Anjos da Broadway

This is a wonderful film that many reviews say was way ahead of its time, and it was not a roaring success due to this fact. A very dark drama, it has some wonderful scenes, both sad and touching, but those are rivaled by quite a few confusing and/or dull scenes. Douglas Fairbanks, jr. and Rita Hayworth both act supremely, which luckily saves the film from being a killer. Make sure you give this one your full attention when you watch it, anything less and you'll be lost. If you stay watching, it'll keep you compelled, as well as touch your heart.

This early Rita Hayworth movie shows off her more youthful charms of innocence and good will. She was not yet a femme fatale or a glamour queen, although she does get an opportunity for a brief dance. She was born Margarita ('Rita') Cansino in a family of dancers, so she could dance before she could act, and made numerous film appearances as Rita Cansino before she was reinvented by Columbia Studios. This film has never been released on DVD so I had to buy an old video to see it. It is written, produced, and directed by Ben Hecht, and describes Hecht's Broadway of that era. The unlikely casting of glamour boy Douglas Fairbanks Junior as a small-time chiseller is a surprise. He does tolerably well but is no genius at it. Thomas Mitchell plays an inebriated playwright who five years ago won the Pulitzer Prize but is now a flop. Well, that's Broadway! Or was! I am referring to a time, of course, when they still had plays on Broadway, and not just musicals. Yes, believe it or not, way back in the Stone Age there was something called drama on the Great White Way, but only mastodons and plesiosaurs (got my geological eras mixed up, but who cares) remember it. The film features a fine performance from sad-sack character actor John Qualen as 'Charles Engle', a rather obvious pun on the title of the film, 'Engel' being German for angel. The film is very heavy on dialogue and somewhat preachy, but Hecht's dialogue is interesting and often extremely witty, so even though it is longer than a modern 'text message', it is worth listening to. The film was made, after all, before attention spans shrank to five seconds. The story is rather contrived and corny, and lurches rather heavily in the direction of Moral Messages. Well, good for Hecht, he was trying to get some messages across, rather than just titillate. So he was a bit clumsy at it. The film is still very good and well worth watching. And there is the irresistible Rita to gaze at, in wonder and awe. Sometimes you just want to give her a hug, don'tcha?

1940's "Angels Over Broadway" is actually a little play on words, since the name of one of the main characters is Engle, which in German means Angel (actually spelled Engel).

Written by Ben Hecht, the film stars Douglas Fairbanks, Jr., Rita Hayworth, Thomas Mitchell and John Qualen. It's an interesting and sweet film with very good performances, but you would swear it's based on a play because it is extremely heavy on dialogue.

The story concerns four people who wind up joining forces: a wheeler dealer named Bill O'Brien (Fairbanks Jr.), a suicidal man, Engle (Qualen), a lonely performer, Nina (Hayworth) and a drunken playwright, Eugene Gibbons (Mitchell).

Engle needs to come up with $3,000 by morning that he embezzled; O'Brien thinks Engle is a rich sucker; Nina is looking to meet someone successful; and Gibbons has written another flop. They all are in the same nightclub.

While intoxicated, Gibbons learns Engle's sad story and is determined to help him. His first move - taking back a piece of $12,000 jewelry from his girlfriend -- does not work as, after he takes it, she tells him it's paste.

O'Brien had planned to bring Gibbons to a poker game so he could lose a lot of money to thugs and O'Brien could earn a bonus. However, it is decided that Engle should go instead and skip out after winning the initial money that the players will allow him to win to draw him into a false sense of luck.

Nina goes along, interested in O'Brien, even after she finds out he's broke.

One of the most amusing aspects of the film is that everyone - including the mobsters - knows who the Gibbons character is. They all say,"Oh, yeah, you're the playwright."

Anyone who has ever watched "Jeopardy" knows that today, no one knows current playwrights by name or face, let alone current plays.

The film is interesting as well because is that although this is really four individual stories, the plots converge so that the film is not in the least episodic.

Douglas Fairbanks, Jr. Is marvelous as usual. The man could be the most elegant of British gentlemen or a born and bred New York low-life. Here he is the latter and a delight.

I am so glad a previous comment mentioned Marilyn Monroe - she must have been influenced by Hayworth in this film, as Hayworth's voice and delivery in spots can only be described as pre-Marilyn. Monroe couldn't have had a better role model. Hayworth is just beautiful and gives a sympathetic portrayal of Nina.

Mitchell's performance is heartrending, especially when he calls his wife on the telephone. Qualen has precious little dialogue but he, too, does a great job as a desperate man.

Definitely recommended for the acting and the structure of the film, which is masterful.

We were intrigued by this movie last night when it showed on TCM. I've always been a Ben Hecht fan so it was good to see something I'd never seen before - in the old days, Bill Kennedy out of Windsor/Detroit showed many old films on his TV show at 1 pm but I don't remember ever seeing this one. Rita Hayworth was just glorious! As usual. I wonder if Marilyn Monroe saw this movie and used Rita's slight speech impediment. Douglas Fairbanks Jr. is always wonderful. I'm a fan of such actors as John Qualen and Thomas Mitchell. They are good in everything. I also liked finding two new actors to look for in old films, Jack Roper, the boxer who played Eddie, and Eddie Foster who played Louie Artino. The black & white was almost delicious, the rain put the movie into a certain mood and the sets were perfection. Wardrobe was easy, no one changed, except for taking off their rain coats. I liked it and I want to see it again soon, which shouldn't be a problem with TCM, they have started showing the same movies over & over anyway. I recommend Angels Over Broadway!

I first became friends with Rita when I was 22 and the same age as she is in this only film of hers I had never seen till last night. On that night she and Hermes Pan (master choreographer)were slumming to show her what a coffee house was like, and my roommate who knew Hermes invited them to the hippie like house in an alley way in West Hollywood we shared.We both were in love with the Goddess and did black magic (amateur)to see that Hermes would bring her and it worked.Rita was 38 an still beautiful,a gypsy who drank our cheap wine,and we talked and laughed till dawn. From that day forward,we spent three or four nights a week at her home on Hartford and she often burnt dinner for us and we drank Dom Perignon and we danced and laughed and she told stories and her Brooklyn accent would come out (I hear it a lot in ANGELS) Rita always insisted she could act and this film showed her talent and some of her incredible allure which was emerging.I think she did BLOOD AND SAND the next year where she was outrageously sensual and cruel.She was great in that.Paulene Kael disliked her because she was dubbed by Anita Ellis in most films even though Rita had a decent voice. I found this Hecht film to be far ahead of its time with terrific casting and dialogue which sounded like Mankiewicz in a way,and a touch of Damon Runyon with sophistication.It is an odd, and terrific film and my Rita was really good and I watched her and she "listened" to other actors like a seasoned performer.She still is magical and her presence on film still excites.