Andy Hardy e a Gran-fina

I am a huge fan of Judy so this review may be biased. I enjoyed this very much. "I'm Nobody's Baby" was typical early Judy. She and Mickey make a delightful team. They just make me smile when they come on screen. You can tell they had a blast working together. I especially like when Mickey goes out on the town and his shirt stud...I like at the very end of the movie when he looks at his photographs and says, "How one's women do mount up!" Just priceless.

Just by the title alone you know that Mickey Rooney is once again going to have some woman trouble. Andy Hardy Meets Debutante has the Hardy family going to New York to make a holiday of it because Lewis Stone has a court case there. Judge Hardy is stepping off the bench in Carvel and going to New York to represent an orphanage in Carvel that is in danger of closing due to a loophole in a trust agreement the Judge drew up while he was still in private practice.

Rooney is once again putting his steady girlfriend Ann Rutherford on hold again while he fantasizes about Diana Lewis who is a Paris Hilton type débutante. When the Hardys arrive in New York they stay with Judy Garland's family whom we met in a previous Hardy film. And of course Andy in his naive way makes a huge fool of himself a few different ways in the film.

Judy Garland's two songs are the highlight of the film. She sings I'm Nobody's Baby written for this film and Alone which MGM owned the copyright for having been sung most memorably by Allan Jones in A Night At The Opera. As it turns out she knows Diana Lewis and Judy plays little Miss Fixit and cures Rooney of his puppy love. Of course you know the next Hardy film, he'll be back and involved in some other romantic mess. Why Ann Rutherford just didn't give that boy the heave-ho is one of the screen's greatest mysteries.

There is also a very touching scene one of the best father and son moments with Lewis Stone and Mickey Rooney when they visit New York City's Hall Of Fame at New York University Bronx campus. Rooney is wishing that the Hardys who are big-shots in Carvel had a little more class and were mixing easily in society with Diana Lewis's crowd. Stone gives him a most stern lecture about all the people in that Hall of Fame who started from nothing and made the country what it is. It was one of the best patriotic moments in an era where the screen was starting to fill with such sentiments I've ever seen.

Andy Hardy Meets Debutante still holds up well and should be seen for Judy Garland's singing and Lewis Stone's very unsentimental but very real lecture on the spirit of America.

Andy Hardy (Mickey Rooney) has been bragging again, claiming that New York debutante Daphne Fowler is somebody that he knows, that she likes him, and that he must break up with Polly Benedict (Ann Rutherford) because of this attachment. When Judge Hardy must go to New York City to take care of an issue involving the estate of the benefactor of the Carvel Orphanage having stopped funding, the entire family is going with him. So Polly plans to embarrass Andy with the cover of the next copy of the High School magazine unless Andy returns with a photo of himself and Daphne together. Complications ensue.

Andy pulls a bunch of bone-headed stunts trying to meet Ms. Fowler, the result being that rather than him being angry at himself for trying to plunge headlong into the adult world of New York society without the wisdom or knowledge to do so, he feels the problem is that he and his entire family are a bunch of "nobodies" who have no position in a place like New York, and therefore will always be nobodies. Has Andy's reticence to read prices on a menu turned him into a Marxist? The judge takes him to task and even more complications ensue.

The real attraction here is Judy Garland who returns as Betsy Booth, a younger girl who has always had a crush on Andy. She's a better friend than he deserves and a real sticking point for me is that he doesn't seem to really appreciate her, even if he says that he does.

Highlights include a couple of numbers by the effervescent Judy Garland, when she was a young fresh face at MGM. Also, the judge and Aunty Milly have a word over a conspiracy they have going to get Mrs. Hardy to accept a fur coat, showing that they really had a very good friendship going.

A movie made 60yrs ago, is still one of my favourites. If you want a light-hearted comedy, superbly acted & directed this may be the movie for you. Judy Garland was beautiful (as ever!) & her radiance in this film is one of the highlights. One could wax lyrical for ages about this film, but I won't. Just when you get the opportunity to view this film, do it. You won't be disappointed.

The Judy Garland many venerate today is the post-Plaza Theater (c.1951) Judy --damaged, pill-popping, alcoholic, overweight--the inspiration for female-impersonators everywhere because of her unique way of pouring out a broken heart in song while living life on the brink as Liza's mother. But the real Judy, the Judy who won America's heart back in the late 1930s is this incandescent teenager, eighteen years old at the time of this film. Those who find the later Judy's manner of acting and singing over-the-top, a bit vulgar, should listen here to the sheer beauty and purity of her soprano voice, her flawless enunciation and phrasing, her feeling for jazz, her utter simplicity. What's more she was a superb actress; witness the scene in the Central Park hansom cab with Mickey, so touchingly real and affecting. It is said that Stella Adler, who was to become Marlon Brando's teacher, but working for Arthur Freed at MGM at that time, was a great supporter of her amazing talent; perhaps Stella coached her acting. The story of this film is typically silly and dated but Judy and Mickey together are as always wonderful!