O Guarda

Affable drunk Egbert Sousé (W.C. Fields) is henpecked at home. He gets a job as a film director over the more drunk director. He accidentally thwarts a bank robbery during his lunch hour claiming it as a heroic action. He is given the job as a bank dick.

This is W.C. Fields at his comedic drunk best. His charisma is up on the screen. He's fun. He's a Forrest Gump of drunks. I'm not sure why he gets the director job other than to make fun of the movie business. The story doesn't need it. I'd rather have him start right away with the bank robbery. The character as a fool works very well. There are instances where his foolishness gets unlikeable like him talking Og into taking the money or claiming his heroic takedown. Egbert needs to be blameless in his random foolish chaos and isn't as loveable as a lying braggart. It would be more appealing for Og to be taken in by the bank robber rather than Egbert. In that situation, Og has limited option other than pleasing his future father-in-law. Overall, it's a fun performance.

As I understand it, W.C. Fields spent at least most of his career playing henpecked drunks. Believe it or not, "The Bank Dick" is the first of his movies that I've ever seen; and I really liked it. Fields plays Egbert Souse - with an acute accent on the E - a bored family man never too aware of his surroundings. One day, he accidentally stops a bank robber but is only too happy to take credit for it. So they make him a security guard.

Throughout parts of the movie, I wasn't sure whether it was going to be as funny as I usually like (and there was a scene portraying a black man in a manner that wouldn't be allowed nowadays), but it was quite entertaining overall and the whole chase was certainly beyond a hoot. I suspect that they had a lot of fun filming it. Moreover, one might interpret Fields's as a look at America's aspirations of getting out of the Depression (that's pure conjecture, so don't quote me).

So, having seen this movie, I understand what W.C. Fields's brand of humor constituted. One can see why Warner Bros. animation department liked to caricature him as a manipulative pig in some cartoons. Worth seeing.

a source of strange joy, even in its quiet and failed moments. great moments mostly mumbled and underplayed so that the film seems so humble and so unaggressive, unlike most comedies now which would wring your neck if they could...Fields' before-its-time irony and self-consciousness about moviemaking is revealed in a throwaway line during the car chase at the end...in the midst of all the obviously speeded-up film and projection effects, Egbert Souse deadpans "you're going to make me have an accident....." I'm almost ready to move into Lompoc, with its Spanish-Americo chili parlor, and, I hope, "rivers of beer flowing over your grandmother's paisley shawl...." and, apparently, absinthe is still available....

W.C. Fields uses his expert timing and his large collection of gags to make "The Bank Dick" a classic comedy that gets even better as it goes along. The amusing, tangled plot gives Fields plenty of material to work with, and the other characters also pitch in to keep you smiling.

After a few amusing introductory scenes that introduce Egbert Sousé, the kind of character Fields loved to play, things really start rolling once Egbert somehow manages to land a job as a bank detective. The wackier the plot gets, the more it shows just how effective Fields's dry style can be. His stoic character and the confusion going on around him often make a hilarious combination. It's very entertaining, goes by quickly, and is filled with comic detail that makes it just as funny when you watch it over again.

A classic comedy from the irreverent W. C. Fields who unapologetically dismantles as many of the Production Code's rules as he can as he frequents the Black Pussy, a bar managed by Shemp Howard, one-third of the Three Stooges. The plot is secondary to the gags, which come thick and fast; they don't always hit, but when they do they're smack bang in the centre of the bullseye.