 prize. The next day, Powell is anxious to learn if he's won the contest; and, three of his practical-joking co-workers send him a phony telegram stating, "We take great pleasure in informing you that your slogan has won the twenty-five thousand dollar first prize…"

Powell excitedly picks up his prize, from cantankerous Raymond Walburn (as Maxford), who doesn't know his executives haven't yet picked the winner. Powell plans his wedding to Ms. Drew, and buys gifts for most of the people in his lower-class neighborhood. Drew says he's spending money like it's "Christmas in July." Then, the prank is discovered…

Writer/director Sturges' bright satire is still amusing, after all these years. Like "Maxwell House" coffee, it's "Good to the Last Drop" - perhaps, the story could be revised, for the "Starbucks" era (many of the Sturges lines don't need changing). The supporting players - Mr. Walburn (Maxford), Alexander Carr (Schindel), William Demarest (Bildocker), Ernest Truex (Baxter), and others - are excellent.

******** Christmas in July (10/18/40) Preston Sturges ~ Dick Powell, Ellen Drew, Raymond Walburn

On the surface this effort from the brilliant Preston Sturges looks like a standard sugar coated feel good movie, but strip away the outer skin and you get a delightful collage of comedy, romance, satire, drama, and nudge nudge observations about hunger of wealth and all the spin offs that wealth creates.

I don't deem it unfair to state that the films core plot of frivolity may not be to everyone's taste, but to me personally it ticks all the boxes for a joyride with more at its heart. The pace of the film is more in keeping with screwball comedies of the great era, but that is not to say that the film doesn't shift down a gear for poignant reflection, because it does, but ultimately the film is full of hilarity from many quarters, that is acted out accordingly from a sparky cast, and of course directed by a deity .

A joyous winner that prods you in the ribs and gives a cheeky wink along the way. 9/10

Have said many times about being a pre-1970s classic film fan, of all genres and decades, a lot of my favourite films being made between the 1930s and 1960s. The same applies too for films from the 1970s onwards. Am not saying that every pre-1970s film is great, there are a fair share of average all the way down to dud ones but they are out-weighed by the very good to classic films (the best parodied and referenced numerous times since and influenced many film-makers).

Preston Sturges had for me one of the best "golden years"/prime period for any director, which started with his debut film 'The Great McGinty' (which is very good). My definition of this is when a director makes 5 or more great films in a row. From this period, even when the film was one of the weaker ones it still managed to be good and more, which is testament to how great and more his best golden years/"prime period" films were. Feel the same about 'Christmas in July' as with 'The Great McGinty', though slightly preferring the former. Found 'Christmas in July' to be a joy to watch and deserving of more praise than it gets, when it comes to satirising dreamers placing faith in get-rich contests 'Christmas in July' is a great and relatively overlooked example of how to do it well, make it entertaining while also relatable and tactful.

Can find hardly anything to fault actually. Maybe it is a little too short, would have been more than happy with having 10-15 minutes more perhaps. That can be easily ignorable though, as there is not a dull second to be had in 'Christmas in July', one of those films that drew me in from the start and never let go, and the many good things are so great.

Maybe other Sturges films are sharper (am actually going to include 'The Great McGinty' here), have more insights into the subjects explored and are more daring. Again a very subjective personal preference and not actually much of a knock on the film.

That it's so beautifully paced throughout and always compelling in its story, which entertained and invested emotionally, is one strength of 'Christmas in July', but there are many more. Sturges' direction continues to be remarkably well accomplished for again so early on (this is only his second film released quite close to 'The Great McGinty'). The production values are very good, very nicely shot in particular even if visually there aren't exactly iconic moments (not that it needed to be, not that kind of film).

A major strength of 'Christmas in July' is the script. The comedy is hilarious at its best and never gets corny. The pathos is genuinely touching without getting schmaltzy. And the romantic element is truly charming and with remarkable humanity. It's not always easy balancing more than two tones well and there have been many instances in films that do where one or more have not been handled well. 'Christmas in July' balances the comedy, pathos and romance deftly, no signs of them clashing with each other that it doesn't make sense, and all three as indicated are written spot-on. Then there are the performances, which are uniformly good. As likeable and charming Dick Powell and Ellen Drew are, and their chemistry is just lovely, it's the comedic performers who shine more with the main scene stealer being Raymond Walburn.

In summary, a joy. 9/10 Bethany Cox