O Pássaro Azul

Shirley Temple's last lavishly-produced starring vehicle at 20th Century-Fox didn't come close to equaling the success (financial or otherwise) of 1939's "The Wizard Of Oz" from MGM (who had tried, unsuccessfully, to star Temple as Dorothy). This curious enterprise, based on the play, would seem to have a great deal in common with "Oz" (it even begins in black-and-white and turns to color), but the crucial elements of an identifiable plot are missing, and the young girl at the center of this story is consistently petulant. It was a fundamental error to make Shirley Temple unsympathetic; as the scowling, complaining daughter of a poor woodcutter, she wakes one night to an elderly fairy-woman knocking on her door and soon finds herself and her little brother on a search to find the Blue Bird of Happiness. The production is quite grand, but the saturated colors don't gleam and the set-designs are vast without having a sense of wonderment. As for Temple, she's a little bit stiff and self-conscious (odd for her), though her mature sarcasm in the prologue is very funny. Remade (disastrously, yet amusingly) as a musical in 1976. **1/2 from ****

I haven't seen "The Bluebird" since I was about 10 years old or so (back in the late 1960's or early 1970's). It it still sticks with me and I think of it often. It was certainly a memorable film for a little girl. To me, it was a sweet picture of heaven and of home. It also reminded me very much of the close bond I had with my little brother. Every time I see a bluebird, I remember the movie. It made (and still makes) spotting a bluebird a wonderful experience. I hope it will come out on DVD soon so more people can see it and appreciate it. It's similar to the Wizard of Oz. It is a fantasy and a sentimental family film.

When I started to see this movie, didn´t expect nothing more but enjoy the wonderful presence of Temple. But watching the entire film, I can only say that is an amazing experience of fantasy, spectacular set decorations, unforgettable characters (Tylette and Tylo are lovely!)...and the most important thing: the beautiful meaning of the blue bird at the end of the movie. In one word: unforgettable! Thanks.

Essentially Shirley Temple's child star career ended with The Blue Bird. After this she was cast in teen roles and eventually young adults. If not the best way to end her child star career and the biggest money maker at the box office it certainly was one expensive way.

Interesting as well because the rumors had it that Darryl Zanuck saw the big money that The Wizard Of Oz made over at MGM with Judy Garland and decided this was action he wanted 20th Century Fox in. So he shot the works financially and the famous Maeterlinck story The Blue Bird was adopted for Shirley Temple.

The Blue Bird is a symbol for good luck and prosperity and one that Shirley and little brother Johnny Russell had has disappeared. A magical fairy played by Jessie Ralph sends them on a journey into an Oz like land with their animated pets, Eddie Collins as their dog and Gale Sondergaard as the cat. Sondergaard is truly interesting, she plays the animated cat like she was being the Spiderwoman and really acts like a fifth columnist for the kids.

The story even resolves itself like the Wizard Of Oz.

The Blue Bird got Oscar nominations for Special Effects, but lost to Alexander Korda's The Thief of Bagdad.

It never came close to raking in its cost for 20th Century Fox. It was the end of Shirley Temple as a child star. Ironically MGM had wanted her for The Wizard Of Oz, but Zanuck wouldn't let her go. It was then they signed Judy Garland who cost L.B.Mayer not a dime as she was under contract.

Seeing it today it's an interesting children's fantasy and may have not gotten the praise it deserved back in the day.

An obnoxious girl, unable to find joy in her life, is sent by an elderly fairy into the Lands of the Past & the Future to seek for THE BLUE BIRD of Happiness. Her search will change her life profoundly...

Fantasy is the most difficult genre for film to create successfully. All the elements have to come together just right, and then, more often than not, success is a happy accident. Fantasy is not replicable; note the number of failed sequels. If 20th Century Fox was trying to emulate MGM's THE WIZARD OF OZ (an initial box office flop, it should be remembered), it was not a wise endeavor. Given its troubled production history, OZ should have been a disaster. That it was not still puzzles & delights film historians.

THE BLUE BIRD's ultimate failure is not complete. There are several very good things about it. The main trouble seems to be in the casting of Shirley Temple in the lead role. The greatest child star of them all was now aging, and prepubescent Shirley seems to depend a bit too much on the gracious memories of her devotees. She's still cute, but this time that's just not enough. Also, it must have been awkward acting such a nasty role, one doomed to be disliked by the audience for much of the film.

Gale Sondergaard, as the Cat, has much the same problem. She tries hard, but the role is very unsympathetic & we are never told why her character is so wicked - indeed, capable of murder.

It's interesting to note that both Temple & Sondergaard were important contenders for major roles in OZ, but were instead rejected for Judy Garland & Margaret Hamilton.

There are several cast members that do an excellent job with their material: Spring Byington, tender as Shirley's mother; wonderful old Jessie Ralph as the fairy; Eddie Collins, often very funny as the Dog; Nigel Bruce & Laura Hope Crews, giving ripe performances as Mister & Mrs. Luxury; and dear Cecilia Loftus & Al Shean as Shirley's lonely, dead grandparents.

Some of the minor casting is also very effective, witness Thurston Hall as Father Time, Edwin Maxwell as Old Man Oak & Sterling Holloway, on screen only a few seconds as Wild Plum. That's Scotty Beckett, from the old OUR GANG Comedies, as one of the Unborn Boys.

The use of Technicolor is very eye-appealing, although its initial entry into the film lacks the dramatic punch produced in OZ. The forest firestorm sequence is very well done & the Unborn Children scenes have genuine pathos.